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Buy (album)
''Buy'' is the debut studio album by American no wave band Contortions. It was released in 1979 through ZE Records following the band's inclusion on the 1978 compilation ''No New York''. Critical reception For ''The Village Voice'', critic Robert Christgau stated that "in theory James White's music is better without the words: you get the jagged rhythms and tonic off-harmonies without being distracted by his 'ideas,'" but added that "in fact the music is so (deliberately) stunted it needs a voice for sonic muscle, and James's lyrics do have a certain petty honesty and jerk-off humor." ''All About Jazz'' critic Trevor MacLaren wrote that "through the anger and aggression Chance made a solid record that had a sound like nothing before or since," describing the album as "a great disc that sounds as original and cutting edge as when it was released." Dean McFarlane of AllMusic stated that Chance "never quite topped the warped distillation of punk, funk, and free jazz presented h ...
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James Chance And The Contortions
James Chance and the Contortions (initially known simply as Contortions, a spin-off group is called James White and the Blacks) was a musical group led by saxophonist and vocalist James Chance, formed in 1977. They were a central act of New York City's downtown no wave music scene in the late 1970s, and were featured on the influential compilation ''No New York'' (1978). Recording history Their first recording, credited solely as ''Contortions'', was on the 1978 compilation, ''No New York'', produced by Brian Eno. The following year, two albums were issued almost simultaneously on ZE Records; '' Buy'' and '' Off White'' under the moniker James White and the Blacks. The same musicians recorded both records, though none are credited on the album cover. The Contortions appeared in Rosa von Praunheim's film ''Das Todesmagazin'' in 1979. In 2016, Chance released his first single with his original Contortions band in nearly 30 years, entitled "Melt Yourself Down". A music video for th ...
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All About Jazz
''All About Jazz'' is a website established by Michael Ricci in 1995. A volunteer staff publishes news, album reviews, articles, videos, and listings of concerts and other events having to do with jazz. Ricci maintains a related site, ''Jazz Near You'', about local concerts and events. The Jazz Journalists Association voted ''All About Jazz'' Best Website Covering Jazz for thirteen consecutive years between 2003 and 2015, when the category was retired. In 2015, Ricci said the site received a peak of 1.3 million readers per month in 2007. Another source said that the site has over 500,000 readers around the world. Ricci was born in Philadelphia. He heard classical and jazz from his father's music collection. He played trumpet and went to his first jazz concert when he was eight. With a background in computer programming, he combined his interest in jazz and the internet by creating the ''All About Jazz'' website in 1995. The website publishes reviews, interviews, and articles pe ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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David Hofstra
David Carl "Dave" Hofstra (born May 21, 1953, Leavenworth, Kansas) is an American jazz double-bassist. He also plays bass guitar and tuba. Hofstra was an autodidact on bass. He worked with Robin Holcomb, John Zorn, Joel Forrester, and in the late 1970s.Gary W. Kennedy, "David Hofstra". '' The New Grove Dictionary of Jazz'', 2nd edition, 2004, ed. Barry Kernfeld. In 1980 and 1981, he was a founding member of The Waitresses, a new wave band based in Akron, Ohio, and played on their 1982 studio album, ''Wasn't Tomorrow Wonderful?''. He was active primarily in New York from the 1980s, playing with William Parker, , Denis Charles, Elliott Sharp, Paul Shapiro, Bobby Previte, Wayne Horvitz, Saheb Sarbib, Bobby Radcliff, Jemeel Moondoc, Marie McAuliffe, Bill Frisell, Robin Eubanks, Greg Osby, David Rosenbloom, Phillip Johnston, Chris Kelsey, , Clare Daly, , and Robin Holcomb Robin Lynn Holcomb is an American singer, songwriter, and pianist who combines avant-garde jazz, classical ...
