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Burattino
Burattino, also Burrattino or Burratino, is a minor '' commedia dell'arte'' character of the zanni (or second zanni) class. Name In Italian burattino means " puppet", although it is not clear whether the ''commedia dell'arte'' character was called Burattino because he moved like a puppet or puppets acquired the name because of Burattino. Though only mildly popular on the stage, he found his real fame in the marionette theater. According to Pierre-Louis Duchartre, the puppet named Burattino became so popular in Italy, that "by the end of the sixteenth century, all marionettes operated by strings and a wire were called ''burattini'', instead of'' bagatelli'' or ''fantoccini'', as they had been known up to that time." Today, the Italian word ''burattino'' can also refer to a hand puppet. Duchartre also reproduces two illustrations from 1594 with Burattino, in which he wears a costume similar to Zani's but with a characteristic flat round hat. Tommaso Garzoni (1549–1589) associ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burattino - Duchartre 1996 P300
Burattino, also Burrattino or Burratino, is a minor ''commedia dell'arte'' character of the zanni (or second zanni) class. Name In Italian burattino means "puppet", although it is not clear whether the ''commedia dell'arte'' character was called Burattino because he moved like a puppet or puppets acquired the name because of Burattino. Though only mildly popular on the stage, he found his real fame in the marionette theater. According to Pierre-Louis Duchartre, the puppet named Burattino became so popular in Italy, that "by the end of the sixteenth century, all marionettes operated by strings and a wire were called ''burattini'', instead of'' bagatelli'' or ''fantoccini'', as they had been known up to that time." Today, the Italian word ''burattino'' can also refer to a hand puppet. Duchartre also reproduces two illustrations from 1594 with Burattino, in which he wears a costume similar to Zani's but with a characteristic flat round hat. Tommaso Garzoni (1549–1589) associat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Courtesan And Burattino - Duchartre 1996 P271
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Innamorata (commedia Dell'arte)
''Gli Innamorati'' (, meaning "The Lovers") were stock characters within the theatre style known as commedia dell'arte, who appeared in 16th century Italy. In the plays, everything revolved around the Lovers in some regard. These dramatic and posh characters were present within ''commedia'' plays for the sole purpose of being in love with one another, and moreover, with themselves. These characters move elegantly and smoothly, and their young faces are unmasked unlike other commedia dell'arte characters. Despite facing many obstacles, the Lovers were always united by the end.Eick, JustiCommedia dell'Arte Origins The name ''Innamorati'' is the Italian word for "Lovers".Rudlin, John. ''Commedia dell'Arte, An Actor's Handbook''. Routledge, London, 1994, pp.106 The dramatists of the Italian Renaissance borrowed ideas from early Roman playwrights, such as Plautus and Terence, whom the theater style known as ''commedia erudita'' was inspired by. The "lovers" are the first actor, firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flaminio Scala
Flaminio Scala (27 September 1552 – 9 December 1624), commonly known by his stage name, Flavio,Landolfi 1993. was an Italian stage actor of Commedia dell'Arte, scenario writer, playwright, director, producer, manager, agent, and editor. Considered one of the most important figures in Renaissance theatre, Scala is remembered today as the author of the first published collection of commedia scenarios, ''Il Teatro delle Favole Rappresentative,''Scala 1611. short comic plays that served as inspiration to playwrights such as Lope de Vega, William Shakespeare, Ben Jonson, and Molière.Cappelletti 2008. Career Scala's career as an actor began sometime prior to 1577 in Florence, where he is thought to have played the role of the ''innamorato'' in the '' Compagnia dei Comici Gelosi'' (1568–1604), whose name was established after the company's creed: ''Virtu`, fama ed honor ne fer gelosi''; meaning, zealous to please their audience. However, circa 1610, Scala became the company's re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scenarios
In the performing arts, a scenario (, ; ; ) is a synoptical collage of an event or series of actions and events. In the ''commedia dell'arte'', it was an outline of entrances, exits, and action describing the plot of a play, and was literally pinned to the back of the scenery. It is also known as ''canovaccio'' or "that which is pinned to the canvas" of which the scenery was constructed. Surviving scenarios from the Renaissance contain little other than character names, brief descriptions of action, and references to specific lazzi with no further explanation. It is believed that a scenario formed the basis for a fully Improvisational theatre, improvisational performance, though it is also likely that they were simple reminders of the plot for those members of the cast who were literate. Modern commedia troupes most often make use of a script with varying degrees of additional improvisation. In the creation of an opera or ballet, a scenario is often developed initially to indic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arlecchino
