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Baby, Please Don't Go
"Baby, Please Don't Go" is a traditional blues song that was popularized by Delta blues musician Big Joe Williams in 1935. Many cover versions followed, leading to its description as "one of the most played, arranged, and rearranged pieces in blues history" by French music historian Gérard Herzhaft. After World War II, Chicago blues and rhythm and blues artists adapted the song to newer music styles. In 1952, a doo-wop version by the Orioles reached the top ten on the R&B chart. In 1953, Muddy Waters recorded the song as an electric Chicago-ensemble blues piece, which influenced many subsequent renditions. By the early 1950s, the song became a blues standard. In the 1960s, "Baby, Please Don't Go" became a popular rock song after the Northern Irish group Them recorded it in 1964. Jimmy Page, a studio guitarist at the time, participated in the recording session, possibly on rhythm guitar. Subsequently, Them's uptempo rock arrangement also made it a rock standard. AC/DC and Aer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Joe Williams
Joseph Lee "Big Joe" Williams (October 16, 1903 – December 17, 1982) was an American Delta blues guitarist, singer and songwriter, notable for the distinctive sound of his nine-string guitar. Performing over five decades, he recorded the songs "Baby Please Don't Go", " Crawlin' King Snake" and "Peach Orchard Mama", among many others, for various record labels, including Bluebird, Delmark, Okeh, Prestige and Vocalion. He was inducted into the Blues Hall of Fame on October 4, 1992. The blues historian Barry Lee Pearson (''Sounds Good to Me: The Bluesman's Story'', ''Virginia Piedmont Blues'') described Williams's performance: :When I saw him playing at Mike Bloomfield's "blues night" at the Fickle Pickle, Williams was playing an electric nine-string guitar through a small ramshackle amp with a pie plate nailed to it and a beer can dangling against that. When he played, everything rattled but Big Joe himself. The total effect of this incredible apparatus produced the most buzz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aerosmith
Aerosmith is an American Rock music, rock band formed in Boston in 1970. The group consists of Steven Tyler (lead vocals), Joe Perry (musician), Joe Perry (guitar), Tom Hamilton (musician), Tom Hamilton (bass), Joey Kramer (drums) and Brad Whitford (guitar). Their style, which is rooted in blues-based hard rock, has also incorporated elements of pop rock, heavy metal music, heavy metal, glam metal, and rhythm and blues, and has inspired many subsequent rock artists. They are sometimes referred to as "the Bad Boys from Boston" and "America's Greatest Rock and Roll Band".Whatever there is to say now about Aerosmith, the long-lasting, hard-rocking quintet that has often been billed or hyped as America's greatest rock and roll band, it could have been said two decades ago. The primary songwriting team of Tyler and Perry is often known as the "Toxic Twins". Perry and Hamilton, originally in a band together called the Jam Band, met up with Tyler, Kramer, and guitarist Ray Tabano, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monette Moore
Monette Moore (May 19, 1902 in Gainesville, Texas – October 21, 1962 in Garden Grove, California) was an American jazz and classic female blues singer. Moore was raised in Kansas City, Missouri. She taught herself to play the piano in her teens and worked as a theater pianist in Kansas City in the early 1920s.Harris 1994, p. 385. In 1923 and 1924 she recorded for Paramount Records in Chicago and New York City, relocating to the latter city.Yanow, Allmusic In the 1920s she worked in Chicago, Dallas and Oklahoma City. She sang with Charlie Johnson's ensemble at Smalls Paradise and recorded with him in 1927 and 1928. She recorded 44 songs from 1923 to 1927, some under the name Susie Smith. Her sidemen included Tommy Ladnier, Jimmy O'Bryant, Jimmy Blythe, Bob Fuller, Rex Stewart, Bubber Miley, and Elmer Snowden. From 1924-1941 she worked in theaters and clubs in New York. She appeared with Lucky Millinder at the Lafayette Theater in 1931. In the 1930s, Moore recorded with Fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lead Belly
