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Butcher's Shop (Annibale Carracci)
''Butcher's Shop'' is the title of two paintings by the Italian Baroque painter Annibale Carracci, both dating from the early 1580s. They are now in the collections of Christ Church Picture Gallery, Oxford, and the Kimbell Art Museum in Fort Worth, Texas. The paintings are connected to the contemporary '' Beaneater'' ( Galleria Colonna), as they are very early examples of Italian genre painting. The large size of the Christ Church painting is exceptional for such a subject at this date, and it has been suggested they were commissioned by a butcher's guild, or for use as a sign. Carracci was influenced in his depiction of everyday life subjects by Vincenzo Campi and Bartolomeo Passarotti, whom the ''Butcher's Shop'' was originally attributed to. Carracci's ability to adapt his style is demonstrated, making it "lower" when concerning "lower", quasi-satirical subjects like the ''Mangiafagioli'' and the ''Butcher's Shop'', while in his more academic works (such as the roughl ...
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Annibale Carracci
Annibale Carracci (; November 3, 1560 – July 15, 1609) was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades. Early career Annibale Carracci was born in Bologna, and in all likelihood was first apprenticed within his family. In 1582, Annibale, his brother Agostino and his cousin Ludovico Carracci opened a painters' studio, initially called by some the ''Academy of the Desiderosi'' (desirous of fame and learning) and subsequently the ''Incamminati'' (progressives; literally "of those opening a new way"). Considered "the first major art school ba ...
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Vincenzo Campi
Vincenzo Campi (; c.1530/1535–1591) was a 16th-century Italian painter working in Cremona during the Late Renaissance. Campi is best known as one of the first northern Italian artists to work in the Flemish style of realist genre painting. Early career Campi was born into a family of prominent artists. He was the son of Italian Renaissance painter Galeazzo Campi, and younger brother of painters Giulio and Antonio. Vincenzo and Antonio are thought to have trained in the workshop of their older brother Giulio, a prominent painter and architect working in Cremona. Few records exist of Vincenzo's early years, with the first record of the artist's work being a portrait (now lost) of Archduke Ernest and his brother Rudolf of Austria painted during their stay in Cremona during 1563. Style Cremonese Mannerism and Lombard naturalism While his brothers Giulio and Antonio worked closely within the Cremonese Mannerist style, Vincenzo was celebrated for his naturalism and ‘descri ...
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Paintings In Christ Church Picture Gallery
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Still Life Paintings
A still is an apparatus used to distill liquid mixtures by heating to selectively boil and then cooling to condense the vapor. A still uses the same concepts as a basic distillation apparatus, but on a much larger scale. Stills have been used to produce perfume and medicine, water for injection (WFI) for pharmaceutical use, generally to separate and purify different chemicals, and to produce distilled beverages containing ethanol. Application Since ethanol boils at a much lower temperature than water, simple distillation can separate ethanol from water by applying heat to the mixture. Historically, a copper vessel was used for this purpose, since copper removes undesirable sulfur-based compounds from the alcohol. However, many modern stills are made of stainless steel pipes with copper linings to prevent erosion of the entire vessel and lower copper levels in the waste product (which in large distilleries is processed to become animal feed). Copper is the preferred material ...
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Paintings By Annibale Carracci
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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1580s Paintings
Year 158 ( CLVIII) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Tertullus and Sacerdos (or, less frequently, year 911 '' Ab urbe condita''). The denomination 158 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * The earliest dated use of Sol Invictus, in a dedication from Rome. * A revolt against Roman rule in Dacia is crushed. China * Change of era name from ''Yongshou'' to ''Yangxi'' of the Chinese Han Dynasty. Births * Gaius Caesonius Macer Rufinianus, Roman politician (d. 237) Deaths * Wang Yi, Chinese librarian and poet (d. AD 89 AD 89 (LXXXIX) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Fulvus ...
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Charles I Of England
Charles I (19 November 1600 – 30 January 1649) was King of England, Scotland, and Ireland from 27 March 1625 until Execution of Charles I, his execution in 1649. He was born into the House of Stuart as the second son of King James VI of Scotland, but after his father inherited the English throne in 1603, he moved to England, where he spent much of the rest of his life. He became heir apparent to the kingdoms of England, Scotland, and Ireland in 1612 upon the death of his elder brother, Henry Frederick, Prince of Wales. An unsuccessful and unpopular attempt to marry him to the Spanish Habsburg princess Maria Anna of Spain, Maria Anna culminated in an eight-month visit to Spain in 1623 that demonstrated the futility of the marriage negotiation. Two years later, he married the House of Bourbon, Bourbon princess Henrietta Maria of France. After his 1625 succession, Charles quarrelled with the Parliament of England, English Parliament, which sought to curb his royal prerogati ...
