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Bursting Out With The All-Star Big Band!
''Bursting Out with the All-Star Big Band!'' is a 1962 studio album by Oscar Peterson. Track listing # "Blues for Big Scotia" (Oscar Peterson) – 5:55 # "West Coast Blues" (Wes Montgomery) – 3:57 # "Here's That Rainy Day" (Jimmy Van Heusen, Johnny Burke) – 4:03 # " I Love You" (Cole Porter) – 2:39 # "Daahoud" (Clifford Brown) – 2:57 # "Tricrotism" (Oscar Pettiford) – 4:12 # "I'm Old Fashioned" (Jerome Kern, Johnny Mercer) – 4:27 # "Young and Foolish" ( Arnold B. Horwitt, Albert Hague) – 4:51 # " Manteca" (Dizzy Gillespie, Gil Fuller, Chano Pozo) – 4:04 Personnel Performance * Oscar Peterson - piano * Ray Brown - double bass * Ed Thigpen - drums * Nat Adderley - cornet * Roy Eldridge - trumpet * Jimmy Nottingham * Ernie Royal * Snooky Young * Clark Terry - trumpet, flugelhorn * Jimmy Cleveland - trombone * Paul Faulise * Slide Hampton * Melba Liston * Britt Woodman * Ray Alonge - french horn * Jim Buffington * Willie Ruff * Morris Secon * Julius Watkins * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Peterson
Oscar Emmanuel Peterson (August 15, 1925 – December 23, 2007) was a Canadian virtuoso jazz pianist and composer. Considered one of the greatest jazz pianists of all time, Peterson released more than 200 recordings, won seven Grammy Awards, as well as a lifetime achievement award from the Recording Academy, and received numerous other awards and honours. He played thousands of concerts worldwide in a career lasting more than 60 years. He was called the "Maharaja of the keyboard" by Duke Ellington, simply "O.P." by his friends, and informally in the jazz community as "the King of inside swing". Biography Early years Peterson was born in Montreal, Quebec, to immigrants from the West Indies (Saint Kitts and Nevis and the British Virgin Islands); His mother, Kathleen, was a domestic worker and his father, Daniel, worked as a porter for Canadian Pacific Railway and was an amateur musician who taught himself to play the organ, trumpet and piano. Peterson grew up in the neighbourh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Pettiford
Oscar Pettiford (September 30, 1922 – September 8, 1960) was an American jazz double bassist, cellist and composer. He was one of the earliest musicians to work in the bebop idiom. Biography Pettiford was born in Okmulgee, Oklahoma, United States. His mother was Choctaw, and his father Harry "Doc" Pettiford was half Cherokee and half African American. He grew up playing in the family band in which he sang and danced before switching to piano at the age of 12, then to double bass when he was 14. He is quoted as saying he did not like the way people were playing the bass, so he developed his own way of playing it. Despite being admired by the likes of Milt Hinton at the age of 14, he gave up in 1941 as he did not believe he could make a living. Five months later, he once again met Hinton, who persuaded him to return to music. In 1942, he joined the Charlie Barnet band and in 1943 gained wider public attention after recording with Coleman Hawkins on his " The Man I Love". Pett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Brown (musician)
Raymond Matthews Brown (October 13, 1926 – July 2, 2002) was an American jazz double bassist, known for his extensive work with Oscar Peterson and Ella Fitzgerald. He was also a founding member of the group that would later develop into the Modern Jazz Quartet. Biography Early life Ray Brown was born October 13, 1926, in Pittsburgh, Pennsylvania, and took piano lessons from the age of eight. After noticing how many pianists attended his high school, he thought of taking up the trombone, but was unable to afford one. With a vacancy in the high school jazz orchestra, he took up the upright bass. Career A major early influence on Brown's bass playing was Jimmy Blanton, the bassist in the Duke Ellington band. As a young man Brown became increasingly well known in the Pittsburgh jazz scene, with his first experiences playing in bands with the Jimmy Hinsley Sextet and the Snookum Russell band. After graduating high school, having heard stories about the burgeoning jazz scene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chano Pozo
Luciano Pozo González (January 7, 1915 – December 3, 1948), known professionally as Chano Pozo, was a Cuban jazz percussionist, singer, dancer, and composer. Despite only living to age 33, he played a major role in the founding of Latin jazz. He co-wrote some of Dizzy Gillespie's Latin-flavored compositions, such as " Manteca" and "Tin Tin Deo", and was the first Latin percussionist in Gillespie's band. Early life Luciano "Chano" Pozo González was born in Havana to Cecelio González and Carnación Pozo. Chano grew up with three sisters and a brother, as well as his older half brother, Félix Chappottín, who would later become one of the great Cuban '' soneros''. The family struggled with poverty throughout his youth. His mother died when Chano was eleven, and Cecelio took his family to live with his long-time mistress, Natalia, who was Felix's mother. Chano showed an early interest in playing drums, and performed ably in Afro-Cuban religious ceremonies in which drumming w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gil Fuller
