Bab Mansur Al-'Alj
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Bab Mansur Al-'Alj
Bab Mansur al-'Alj or Bab Mansour (also variously spelled as Bab Mansour al-'Ilj, Bab Mansour al-Eulj, Bab el-Mansour, Bab Mansur, etc.) is a monumental gate in the city of Meknes, Morocco. Located on the south side of ''Place el-Hedim'' (el-Hedim Square) in the old city, it was originally the main ceremonial entrance to the Kasbah (royal citadel) of Sultan Moulay Isma'il, built in the late 17th and early 18th centuries. Today it is one of the most famous and admired landmarks in the city. History Begun in the later years of Moulay Isma'il's reign, the gate was finished in 1732 by his son Moulay Abdallah. The gate's purpose was more ceremonial than defensive, aiming to impress visitors. Its name comes from the architect and designer of the gate, Mansour al-'Alj (the "Victorious Apostate"), a former Christian slave who converted to Islam. Another ornate gate, Bab Jama' en-Nouar, also stands a short distance to the southwest along the same wall. It has similar decoration to the ...
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Bab Mansour DSCF5811
Bab or BAB can refer to: *Bab (toponymy), a component of Arabic toponyms literally meaning "gate" * Set (mythology) (also known as Bab, Baba, or Seth) ancient Egyptian God * Bab (Shia Islam), a term designating deputies of the Imams in Shia Islam * Báb (Sayyid `Alí Muḥammad Shírází, 1819–1850), founder of Bábism and a central figure in the Bahá'í Faith * Bab-ı Âli, the gate to the palace of the Grand vizier of the Ottoman Empire * Báb, Nitra District, a village and municipality in the Nitra District in western central Slovakia * Bab Ballads, cartoons published by W. S. Gilbert under the childhood nickname, ''Bab'' * Back-arc basin, a geologic feature: a submarine basin associated with island arcs and subduction zones * "Base Attack Bonus", a term used in d20 System RPG games * Beale Air Force Base (IATA airport code: BAB), in California * ''Biotechnology and Applied Biochemistry'', an academic journal * Boris Berezovsky (businessman) (1946–2013), Boris Abramovic ...
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Bastion
A bastion or bulwark is a structure projecting outward from the curtain wall of a fortification, most commonly angular in shape and positioned at the corners of the fort. The fully developed bastion consists of two faces and two flanks, with fire from the flanks being able to protect the curtain wall and the adjacent bastions. Compared with the medieval fortified towers they replaced, bastion fortifications offered a greater degree of passive resistance and more scope for ranged defence in the age of gunpowder artillery. As military architecture, the bastion is one element in the style of fortification dominant from the mid 16th to mid 19th centuries. Evolution By the middle of the 15th century, artillery pieces had become powerful enough to make the traditional medieval round tower and curtain wall obsolete. This was exemplified by the campaigns of Charles VII of France who reduced the towns and castles held by the English during the latter stages of the Hundred Years War, ...
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Spandrel
A spandrel is a roughly triangular space, usually found in pairs, between the top of an arch and a rectangular frame; between the tops of two adjacent arches or one of the four spaces between a circle within a square. They are frequently filled with decorative elements. Meaning There are four or five accepted and cognate meanings of the term ''spandrel'' in architectural and art history, mostly relating to the space between a curved figure and a rectangular boundary – such as the space between the curve of an arch and a rectilinear bounding moulding, or the wallspace bounded by adjacent arches in an arcade and the stringcourse or moulding above them, or the space between the central medallion of a carpet and its rectangular corners, or the space between the circular face of a clock and the corners of the square revealed by its hood. Also included is the space under a flight of stairs, if it is not occupied by another flight of stairs. In a building with more than one floor ...
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Tile
Tiles are usually thin, square or rectangular coverings manufactured from hard-wearing material such as ceramic, stone, metal, baked clay, or even glass. They are generally fixed in place in an array to cover roofs, floors, walls, edges, or other objects such as tabletops. Alternatively, tile can sometimes refer to similar units made from lightweight materials such as perlite, wood, and mineral wool, typically used for wall and ceiling applications. In another sense, a tile is a construction tile or similar object, such as rectangular counters used in playing games (see tile-based game). The word is derived from the French word ''tuile'', which is, in turn, from the Latin word ''tegula'', meaning a roof tile composed of fired clay. Tiles are often used to form wall and floor coverings, and can range from simple square tiles to complex or mosaics. Tiles are most often made of ceramic, typically glazed for internal uses and unglazed for roofing, but other materials are also c ...
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Mosaic
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world. Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms. Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman Kingdom of Sicily in the 12th century, by the eastern-influenced Republic of Venice, and among the Rus. Mosaic fell ou ...