Harlequin (; it, Arlecchino ; lmo, Arlechin, Bergamasque pronunciation ) is the best-known of the ''zanni'' or comic servant characters from the Italian ''commedia dell'arte'', associated with the city of Bergamo. The role is traditionally believed to have been introduced by Zan Ganassa in the late 16th century, was definitively popularized by the Italian actor Tristano Martinelli in Paris in 1584–1585, and became a stock character after Martinelli's death in 1630. The Harlequin is characterized by his checkered costume. His role is that of a light-hearted, nimble, and astute servant, often acting to thwart the plans of his master, and pursuing his own love interest, Columbina, with wit and resourcefulness, often competing with the sterner and melancholic Pierrot. He later develops into a prototype of the romantic hero. Harlequin inherits his physical agility and his trickster qualities, as well as his name, from a mischievous "devil" character in medieval passion plays. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedrolino
Pedrolino is a ''primo zanni'', or comic servant, of the ''Commedia dell'Arte''; the name is a hypocorism of ''Pedro'' (Peter), via the suffix ''-lino''. The character made its first appearance in the last quarter of the 16th century, apparently as the invention of the actor with whom the role was to be long identified, Giovanni Pellesini. Contemporary illustrations suggest that his white blouse and trousers constituted "a variant of the typical ''zanni'' suit", and his Bergamasque dialect marked him as a member of the "low" rustic class. But if his costume and social station were without distinction, his dramatic role was certainly not: as a multifaceted "first" ''zanni'', his character was—and still is—rich in comic incongruities. Many Commedia historians make a connection between the Italian Pedrolino and the later Pierrot of the French Comédie-Italienne, and, although a link between the two is possible, it remains unproven and seems unlikely, based on the scant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bergamasque Dialect
The Bergamasque dialect is the western variant of the Eastern Lombard group of the Lombard language. It is mainly spoken in the province of Bergamo and in the area around Crema, in central Lombardy. Bergamasque has official status in the province of Bergamo, according to the Regional Law 25/2016. Classification Bergamasque is a Romance language and belongs to the Gallo-Italic branch. Its position on the language family is genetically closer to Occitan, Catalan, French, etc. than to Italian. Geographic distribution Bergamasque is primarily spoken in the province of Bergamo and in the area around Crema, in central Lombardy. Bergamasque is generally mutually intelligible for speakers of Eastern Lombard's variants of neighbouring areas (i.e. from Brescia) but this is not always true for distant peripheric areas, especially in alpine valleys. Differences include either lexical, grammatical and phonetic aspects. Bergamasque is often referred to as a dialect of the Italian langua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zucchetto
The zucchetto (, also ,"zucchetto" (US) and , ; meaning "small ", from ''zucca'', " pumpkin"; plural in English: zucchettos) or solideo, officially a pileolus, is a small, hemispherical, form-fitting ecclesiastical worn by clerics of various es, the |
Tommaso Garzoni
Tommaso Garzoni, (born ''Ottaviano'', Bagnacavallo, 1549 – 1589), was an Italian Renaissance writer. Life Tommaso Garzoni was born in March 1549 in Bagnacavallo (a village in the Papal States near Ravenna) to a humble family, who however succeeded to pay for his education. He briefly studied law in Ferrara, then logic in Siena. At the age of seventeen, on 18 October 1566, he entered in the Canons Regular of the Lateran, the religious order who held the Santa Maria in Porto Basilica in Ravenna. On that occasion he took the religious name of ''Tommaso'' (or ''Tomaso''). With a prodigious inventive faculty, in the last six years of his short existence he wrote all the works - bizarrely encyclopedic - that would make him famous. Garzoni's eclectic work had a vast European success (numerous translations and reprints), to the point of consecrating him among the most popular Italian authors of the late sixteenth century. Today, after a long oblivion, Garzoni is again discovered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hand Puppet
A hand puppet is a type of puppet that is controlled by the hand or hands that occupies the interior of the puppet.Sinclair, A, ''The Puppetry Handbook'', p.15 A glove puppet is a variation of hand puppets. Rod puppets require one of the puppeteer's hands inside the puppet glove holding a rod which controls the head, and the puppet's body then hangs over most or all of the forearm of the puppeteer, and possibly extends further. Other parts of the puppet may be controlled by different means, e.g., by rods operated by the puppeteer's free hand, or strings or levers pulled the head or body. A smaller variety, simple hand puppets often have no significant manipulable parts at all. Finger puppets are not hand puppets as they are used only on a finger. Types of hand puppets Simple hand puppets The simplest hand puppets are those with few or no moving parts. They can be stiff, made from e.g. a hard plastic, but are more often flexible, made from fabric, possibly with some stuffing an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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