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Byronic
The Byronic hero is a variant of the Romantic hero as a type of character, named after the English Romantic poet Lord Byron. Both Byron's own persona as well as characters from his writings are considered to provide defining features to the character type. The Byronic hero first reached a very wide public in Byron's semi-autobiographical epic narrative poem ''Childe Harold's Pilgrimage'' (1812–1818). Historian and critic Lord Macaulay described the character as "a man proud, moody, cynical, with defiance on his brow, and misery in his heart, a scorner of his kind, implacable in revenge, yet capable of deep and strong affection". Byron's poems with Oriental settings show more "swashbuckling" and decisive versions of the type. Later works show Byron progressively distancing himself from the figure by providing alternative hero types, like Sardanapalus (''Sardanapalus''), Juan (''Don Juan'') or Torquil ("The Island"), or, when the figure is present, by presenting him as less sym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Childe Harold's Pilgrimage
''Childe Harold's Pilgrimage'' is a long narrative poem in four parts written by Lord Byron. The poem was published between 1812 and 1818. Dedicated to " Ianthe", it describes the travels and reflections of a world-weary young man, who is disillusioned with a life of pleasure and revelry and looks for distraction in foreign lands. In a wider sense, it is an expression of the melancholy and disillusionment felt by a generation weary of the wars of the post-Revolutionary and Napoleonic eras. The title comes from the term ''childe'', a medieval title for a young man who was a candidate for knighthood. The poem was widely imitated and contributed to the cult of the wandering Byronic hero who falls into melancholic reverie as he contemplates scenes of natural beauty. Its autobiographical subjectivity was widely influential, not only in literature but in the arts of music and painting as well, and was a powerful ingredient in European Romanticism. Origins The poem contains elemen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Fiction
Gothic fiction, sometimes called Gothic horror in the 20th century, is a loose literary aesthetic of fear and haunting. The name is a reference to Gothic architecture of the European Middle Ages, which was characteristic of the settings of early Gothic novels. The first work to call itself Gothic was Horace Walpole's 1764 novel ''The Castle of Otranto'', later subtitled "A Gothic Story". Subsequent 18th century contributors included Clara Reeve, Ann Radcliffe, William Beckford (novelist), William Thomas Beckford, and Matthew Gregory Lewis, Matthew Lewis. The Gothic influence continued into the early 19th century, works by the Romantic poetry, Romantic poets, and novelists such as Mary Shelley, Charles Maturin, Walter Scott and E. T. A. Hoffmann frequently drew upon gothic motifs in their works. The early Victorian literature, Victorian period continued the use of gothic, in novels by Charles Dickens and the Brontë family, Brontë sisters, as well as works by the American ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Byron
George Gordon Byron, 6th Baron Byron (22 January 1788 – 19 April 1824), known simply as Lord Byron, was an English romantic poet and Peerage of the United Kingdom, peer. He was one of the leading figures of the Romantic movement, and has been regarded as among the greatest of English poets. Among his best-known works are the lengthy Narrative poem, narratives ''Don Juan (poem), Don Juan'' and ''Childe Harold's Pilgrimage''; many of his shorter lyrics in ''Hebrew Melodies'' also became popular. Byron was educated at Trinity College, Cambridge, later traveling extensively across Europe to places such as Italy, where he lived for seven years in Venice, Ravenna, and Pisa after he was forced to flee England due to lynching threats. During his stay in Italy, he frequently visited his friend and fellow poet Percy Bysshe Shelley. Later in life Byron joined the Greek War of Independence fighting the Ottoman Empire and died leading a campaign during that war, for which Greeks rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism, clandestine literature, paganism, idealization of nature, suspicion of science and industrialization, and glorification of the past with a strong preference for the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the social and political norms of the Age of Enlightenment, and the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, chess, social sciences, and the natural sciences. It had a significant and complex effect on politics, with romantic thinkers influencing conservatism, libe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manfred
''Manfred: A dramatic poem'' is a closet drama written in 1816–1817 by Lord Byron. It contains supernatural elements, in keeping with the popularity of the ghost story in England at the time. It is a typical example of a Gothic fiction. Byron commenced this work in late 1816, a few months after the famous ghost-story sessions with Percy Bysshe Shelley and Mary Shelley that provided the initial impetus for '' Frankenstein; or, The Modern Prometheus ''. The supernatural references are made clear throughout the poem. ''Manfred'' was adapted musically by Robert Schumann in 1852, in a composition entitled '' Manfred: Dramatic Poem with Music in Three Parts'', and in 1885 by Pyotr Ilyich Tchaikovsky in his '' Manfred Symphony''. Friedrich Nietzsche was inspired by the poem's depiction of a super-human being to compose a piano score in 1872 based on it, "Manfred Meditation". Background Byron wrote this "metaphysical drama", as he called it, after his marriage to Annabella Millban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Corsair
''The Corsair'' (1814) is a long tale in verse written by Lord Byron (see 1814 in poetry) and published by John Murray in London. It was extremely popular, selling ten thousand copies on its first day of sale, and was influential throughout the following century, inspiring operas, music and ballet. The 180-page work was dedicated to Irish poet Thomas Moore. Background The poetry, divided into cantos (like Dante's ''Divine Comedy''), narrates the story of the corsair or privateer Conrad. It says that in his youth he was rejected by society because of his acts and his later war against humanity (excepting women). In this 180-page tale, the figure of the Byronic hero emerges, "that man of loneliness and mystery", who perceives himself a "villain", an anti-hero. The long poem was adapted for or inspired numerous other works in a variety of genres: the grand opera ''The Pacha's Bridal'' (1836), with music by Francis Romer and a libretto by Mark Lemon; the opera ''Il corsaro'' (184 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Giaour