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Zellij
''Zellij'' ( ar, الزليج, translit=zillīj; also spelled zillij or zellige) is a style of mosaic tilework made from individually hand-chiseled tile pieces. The pieces were typically of different colours and fitted together to form various patterns on the basis of tessellations, most notably elaborate Islamic geometric motifs such as radiating star patterns. This form of Islamic art is one of the main characteristics of architecture in the western Islamic world. It is found in the architecture of Morocco, the architecture of Algeria, early Islamic sites in Tunisia, and in the historic monuments of al-Andalus (in the Iberian Peninsula). From the 14th century onwards, ''zellij'' became a standard decorative element along lower walls, in fountains and pools, on minarets, and for the paving of floors. After the 15th century the traditional mosaic ''zellij'' fell out of fashion in most countries except for Morocco, where it continues to be produced today. ''Zellij'' is found in ...
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Polychrome
Polychrome is the "practice of decorating architectural elements, sculpture, etc., in a variety of colors." The term is used to refer to certain styles of architecture, pottery or sculpture in multiple colors. Ancient Egypt Colossal statue of Tutankhamun Paris 2019 A.jpg, Polychrome quartzite colossal statue of Tutankhamun, 1355-1315 BC Nofretete Neues Museum.jpg, Polychrome limestone and plaster ''Bust of Nefertiti'', 1352–1336 BC Composite Papyrus Capital MET 10.177.2 EGDP018080.jpg, Polychrome sandstone Composite papyrus capital, 380–343 BC Medinet Habu 2016-03-23g.jpg, Polychrome winged sun on a cavetto from the Medinet Habu temple complex, unknown date Classical world Some very early polychrome pottery has been excavated on Minoan Crete such as at the Bronze Age site of Phaistos. In ancient Greece sculptures were painted in strong colors. The paint was frequently limited to parts depicting clothing, hair, and so on, with the skin left in the natural co ...
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Moroccan Architecture
Moroccan architecture refers to the architecture characteristic of Morocco throughout its history and up to modern times. The country's diverse geography and long history, marked by successive waves of settlers through both migration and military conquest, are all reflected in its architecture. This architectural heritage ranges from ancient Roman and Berber (Amazigh) sites to 20th-century colonial and modern architecture. The most recognizably "Moroccan" architecture, however, is the traditional architecture that developed in the Islamic period (7th century and after) which dominates much of Morocco's documented history and its existing heritage. This "Islamic architecture" of Morocco was part of a wider cultural and artistic complex, often referred to as " Moorish" art, which characterized Morocco, al-Andalus (Muslim Spain and Portugal), and parts of Algeria and even Tunisia. It blended influences from Berber culture in North Africa, pre-Islamic Spain (Roman, Byzantine, and ...
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Darj Wa Ktaf
''Sebka'' () refers to a type of decorative motif used in western Islamic ("Moorish") architecture and Mudéjar architecture. History and description Various types of interlacing rhombus-like motifs are heavily featured on the surfaces of minarets and other architectural elements in Morocco and al-Andalus during the Almohad period (12th–13th centuries). They continued to spread to other decorative mediums such as carved stucco over the walls of various buildings in Marinid and Nasrid architecture, eventually becoming a standard feature in the western Islamic ornamental repertoire, often in combination with arabesque elements. George Marçais, an important 20th-century scholar on the architecture of the region, argues that this motif originated with the complex interlacing arches in the 10th-century extension of the Great Mosque of Cordoba by Caliph al-Hakam II. It was then miniaturized and widened into a repeating net-like pattern that can cover surfaces. This motif, ...
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Volubilis
Volubilis (; ar, وليلي, walīlī; ber, ⵡⵍⵉⵍⵉ, wlili) is a partly excavated Berber-Roman city in Morocco situated near the city of Meknes, and may have been the capital of the kingdom of Mauretania, at least from the time of King Juba II. Before Volubilis, the capital of the Kingdom may have been at Gilda. Built in a fertile agricultural area, it developed from the 3rd century BC onward as a Berber, then proto-Carthaginian, settlement before being the capital of the kingdom of Mauretania. It grew rapidly under Roman rule from the 1st century AD onward and expanded to cover about with a circuit of walls. The city gained a number of major public buildings in the 2nd century, including a basilica, temple and triumphal arch. Its prosperity, which was derived principally from olive growing, prompted the construction of many fine town-houses with large mosaic floors. The city fell to local tribes around 285 and was never retaken by Rome because of its remoteness and ...
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Ancient Rome
In modern historiography, ancient Rome refers to Roman civilisation from the founding of the city of Rome in the 8th century BC to the collapse of the Western Roman Empire in the 5th century AD. It encompasses the Roman Kingdom (753–509 BC), Roman Republic (509–27 BC) and Roman Empire (27 BC–476 AD) until the fall of the western empire. Ancient Rome began as an Italic settlement, traditionally dated to 753 BC, beside the River Tiber in the Italian Peninsula. The settlement grew into the city and polity of Rome, and came to control its neighbours through a combination of treaties and military strength. It eventually dominated the Italian Peninsula, assimilated the Greek culture of southern Italy ( Magna Grecia) and the Etruscan culture and acquired an Empire that took in much of Europe and the lands and peoples surrounding the Mediterranean Sea. It was among the largest empires in the ancient world, with an estimated 50 to 90 million inhabitants, roughly 20% of t ...
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Capital (architecture)
In architecture the capital (from the Latin ''caput'', or "head") or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order established in the 16th century on a hint from the Arch of Titus, adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architectural orde ...
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