BWV 93
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BWV 93
The (BWV; ; ) is a Catalogues of classical compositions, catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998. The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example, BWV 992 was composed many years before BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The BWV Anh., Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions. History The first edition of the ''Bach-Werke-Verzeichnis'' was published in 1950. It allocated a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 1 ...
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List Of Bach Cantatas
This is a sortable list of Bach cantatas, the cantatas composed by Johann Sebastian Bach. His almost 200 extant cantatas are among his important Vocal music (Bach), vocal compositions. Many are known to be lost. Bach composed both Church cantata (Bach), church cantatas, most of them for specific occasions of the liturgical year of the Lutheran Church, and List of secular cantatas by Johann Sebastian Bach, secular cantatas. Bach's early cantatas, Bach's earliest cantatas were written possibly from 1707, the year he moved to Mühlhausen, although he may have begun composing them at his previous post in Arnstadt. He began regular composition of Weimar cantata (Bach), church cantatas in Weimar between 1708 and 1717, writing one cantata per month. In his next position in Köthen, he composed no church cantatas, but secular cantatas for the court. Most of Bach's church cantatas date from his first years as and director of church music in Leipzig, a position which he took up in 1723. Wo ...
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Catalogues Of Classical Compositions
This article gives an overview of various catalogues of classical compositions that have come into general use. Opus numbers While the opus numbering system has long been the standard manner in which individual compositions are identified and referenced, it is far from universal, and there have been many different applications of the system. Very few composers gave opus numbers to all of their published works without exception: * Some composers used it for certain genres of music but not for others (for example, in Handel's time, it was normal to apply opus numbers to instrumental compositions but not to vocal compositions such as operas, oratorios, etc.). * Some composers gave opus numbers to some of their early compositions but abandoned the practice after some time (examples include Liszt and Hindemith). * Some used it in a very erratic manner or were subject to the wishes of their publishers, who for commercial reasons often presented works with opus numbers that bore little r ...
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