''The Giaour'' is a poem by Lord Byron first published in 1813 by John Murray and printed by Thomas Davison. It was the first in the series of Byron's Oriental romances. ''The Giaour'' proved to be a great success when published, consolidating Byron's reputation critically and commercially. Background Byron was inspired to write the poem during his Grand Tour during 1810 and 1811, which he undertook with his friend John Cam Hobhouse. While in Athens, he became aware of the Turkish custom of throwing a woman found guilty of adultery into the sea wrapped in a sack. "Giaour" (Turkish: ''Gâvur'') is an offensive Turkish word for infidel or non-believer, and is similar but unrelated to the Arabic word "kafir". The story is subtitled "A Fragment of a Turkish Tale", and is Byron's only fragmentary narrative poem. Byron designed the story with three narrators giving their individual point of view about the series of events. The main story is of Leila, a member of her master Hassan' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romantic Hero
The Romantic hero is a literary archetype referring to a character that rejects established norms and conventions, has been rejected by society, and has themselves at the center of their own existence. The Romantic hero is often the protagonist in a literary work, and the primary focus is on the character's thoughts rather than their actions. Characteristics Literary critic Northrop Frye noted that the Romantic hero is often "placed outside the structure of civilization and therefore represents the force of physical nature, amoral or ruthless, yet with a sense of power, and often leadership, that society has impoverished itself by rejecting". Other characteristics of the Romantic hero include introspection, the triumph of the individual over the "restraints of theological and social conventions", wanderlust, melancholy, misanthropy, alienation, and isolation. However, another common trait of the Romantic hero is regret for their actions, and self-criticism, often leading to philan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lara (poem)
''Lara, A Tale'' is a rhymed, tragic narrative poem by Lord Byron; first published in 1814. Background The first work composed after Byron abandoned the idea of giving up writing and buying back his copyrights, it is regarded by critics as a continuation of the autobiographical work begun in ''The Corsair''. Unlike ''The Corsair'', it was published anonymously, in conjunction with Samuel Rogers' ''Jacqueline''. ''Lara, A Tale'' was first published anonymously by Lord Byron in 1814 alongside another poem that was not written by Byron. In this version, there is nothing to distinguish between ''Lara'' and ''Jacqueline'' (written by Samuel Rogers), as they were published anonymously and without any indication that there are two separate authors within the text. This tragic narrative poem is seen as a continuation of another poem of Byron's, ''The Corsair''. It details Count Lara's return home after spending a few years travelling abroad. With a page as his only company, Lara's story ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Novella
A novella is a narrative prose fiction whose length is shorter than most novels, but longer than most short stories. The English word ''novella'' derives from the Italian ''novella'' meaning a short story related to true (or apparently so) facts. Definition The Italian term is a feminine of ''novello'', which means ''new'', similarly to the English word ''news''. Merriam-Webster defines a novella as "a work of fiction intermediate in length and complexity between a short story and a novel". No official definition exists regarding the number of pages or words necessary for a story to be considered a novella, a short story or a novel. The Science Fiction and Fantasy Writers Association defines a novella's word count to be between 17,500 and 40,000 words. History The novella as a literary genre began developing in the Italian literature of the early Renaissance, principally Giovanni Boccaccio, author of ''The Decameron'' (1353). ''The Decameron'' featured 100 tales (named nov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ossian
Ossian (; Irish Gaelic/Scottish Gaelic: ''Oisean'') is the narrator and purported author of a cycle of epic poems published by the Scottish poet James Macpherson, originally as ''Fingal'' (1761) and ''Temora'' (1763), and later combined under the title ''The Poems of Ossian''. Macpherson claimed to have collected word-of-mouth material in Scottish Gaelic, said to be from ancient sources, and that the work was his translation of that material. Ossian is based on Oisín, son of Fionn mac Cumhaill (anglicised to Finn McCool), a legendary bard in Irish mythology. Contemporary critics were divided in their view of the work's authenticity, but the current consensus is that Macpherson largely composed the poems himself, drawing in part on traditional Gaelic poetry he had collected. The work was internationally popular, translated into all the literary languages of Europe and was highly influential both in the development of the Romantic movement and the Gaelic revival. Macpherson's f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Macpherson
James Macpherson (Gaelic: ''Seumas MacMhuirich'' or ''Seumas Mac a' Phearsain''; 27 October 1736 – 17 February 1796) was a Scottish writer, poet, literary collector and politician, known as the "translator" of the Ossian cycle of epic poems. Early life and education Macpherson was born at Ruthven in the parish of Kingussie in Badenoch, Inverness-shire. This was a Scottish Gaelic-speaking area but near the Ruthven Barracks of the British Army, established in 1719 to enforce Whig rule from London after the Jacobite uprising of 1715. Macpherson's uncle, Ewen Macpherson joined the Jacobite army in the 1745 march south, when Macpherson was nine years old and after the Battle of Culloden, had had to remain in hiding for nine years. In the 1752-3 session, Macpherson was sent to King's College, Aberdeen, moving two years later to Marischal College (the two institutions later became the University of Aberdeen), reading Caesar's '' Commentaries'' on the relationships between the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