Huddie William Ledbetter (; January 20, 1888 – December 6, 1949), better known by the stage name Lead Belly, was an American folk music, folk and blues singer notable for his strong vocals, Virtuoso, virtuosity on the twelve-string guitar, and the folk standards he introduced, including his renditions of "In the Pines", "Goodnight, Irene", "Midnight Special (song), Midnight Special", "Cotton Fields", and "Boll Weevil (song), Boll Weevil". Lead Belly usually played a twelve-string guitar, but he also played the piano, mandolin, harmonica, violin, and diatonic accordion, windjammer. In some of his recordings, he sang while clapping his hands or stomping his foot. Lead Belly's songs covered a wide range of genres, including gospel music, blues, and folk music, as well as a number of topics, including women, liquor, prison life, racism, cowboys, work, sailors, cattle herding, and dancing. He also wrote songs about people in the news, such as Franklin D. Roosevelt, Adolf Hitl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Patton
Charley Patton (April 1891 (probable) – April 28, 1934), also known as Charlie Patton, was an American Delta blues musician and songwriter. Considered by many to be the "Father of the Delta Blues", he created an enduring body of American music and inspired most Delta blues musicians. The musicologist Robert Palmer considered him one of the most important American musicians of the twentieth century. Patton (who was well educated by the standards of his time) spelled his name ''Charlie'', but many sources, including record labels and his gravestone, use the spelling ''Charley''. Biography Patton was born in Hinds County, Mississippi, near the town of Edwards, and lived most of his life in Sunflower County, in the Mississippi Delta. Most sources say he was born in April 1891, but the years 1881, 1885 and 1887 have also been suggested. Patton's parentage and race also are uncertain. His parents were Bill and Annie Patton, but locally he was regarded as having been fathered by f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaudeville
Vaudeville (; ) is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs or ballets. It became popular in the United States and Canada from the early 1880s until the early 1930s, but the idea of vaudeville's theatre changed radically from its French antecedent. In some ways analogous to music hall from Victorian Britain, a typical North American vaudeville performance was made up of a series of separate, unrelated acts grouped together on a common bill. Types of acts have included popular and classical musicians, singers, dancers, comedians, trained animals, magicians, ventriloquists, strongmen, female and male impersonators, acrobats, clowns, illustrated songs, jugglers, one-act plays or scenes from plays, athletes, lecturing celebrities, minstrels, and movies. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm Alabama Bound
"I'm Alabama Bound" is a ragtime melody composed by Robert Hoffman in 1909. Hoffman dedicated it to an M. T. Scarlata. The cover of its first edition, published by Robert Ebberman, New Orleans, 1909, advertises the music as "Also Known As The Alabama Blues" which has led some to suspect it of being one of the first blues songs. However, as written, it is an up-tempo rag (Rag Time Two Step) with no associated lyrics. The song has been recorded numerous times in different styles—both written and in sound recordings—with a number of different sets of lyrics. Two recording artists claimed composing credits for the tune under two different titles and both with differing lyrics: Trixie Smith for "Railroad Blues" (Paramount 12262, 1925) and Ferdinand "Jelly Roll" Morton for "Don't You Leave Me Here" (Bluebird 10450, 1939). In addition, Lead Belly also recorded another well-known version of "I'm Alabama Bound", in 1940. History The earliest lyrics expressing the sentiment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bud Green
Bud Green (19 November 1897 – 2 January 1981) was an American lyricist especially of Broadway musicals and show tunes Early life and family Green was born Moses David Green in the Austro-Hungarian Empire and immigrated to the United States as an infant. Bud Green (Buddy) grew up in Harlem at 108th & Madison Avenue at the turn of the 20th century, the eldest of seven. He dropped out of elementary school to sell newspapers and help the family. While selling papers, he decided to become a songwriter and started keeping a notebook of poems and rhymes that he thought would be useful someday. His sister, Hannah, was married to the lyricist Bob Russell (1914–1970), who wrote "Brazil", "Frenesi", "Don't Get Around Much Anymore", "He Ain't Heavy, He's My Brother" and many other songs. Career In his early career, he wrote material for vaudevilles. He was a staff writer for music publishers and wrote Broadway stage scores as well as songs for other musicals. By 1928, he had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy DeSylva