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Musical Keyboard
A musical keyboard is the set of adjacent depressible levers or keys on a musical instrument. Keyboards typically contain keys for playing the twelve notes of the Western musical scale, with a combination of larger, longer keys and smaller, shorter keys that repeats at the interval of an octave. Pressing a key on the keyboard makes the instrument produce sounds—either by mechanically striking a string or tine ( acoustic and electric piano, clavichord), plucking a string ( harpsichord), causing air to flow through a pipe organ, striking a bell (carillon), or, on electric and electronic keyboards, completing a circuit (Hammond organ, digital piano, synthesizer). Since the most commonly encountered keyboard instrument is the piano, the keyboard layout is often referred to as the ''piano keyboard''. Description The twelve notes of the Western musical scale are laid out with the lowest note on the left. The longer keys (for the seven "natural" notes of the C major scale: C, D, E ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ...
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Lead Vocalist
The lead vocalist in popular music is typically the member of a group or band whose voice is the most prominent melody in a performance where multiple voices may be heard. The lead singer sets their voice against the accompaniment parts of the ensemble as the dominant sound. In vocal group performances, notably in soul and gospel music, and early rock and roll, the lead singer takes the main vocal melody, with a chorus or harmony vocals provided by other band members as backing vocalists. Lead vocalists typically incorporate some movement or gestures into their performance, and some may participate in dance routines during the show, particularly in pop music. Some lead vocalists also play an instrument during the show, either in an accompaniment role (such as strumming a guitar part), or playing a lead instrument/instrumental solo role when they are not singing (as in the case of lead singer-guitar virtuoso Jimi Hendrix). The lead singer also typically guides the vocal ensem ...
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Mike Stoller
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such crossover hit songs as " Hound Dog" (1952) and "Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including " Young Blood" (1957), "Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including " Love Me" (1956), " Jailhouse Rock" (1957), " Loving You", " Don't", and "King Creole". They also collaborated with other writers on such songs as " On Broadway", written with Barry Mann and Cynthia Weil; " Stand By Me", written with Ben E. King; "Young Blood", written with Doc Pomus; and "Spanish Harlem", co-written by Leiber and Phil Spector. ...
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Jerry Leiber
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such Crossover music, crossover hit songs as "Hound Dog (song), Hound Dog" (1952) and "Kansas City (Leiber and Stoller song), Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including "Young Blood (The Coasters song), Young Blood" (1957), "Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including "Love Me (Leiber/Stoller song), Love Me" (1956), "Jailhouse Rock (song), Jailhouse Rock" (1957), "Loving You (Elvis Presley song), Loving You", "Don't (Leiber/Stoller song), Don't", and "King Creole (song), King Creole". They also collaborate ...
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Jailhouse Rock (song)
"Jailhouse Rock" is a song recorded by American singer Elvis Presley for the Jailhouse Rock (film), film of the same name. It was written by Jerry Leiber and Mike Stoller. RCA Victor released the song on a 45 rpm single on September 24, 1957, as the first single from the film's Jailhouse Rock (EP), soundtrack EP. It reached the top of the charts in the U.S. and the top 10 in several other countries. The song has been recognized by the Grammy Hall of Fame, the American Film Institute, and others. Characters and themes Some of the characters named in the song are real people. Shifty Henry was a well-known Los Angeles musician, not a criminal. The Purple Gang was a real mob. "Sad Sack" was a United States Army, U.S. Army nickname in World War II for a loser, which was also the name of a popular comic strip and comic book character. According to ''Rolling Stone'', Leiber and Stoller's "theme song for Presley's third movie was decidedly silly, the kind of tongue-in-cheek goof they had ...
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CBGB
CBGB was a New York City music club opened in 1973 by Hilly Kristal in Manhattan's East Village. The club was previously a biker bar and before that was a dive bar. The letters ''CBGB'' were for '' Country'', '' BlueGrass'', and '' Blues'', Kristal's original vision, yet CBGB soon became a famed venue of punk rock and new wave bands like the Ramones, Television, Patti Smith Group, Blondie, and Talking Heads. From the early 1980s onward, CBGB was known for hardcore punk. One storefront beside CBGB became the "CBGB Record Canteen", a record shop and café. In the late 1980s, "CBGB Record Canteen" was converted into an art gallery and second performance space, "CB's 313 Gallery". CB's Gallery was played by music artists of milder sounds, such as acoustic rock, folk, jazz, or experimental music, such as Dadadah, Kristeen Young and Toshi Reagon, while CBGB continued to showcase mainly hardcore punk, post punk, metal, and alternative rock. 313 Gallery was also the host location ...
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