Walter Gilbert "Gil" Fuller (April 14, 1920, Los Angeles, California – May 26, 1994, San Diego, California) was an American jazz arranger. He is no relation to the jazz trumpeter and vocalist Walter Fuller (musician), Walter "Rosetta" Fuller. In the 1930s and 1940s, Fuller did extensive work writing and arranging for bandleaders such as Les Hite, Jimmie Lunceford, Billy Eckstine, and Tiny Bradshaw; he also worked with Benny Carter, Benny Goodman, Woody Herman, Count Basie, Machito, and Tito Puente. After World War II, he found himself increasingly in demand as a bebop arranger, along with fellow modern arrangers Tadd Dameron, Gil Evans, and George Russell (composer), George Russell. Fuller's work with Dizzy Gillespie was of particular note, yielding the tunes "Manteca", "Swedish Suite", "Tin Tin Deo", and "One Bass Hit". He is the composer of the jazz standard ballad "I Waited For You", co-credited with Dizzy Gillespie. Fuller started his own publishing company in 1957, and whil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manteca (song)
"Manteca" is one of the earliest foundational tunes of Afro-Cuban jazz. Co-written by Dizzy Gillespie, Chano Pozo and Gil Fuller in 1947, it is among the most famous of Gillespie's recordings (along with the earlier " A Night in Tunisia") and is "one of the most important records ever made in the United States", according to Gary Giddins of ''The Village Voice''. "Manteca" is the first tune rhythmically based on the clave to become a jazz standard. History In 1947, Gillespie asked Mario Bauzá to recommend a Cuban percussionist for his big band. Bauzá suggested Pozo, a rough-living percussionist already famous in Cuba, and Gillespie hired him. They began to work Pozo's Cuban-style percussion into the band's arrangements. The band was touring in California when Pozo presented Gillespie with the idea for the tune. It featured a bridge of two eight-bar trumpet statements by Gillespie, percussion patterns played by Pozo, and horn lines from Gillespie's big band arranger Walter "Gil" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Hague
Albert Hague (born Albert Marcuse, October 13, 1920 – November 12, 2001) was a German–born American songwriter and actor. Early life Hague was born to a Jewish family in Berlin, Germany. His father, Harry Marcuse, was a psychiatrist and a musical prodigy, and his mother, Mimi (née Heller), a chess champion. His family considered their Jewish heritage a liability and raised him as a Lutheran (although he would later embrace his Jewish heritage after coming to the United States). Shortly before he was to be inducted into the Hitler Youth, he and his mother fled to Rome. Hague came to America in 1939 after his sister, who lived in Ohio, got him a musical scholarship at the University of Cincinnati. However, as he did not have a legal immigration status to be in the country, he was adopted by an eye surgeon associated with the university. After graduating in 1942, he served in the United States Army's special service band during World War II.Shirley, Don"Albert Hague, 8 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Horwitt
Arnold B. Horwitt (July 21, 1918-October 20, 1977) was a writer and lyricist for Broadway shows and television. Horwitt was born in Richmond, Indiana and moved with his family to New York when he was three. He graduated from DeWitt Clinton High School, New York University, and the Colubmia School of Journalism. He first worked in vaudeville theaters as an assistant press agent. Horwitt wrote scripts and lyrics for many plays, songs, and television shows, including Broadway shows such as ''Make Mine Manhattan'' (1948) and ''The Girls Against the Boys'' (1959). Horwitt also wrote sketches or lyrics for shows such as ''Are You with It?'' (1945),(2 December 1945)New York Calvacade ''Detroit Evening Times'' ''Call Me Mister'' (1946), '' Two's Company'' (1952), and ''Plain and Fancy'' (1955) (including the often-recorded ''Young and Foolish''). He wrote episodes of numerous television shows from the 1950s into the 1970s, including shows such as ''The Many Loves of Dobie Gillis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Young And Foolish
"Young and Foolish" is a popular song with music by Albert Hague and lyrics by Arnold B. Horwitt, published in 1954. The song was introduced in the musical ''Plain and Fancy'' (1955–56), and has since been recorded by many singers since. Recorded versions *Franck Amsallem *Paul Anka *Tony Bennett – for the album '' The Tony Bennett/Bill Evans Album'' (1975). *Eve Boswell *Sacha Distel * Jay Clayton * Bing Crosby recorded the song in 1955 for use on his radio show and it was subsequently included in the box set ''The Bing Crosby CBS Radio Recordings (1954–56)'' issued by Mosaic Records (catalog MD7-245) in 2009. * Bill Evans – on his 1959 album ''Everybody Digs Bill Evans'' *The Four Preps * Lesley Gore *Gogi Grant – for her album ''Torch Time'' (1959). * Bill Henderson *Ronnie Hilton – his cover version reached No. 17 on the UK Singles Chart in 1956. *Edmund Hockridge - this reached the No. 10 spot in the UK chart in 1956. *Richard "Groove" Holmes - for his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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