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BWV 193
also called (You gates of Zion), BWV 193, is a sacred cantata by Johann Sebastian Bach. He composed it in Leipzig for , the inauguration of a new town council, in 1727 and first performed it on 25 August 1727. The music survives in an incomplete state. History and words While living in Leipzig Bach composed several cantatas for the ''Ratswechsel'', the inauguration of the newly elected town council. This event took place in a festive service, which was not part of the liturgical year, on the Monday following the feast of St. Bartholomew on 24 August. In 1723, Bach's first year in Leipzig, he began the series with . Another cantata was performed in 1725, but only the text has survived. Bach first performed , BWV 193 on 25 August 1727 at St. Nicholas Church. The words are by an unknown poet, who is assumed by Christoph Wolff to have been Bach's regular collaborator Picander, the librettist of the related secular cantata. The text identifies Leipzig with the holy city o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Cantata (Bach)
Throughout his life as a musician, Johann Sebastian Bach composed cantatas for both secular and sacred use. His church cantatas are cantatas which he composed for use in the Lutheran church, mainly intended for the occasions of the liturgical year. Bach's ''Nekrolog'' mentions five cantata cycles: "Fünf Jahrgänge von Kirchenstücken, auf alle Sonn- und Festtage" (Five year-cycles of pieces for the church, for all Sundays and feast days), which would amount to at least 275 cantatas,Alfred Dörffel. Bach-Gesellschaft Ausgabe Volume 27: '' Thematisches Verzeichniss der Kirchencantaten No. 1–120''. Breitkopf & Härtel, 1878. Introduction, p. VI or over 320 if all cycles would have been ideal cycles.Günther Zedler''Die Kantaten von Johann Sebastian Bach: Eine Einführung in die Werkgattung''.Books on Demand, 2011. p. 24–25/ref> The extant cantatas are around two-thirds of that number, with limited additional information on the ones that went missing or survived as fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 121
Psalm 121 is the 121st psalm of the Book of Psalms, beginning in English in the King James Version: "I will lift up mine eyes unto the hills, from whence cometh my help.". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 120. In Latin, it is known as Levavi oculos meos in montes. It is one of 15 psalms categorized as Song of Ascents (''Shir Hama'alot''), although unlike the others, it begins, ''Shir LaMa'alot'' (A song ''to'' the ascents). The psalm is structured as a dialogue, with its opening question, ''From whence comes my help?'' being answered, possibly in a temple setting, by the priest.Rodd, C. S., ''18. Psalms'', in Barton, J. and Muddiman, J. (2001)The Oxford Bible Commentary p. 399 The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. It has been set to music in several languages. Felix Mendelssohn used it for ''Hebe deine Augen au ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reinhold Kubik
Reinhold Kubik (born 22 March 1942, Vienna) is an Austrian musicologist, pianist and conductor. Biography From 1966 to 1974, Kubik worked as a repetiteur, coach, and Kapellmeister at the Deutsche Oper am Rhein in Düsseldorf and Duisburg. From 1974 to 1980, Kubik did research for a PhD on Handel's ''Rinaldo'' at Erlangen. He has also been a pianist, composer, choir director and lecturer. Kubik was editor-in-chief of Hänssler Verlag and has worked at Universal Edition Wien. He taught at the University of Music and Performing Arts Vienna, in Nuremberg, Karlsruhe, London, and at Yale University. Kubik is married to the Baroque scholar, singer and dance pedagogue Margit Legler. Legler and Kubik have jointly written about and presented productions related to Baroque music, dance, and theatre. IGMG tenure From 1993 to 2012, Kubik was editor-in-chief of the Critical Complete Edition of the Works of Gustav Mahler and vice president of the ''Internationale Gustav Mahler Gesellschaf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helmuth Rilling
Helmuth Rilling (born 29 May 1933) is a German choral conductor and an academic teacher. He is the founder of the Gächinger Kantorei (1954), the Bach-Collegium Stuttgart (1965), the Oregon Bach Festival (1970), the Internationale Bachakademie Stuttgart (1981) and other Bach Academies worldwide, as well as the "Festival Ensemble Stuttgart" (2001) and the "Junges Stuttgarter Bach Ensemble" (2011). He taught choral conducting at the Frankfurt Musikhochschule from 1965 to 1989 and led the Frankfurter Kantorei from 1969 to 1982. Education Rilling was born into a musical family. He received his early training at the Protestant Seminaries in Württemberg. From 1952 to 1955 he studied organ, composition, and choral conducting at the Stuttgart College of Music. He completed his studies with Fernando Germani in Rome and at the Accademia Musicale Chigiana in Siena. While still a student in 1954, he founded his first choir, the Gächinger Kantorei. Starting in 1957, he was organist and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timpani
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands. ''Timpani'' is an Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpets
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinct t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basso Continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the ''continuo group''. Forces The composition of the continuo group is often left to the discretion of the performers (or, for a large performance, the conductor), and practice varied enormously within the Baroque period. At least one instrument capable of playing chords must be included, such as a harpsichord, organ, lute, theorbo, guitar, regal, or harp. In addition, any number of instruments that play in the bass register may be included, such as cello, double bass, bass viol, or bassoon. In modern performances of chamber works, the most common combination is harpsichord and cello for instrumental works and secular vocal works, such as operas, and organ and cello for sacred music. A double bass may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parody Music
Parody music, or musical parody, involves changing or copying existing (usually well known) musical ideas, and/or lyrics, or copying the particular style of a composer or performer, or even a general style of music. In music, parody has been used for many different purposes and in various musical contexts: as a serious compositional technique, as an unsophisticated re-use of well-known melody to present new words, and as an intentionally humorous, even mocking, reworking of existing musical material, sometimes for satirical effect. Examples of musical parody with completely serious intent include parody masses in the 16th century, and, in the 20th century, the use of folk tunes in popular song, and neo-classical works written for the concert hall, drawing on earlier styles. "Parody" in this serious sense continues to be a term in musicological use, existing alongside the more common use of the term to refer to parody for humorous effect. Etymology The word "parody" derives from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augustus II The Strong
Augustus II; german: August der Starke; lt, Augustas II; in Saxony also known as Frederick Augustus I – Friedrich August I (12 May 16701 February 1733), most commonly known as Augustus the Strong, was Elector of Saxony from 1694 as well as King of Poland and Grand Duke of Lithuania in the years 1697–1706 and from 1709 until his death in 1733. He belonged to the Albertine line of the House of Wettin. Augustus' great physical strength earned him the nicknames "the Strong", "the Saxon Hercules" and "Iron-Hand". He liked to show that he lived up to his name by breaking horseshoes with his bare hands and engaging in fox tossing by holding the end of his sling with just one finger while two of the strongest men in his court held the other end.Sacheverell Sitwell. ''The Hunters and the Hunted'', p. 60. Macmillan, 1947. He is also notable for fathering a very large number of children. In order to be elected King of the Polish–Lithuanian Commonwealth, Augustus converted to Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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