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Butterfly 3001
''Butterfly 3000'' is the eighteenth studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard, released on 11 June 2021. It is the band's first album not released on Flightless Records, instead being released on the band's own label KGLW. It is their second studio LP of 2021, following February's '' L.W.''. The album was described as "melodic" and "psychedelic" upon its initial announcement on 10 May, along with the words "cross-eyed auto-stereogram", in reference to the album art. Background and recording On 19 March 2021, the band released one of the live performances from their recent tour as a bootleg album, titled ''Live in Melbourne '21'', as well as their 13th Gizzymail newsletter. In the mail, there was a statement that read, "We've been having heaps of fun cooking up NEW STUFF in the studio. Can't wait to share new music with you." This suggested that the band had a new album in the works. Recorded during the COVID-19 pandemic, the album's origi ...
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King Gizzard & The Lizard Wizard
King Gizzard & the Lizard Wizard are an Australian rock band formed in 2010 in Melbourne, Victoria. The band's current lineup consists of Stu Mackenzie, Ambrose Kenny-Smith, Cook Craig, Joey Walker, Lucas Harwood and Michael Cavanagh. They are known for exploring multiple genres, staging energetic live shows and building a prolific discography, having released 23 studio albums, 14 live albums, three compilations and three EPs. Their second EP, ''Willoughby's Beach'', and debut album, '' 12 Bar Bruise'', primarily blended surf music and garage rock, and were released on Flightless, the band's own label. Their second album, a "psychedelic spaghetti western" titled ''Eyes Like the Sky'', features spoken-word narration by Broderick Smith. ''Float Along – Fill Your Lungs'', released later in the year, and the 2014 albums ''Oddments'' and ''I'm in Your Mind Fuzz'', saw the band expand on their psychedelic sound. In 2015, they drew on elements of jazz fusion and progressive rock wi ...
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Cook Craig
Nicholas Roderick "Cook" Craig is an Australian musician, singer and songwriter and is a part of groups King Gizzard & the Lizard Wizard and the Murlocs. Craig releases music under the name Pipe-Eye. Pipe-Eye's debut EP ''Cosmic Blip'' was released in 2015 and debut studio album ''Laugh About Life'' in April 2017, ''Inside/Outside'' in 2019 and ''Dream Themes'' in November 2021. Solo history Pipe-Eye's debut EP ''Cosmic Blip'' was released in 2015. The EP was recorded in his bedroom in Fairfield, Victoria. Nicholas Johnson from Brag Magazine gave the EP 4 out of 5 saying "Pipe-Eye know how to spit some serious cosmic wisdom. Then they leave you to ponder it over the course of the 30 to 60 second segue tracks that pepper the record. It adds a nice buffer to what is otherwise essentially a four-track EP by giving it a theatrical feel… It may not resonate with everyone, I'm sure some will feel cheated by the 50 per cent split between songs and noisy interludes. But it gives the ...
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Dance-pop Albums By Australian Artists
Dance-pop is a popular music subgenre that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions. Dance- ...
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Synth-pop Albums By Australian Artists
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ban ...
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Dream Pop Albums By Australian Artists
A dream is a succession of images, ideas, emotions, and sensations that usually occur involuntarily in the mind during certain stages of sleep. Humans spend about two hours dreaming per night, and each dream lasts around 5 to 20 minutes, although the dreamer may perceive the dream as being much longer than this. The content and function of dreams have been topics of scientific, philosophical and religious interest throughout recorded history. Dream interpretation, practiced by the Babylonians in the third millennium BCE and even earlier by the ancient Sumerians, figures prominently in religious texts in several traditions, and has played a lead role in psychotherapy. The scientific study of dreams is called oneirology. Most modern dream study focuses on the neurophysiology of dreams and on proposing and testing hypotheses regarding dream function. It is not known where in the brain dreams originate, if there is a single origin for dreams or if multiple regions of the brain are i ...
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King Gizzard & The Lizard Wizard Albums
King is the title given to a male monarch in a variety of contexts. The female equivalent is queen, which title is also given to the consort of a king. *In the context of prehistory, antiquity and contemporary indigenous peoples, the title may refer to tribal kingship. Germanic kingship is cognate with Indo-European traditions of tribal rulership (c.f. Indic ''rājan'', Gothic ''reiks'', and Old Irish ''rí'', etc.). *In the context of classical antiquity, king may translate in Latin as '' rex'' and in Greek as ''archon'' or ''basileus''. *In classical European feudalism, the title of ''king'' as the ruler of a ''kingdom'' is understood to be the highest rank in the feudal order, potentially subject, at least nominally, only to an emperor (harking back to the client kings of the Roman Republic and Roman Empire). *In a modern context, the title may refer to the ruler of one of a number of modern monarchies (either absolute or constitutional). The title of ''king'' is used ...