George Gard "Buddy" DeSylva (January 27, 1895 – July 11, 1950) was an American songwriter, film producer and record executive. He wrote or co-wrote many popular songs and, along with Johnny Mercer and Glenn Wallichs, he co-founded Capitol Records. Biography DeSylva was born in New York City, but grew up in California, and attended the University of Southern California, where he joined the Theta Xi Fraternity. His Portuguese-born father, Aloysius J. De Sylva, was better known to American audiences as actor Hal De Forrest. His father was also a lawyer as well as an actor. His mother, Georgetta Miles Gard, was the daughter of Los Angeles police chief George E. Gard. DeSylva's first successful songs were those used by Al Jolson on Broadway in the 1918 production of ''Sinbad'', which included "I'll Say She Does". Soon thereafter, he met Jolson and in 1918 the pair went to New York and DeSylva began working as a songwriter in Tin Pan Alley. In the early 1920s, DeSylva frequent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Henderson
Ray Henderson (born Raymond Brost; December 1, 1896 – December 31, 1970) was an American songwriter. Early life Born in Buffalo, New York, United States, Henderson moved to New York City and became a popular composer in Tin Pan Alley. He was one third of a successful songwriting and music publishing team with Lew Brown and Buddy De Sylva from 1925 through 1930, responsible for several editions of the revue called ''George White's Scandals'' and such book musicals as ''Good News (musical), Good News'', ''Hold Everything!'', and ''Follow Thru (musical), Follow Thru''. After De Sylva's departure, Henderson continued to write with Brown through 1933. Then, he worked with other partners. In 1934, he composed the musical ''Say When (musical), Say When'' with lyricist Ted Koehler. Music Henderson's biggest hit songs included "Annabelle" (1923), "Bye Bye Blackbird", "Has Anybody Seen My Girl?" (a/k/a "Five Foot Two, Eyes of Blue"), "I'm Sitting on Top of the World", "Don't Bring Lulu" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tin Pan Alley
Tin Pan Alley was a collection of music publishers and songwriters in New York City that dominated the popular music of the United States in the late 19th and early 20th centuries. It originally referred to a specific place: West 28th Street between Fifth and Sixth Avenues in the Flower District of Manhattan; a plaque (see below) on the sidewalk on 28th Street between Broadway and Sixth commemorates it. In 2019, the New York City Landmarks Preservation Commission took up the question of preserving five buildings on the north side of the street as a Tin Pan Alley Historic District. The agency designated five buildings (47–55 West 28th Street) individual landmarks on December 10, 2019, after a concerted effort by the "Save Tin Pan Alley" initiative of the 29th Street Neighborhood Association. Following successful protection of these landmarks, project director George Calderaro and other proponents formed the Tin Pan Alley American Popular Music Project to continue and com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alabamy Bound
"Alabamy Bound" is a Tin Pan Alley tune written in 1924, with music by Ray Henderson and words by Buddy DeSylva and Bud Green. It was popularized by Al Jolson and included in the musical ''Kid Boots'', where it was sung by Eddie Cantor. Successful recordings of the song were released in 1925 by Paul Whiteman, Isham Jones and Fletcher Henderson (instrumentals), as well as Blossom Seeley, whose vocal version reached number 2 on the charts. The song has sold over a million copies of sheet music and has been included in several films over the years. Song history "Alabamy Bound" was the first collaboration between lyricist Buddy DeSylva and composer Ray Henderson, a partnership that would last until 1930 (with lyricist Lew Brown instead of Bud Green). DeSylva gave the song to singer Al Jolson, who liked it and began performing it on every occasion, including special appearances, nightclubs and restaurants. The song became associated with him and a hit before it was even recorded. Sheet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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