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Burton Grip
The Burton grip is a method of holding two mallets in each hand in order to play a mallet percussion instrument, such as a marimba or a vibraphone, using four mallets at once. It was developed by jazz vibraphonist Gary Burton Gary Burton (born January 23, 1943) is an American jazz vibraphonist, composer, and educator. Burton developed a pianistic style of four-mallet technique as an alternative to the prevailing two-mallet technique. This approach caused him to be he ... around the 1960s. The grip was designed to make up for Burton's perceived shortcomings of the traditional grip, which he thought could be difficult to control while changing intervals. Burton grip was also designed so that a player could play two-mallet lines and melodies without having to put down two mallets. Gary Burton had observed that jazz vibraphonists would tend to play harmony using four mallets, but switch to a two mallet grip to solo, so he made the Burton grip so that one could solo without having ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burton Grip
The Burton grip is a method of holding two mallets in each hand in order to play a mallet percussion instrument, such as a marimba or a vibraphone, using four mallets at once. It was developed by jazz vibraphonist Gary Burton Gary Burton (born January 23, 1943) is an American jazz vibraphonist, composer, and educator. Burton developed a pianistic style of four-mallet technique as an alternative to the prevailing two-mallet technique. This approach caused him to be he ... around the 1960s. The grip was designed to make up for Burton's perceived shortcomings of the traditional grip, which he thought could be difficult to control while changing intervals. Burton grip was also designed so that a player could play two-mallet lines and melodies without having to put down two mallets. Gary Burton had observed that jazz vibraphonists would tend to play harmony using four mallets, but switch to a two mallet grip to solo, so he made the Burton grip so that one could solo without having ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Stick
A drum stick (or drumstick) is a type of percussion mallet used particularly for playing snare drum, drum kit, and some other percussion instruments, and particularly for playing unpitched percussion. Specialized beaters used on some other percussion instruments, such as the metal beater used with a triangle or the mallets used with tuned percussion (such as xylophone and timpani), are not normally referred to as drumsticks. Drumsticks generally have all of the following characteristics: * They are normally supplied and used in pairs. * They may be used to play at least some sort of drum (as well as other instruments). * They are normally used only for unpitched percussion. Construction The archetypical drumstick is turned from a single piece of wood, most commonly of hickory, less commonly of maple, and least commonly but still in significant numbers, of oak. Drumsticks of the traditional form are also made from metal, carbon fibre, and other modern materials. The ''t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marimba
The marimba () is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the timbre of the marimba is warmer, deeper, more resonant, and more pure. It also tends to have a lower range than that of a xylophone. Typically, the bars of a marimba are arranged chromatically, like the keys of a piano. The marimba is a type of idiophone. Today, the marimba is used as a solo instrument, or in ensembles like orchestras, marching bands (typically as a part of the front ensemble), percussion ensembles, brass and concert bands, and other traditional ensembles. Etymology and terminology The term ''marimba'' refers to both the traditional version of this instrument and its modern form. Its first documented use in the English language dates back to 1704. The term is of Bantu origin, deriving from the prefix meaning 'many' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibraphone
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining element ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary Burton
Gary Burton (born January 23, 1943) is an American jazz vibraphonist, composer, and educator. Burton developed a pianistic style of four-mallet technique as an alternative to the prevailing two-mallet technique. This approach caused him to be heralded as an innovator, and his sound and technique are widely imitated.Corley, Cheryl (May 8, 2004)"Gary Burton Steps Down, Out: Jazz Vibraphonist Moves On After Three Decades at Berklee". ''NPR''. He is also known for pioneering fusion jazz and popularizing the duet format in jazz, as well as being a major figure in music education from his 30 years at the Berklee College of Music. Biography Burton was born in Anderson, Indiana, United States. Beginning music at six years old, he mostly taught himself to play marimba and vibraphone. He began studying piano at age sixteen while finishing high school at Princeton Community High School in Princeton, Indiana (1956–60). He has cited jazz pianist Bill Evans as the inspiration for his approa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fulcrum Grip
The Fulcrum grip is a four-mallet grip for vibraphone and marimba developed by vibraphonist and educator Ed Saindon. The aim of the grip is to use varying fulcrum positions and finger technique to achieve the control, speed, and power of a two-mallet grip while being able to use all four mallets. Description This grip is based on the positioning of the Burton grip, with two mallets being held loosely in each hand. However, while the Burton grip uses mainly wrist and arm motion to create the stroke, the Fulcrum grip uses finger control to manipulate the stroke.Porter, Joe. “A New Six-Mallet Marimba Technique and Its Pedagogical Approach”, MA thesis, University of Lethbridge, 2011, pp 9. By utilizing a fulcrum between the thumb and index finger, the mallets are allowed to come out of the palm of the hand before they are snapped back in by the fingers, like a two-mallet player or drummer with sticks in matched grip.Saindon, Ed. "The Fulcrum Grip". ''Percussive Notes'', Nov. 2008, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four Hammer Dulcimer
The hammered dulcimer (also called the hammer dulcimer) is a percussion-stringed instrument which consists of strings typically stretched over a trapezoidal resonant sound board. The hammered dulcimer is set before the musician, who in more traditional styles may sit cross-legged on the floor, or in a more modern style may stand or sit at a wooden support with legs. The player holds a small spoon-shaped mallet hammer in each hand to strike the strings. The Graeco-Roman ''dulcimer'' ("sweet song") derives from the Latin ''dulcis'' (sweet) and the Greek ''melos'' (song). The dulcimer, in which the strings are beaten with small hammers, originated from the psaltery, in which the strings are plucked. Hammered dulcimers and other similar instruments are traditionally played in Iraq, India, Iran, Southwest Asia, China, Korea, and parts of Southeast Asia, Central Europe (Hungary, Slovenia, Romania, Slovakia, Poland, Czech Republic, Switzerland (particularly Appenzell), Austria and Bava ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stevens Grip
Stevens grip is a technique for playing keyboard percussion instruments with four mallets developed by Leigh Howard Stevens. While marimba performance with two, four, and even six mallets had been done for more than a century, Stevens developed this grip based on the Musser grip, looking to expanded musical possibilities. Stevens codified his grip and his approach to performance techniques developed during his studies at the Eastman School of Music in his 1979 book, ''Method of Movement for Marimba''. In this book, Stevens explains that his grip is an evolution of the Musser grip, and it is sometimes called the Musser-Stevens grip. Grip In Stevens grip, the mallets are held loosely. The first mallet, which becomes the left-most mallet, will be placed between the middle and ring finger, with the little and ring fingers wrapped around the mallet and less than an inch of the mallet hanging past the end of the hand when the palm faces upward. The end of the second mallet will be plac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