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2021 Albums
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the sm ...
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DJ Shadow
Joshua Paul Davis (born June 29, 1972), better known by his stage name DJ Shadow, is an American DJ, songwriter and record producer. His debut studio album, '' Endtroducing.....'' was released in 1996. Biography Early years (1989–1995) DJ Shadow was experimenting with a four-track recorder while in high school in Davis, California and began his music career as a disc jockey for the University of California, Davis campus radio station KDVS. During this period he explored the experimental hip-hop style associated with the London-based Mo' Wax record label. His early singles, including "In/Flux" and "Lost and Found (S.F.L.)", were genre-bending, merging elements of funk, rock, hip hop, ambient, jazz, soul, and used-bin found records. Andy Pemberton, a music journalist writing for ''Mixmag'', described the single "In/Flux" as "trip hop", a term that had already been attached to Bristol, England-based groups Massive Attack and Portishead and the Bristol scene in general in June 1 ...
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Peaches (musician)
Merrill Nisker (born 11 November 1966), better known by her stage name Peaches, is a Canadian electroclash musician and producer. Born in Ontario, Peaches began her musical career in the 1990s as part of a folk trio, Mermaid Cafe. In 1995, she established a rock band, the Shit. That year she also released her first solo album, ''Fancypants Hoodlum''. After moving to Berlin, Germany, she was signed to the Kitty-Yo label and released her second album, '' The Teaches of Peaches'' (2000). Touring as the opening act for bands like Marilyn Manson and Queens of the Stone Age, she subsequently released her third album, ''Fatherfucker'' (2003). Peaches' songs have been featured in movies such as ''Mean Girls'', '' Waiting...'', ''Jackass Number Two'', ''My Little Eye'', ''Drive Angry,'' and '' Lost in Translation''. Her music has also been featured on television shows such as ''Orphan Black'', ''Lost Girl'', ''The L Word'', ''South Park'', '' Skam'', ''The Handmaid's Tale'', ''30 Rock' ...
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Scientist (musician)
Hopeton Overton Brown (born 18 April 1960 in Kingston, Jamaica) is a recording engineer and producer who rose to fame in the 1980s mixing dub music as "Scientist". A protégé of King Tubby (Osbourne Ruddock), Scientist's contemporaries include several figures who, working at King Tubby's studio, had helped pioneer the genre in the 1970s: Ruddock, Bunny Lee, Philip Smart, Pat Kelly and Prince Jammy. The 1970s: King Tubby's, Channel One, and Studio One Scientist was introduced to electronics by his father, who worked as a television and radio repair technician.Barrow, Steve & Dalton, Peter (2004) "The Rough Guide to Reggae", Rough Guides, He began building his own amplifiers and would buy transformers from Tubby's Dromilly Road studio. While at the studio, Scientist asked Tubby to give him a chance at mixing. He was taken on at Tubby's as an assistant, performing tasks such as winding transformer coils, and began working as a mixer in the mid-1970s, initially creating dubs of r ...
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Dub Music
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p.2 Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, the application of studio effects such as echo and reverb, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), and the occasional dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26-44, "Electronic Music in Jamaica" Wesleyan University Press Dub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others beginning in the late ...
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Stu Mackenzie
Stuart Douglas Mackenzie is an Australian musician best known as the frontman of psychedelic rock band King Gizzard & the Lizard Wizard. Early life Mackenzie grew up and went to school in Geelong. His father played guitar to him and his brother growing up, which influenced young Mackenzie. Due to his father being a left-handed guitar player, Mackenzie originally learned to play guitar upside down. His early influences were AC/DC, Bob Dylan, Neil Young and Paul Kelly. He began playing guitar and other instruments at age 15. He was later influenced by heavy metal artists like Rammstein, Kreator, Sodom, Slayer and Metallica, but found the style too difficult to play on guitar, so played garage rock and rock and roll. Mackenzie was part of the local music scene in Geelong and performed at various open mics. Mackenzie would join and form several bands within the local Melbourne music scene, some of which included future King Gizzard members such as Michael Cavanagh, Lucas Skinner a ...
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