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Dukes Of Mantua
During its history as independent entity, Mantua had different rulers who governed on the city and the lands of Mantua from the Middle Ages to the early modern period. From 970 to 1115, the Counts of Mantua were members of the House of Canossa. During its time as free commune and ''signoria'' ("lordship"), the Lords of Mantua were exponents of the Bonacolsi and Gonzaga families. From 1328, Mantua was informally led by Gonzagas until 1433, when Gianfrancesco Gonzaga assumed the noble title of Marquess of Mantua. In 1530, Federico II received the title of Duke of Mantua. In 1531, the family acquired the vacant Marquisate of Montferrat through marriage. In 1627, Duke Vincent II deceased without heirs, ending the original line of Gonzagas. From 1628 to 1631, a succession war was fought between the Duke of Guastalla, supported by the Holy Roman Empire, and the Duke of Nevers, supported by France, for the control of the Duchy of Mantua. Finally, the Duke of Nevers was recognized a ...
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House Of Gonzaga
) , type = Noble house , country = , estates = Ducal Palace (Mantua) Ducal Palace (Nevers) , titles = * Prince of Arches * Duke of Montferrat * Duke of Mantua * Duke of Guastalla * Duke of Nevers * Duke of Rethel * Duke of Mayenne * Marquis of Mantua * Marquis of Montferrat * County of Novellara and Bagnolo , founded = , founder = Ludovico I Gonzaga , final ruler = Ferdinando Carlo Gonzaga , current head = Maurizio Ferrante Gonzaga , deposition = ( Duchy of Mantua) , cadet branches = Gonzaga di Vescovato(only remaining branch) , ethnicity = Italian The House of Gonzaga (, ) was an Italian princely family that ruled Mantua in Lombardy, northern Italy from 1328 to 1708 (first as a captaincy-general, then margraviate, and finally duchy). They also ruled Monferrato in Piedmont and Nevers in France, as well as many other lesser fiefs throughout Europe. The family includes a saint, twelve cardi ...
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Assumption Of The Virgin (Carracci)
The Assumption of the Virgin is a painting by the Italian Baroque artist Annibale Carracci which was completed in 1590 and is now in the Museo del Prado in Madrid. The same subject was depicted by Carracci on the altarpiece of the famous Cerasi Chapel in Rome. See also * Marian art in the Catholic Church * Assumption of the Virgin Mary in art 1590 paintings Paintings by Annibale Carracci Carracci The Carracci were a family of Italian artists. Notable members include: * Agostino Carracci (1557–1602), Italian painter and printmaker * Annibale Carracci (1560–1609), Italian Baroque painter and brother of Agostino Carracci * Ludovico Carracc ... Paintings of the Museo del Prado by Italian artists Angels in art {{16C-painting-stub ...
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Bartolomeo Passarotti
Bartolomeo Passarotti or Passerotti (1529–1592) was an Italian painter of the mannerist period, who worked mainly in his native Bologna. His family name is also spelled Passerotti or Passarotto. Life and work From approximately 1550 to 1555, he lived in Rome, where he worked under Giacomo Barozzi da Vignola and Taddeo Zuccari. Upon returning to Bologna, he established a large studio and, from 1564 tp 1565, was engaged in painting a large altarpiece for the Basilica of San Giacomo Maggiore. In his later work, he turned to Tuscan models, such as Giorgio Vasari and Prospero Fontana. His last known work was ''The Presentation of Mary in the Temple'', from 1583, now at the Pinacoteca Nazionale di Bologna. He influenced many Bolognese who would later play a role in the rise of the Baroque. Annibale Carracci (whose brother Agostino studied with Passerotti) was influenced by Passerotti's genre scenes in a select set of paintings (such as '' The Beaneater'' and '' The Butcher's Shop ...
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Guild
A guild ( ) is an association of artisans and merchants who oversee the practice of their craft/trade in a particular area. The earliest types of guild formed as organizations of tradesmen belonging to a professional association. They sometimes depended on grants of letters patent from a monarch or other ruler to enforce the flow of trade to their self-employed members, and to retain ownership of tools and the supply of materials, but were mostly regulated by the city government. A lasting legacy of traditional guilds are the guildhalls constructed and used as guild meeting-places. Guild members found guilty of cheating the public would be fined or banned from the guild. Typically the key "privilege" was that only guild members were allowed to sell their goods or practice their skill within the city. There might be controls on minimum or maximum prices, hours of trading, numbers of apprentices, and many other things. These rules reduced free competition, but sometimes mainta ...
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