Bunk Gardner
Bunk Gardner (born John Leon Guarnera; May 2, 1933 in Cleveland, Ohio) is an American musician who most notably played for the original version of Frank Zappa's Mothers of Invention until the group disbanded in 1969. He plays woodwinds and tenor sax. Career Gardner started playing music at the age of seven by taking piano lessons. When he was a teenager he started playing the tenor sax. In 1959 he played with Bud Wattles & his Orchestra's album ''Themes from the Hip''. Later he played with Joanna & the Playboys in 1962. By late 1966 Gardner had joined Frank Zappa & the Mothers of Invention, playing tenor sax and other woodwinds. The Mothers found success, with '' Absolutely Free'' and ''We're Only in It for the Money'' entering the charts. In late 1968 his brother Buzz Gardner joined the Mothers, staying until the group disbanded a year later. Gardner played with Menage A Trois with Buzz and John Balkin. Later he recorded with Geronimo Black and the Grandmothers. In 1980 Gardner ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Amsterdam Airport Schiphol
Amsterdam Airport Schiphol , known informally as Schiphol Airport ( nl, Luchthaven Schiphol, ), is the main international airport of the Netherlands. It is located southwest of Amsterdam, in the municipality of Haarlemmermeer in the province of North Holland. It is the world's third busiest airport by international passenger traffic in 2021. With almost 72 million passengers in 2019, it is the third-busiest airport in Europe in terms of passenger volume and the busiest in Europe in terms of aircraft movements. With an annual cargo tonnage of 1.74 million, it is the 4th busiest in Europe. AMS covers a total area of of land. The airport is built on the single-terminal concept: one large terminal split into three large departure halls. Schiphol is the hub for KLM and its regional affiliate KLM Cityhopper as well as for Corendon Dutch Airlines, Martinair, Transavia and TUI fly Netherlands. The airport also serves as a base for EasyJet. Schiphol opened on 16 September 1916 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bassoon
The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity. It is a non-transposing instrument and typically its music is written in the bass and tenor clefs, and sometimes in the treble. There are two forms of modern bassoon: the Buffet (or French) and Heckel (or German) systems. It is typically played while sitting using a seat strap, but can be played while standing if the player has a harness to hold the instrument. Sound is produced by rolling both lips over the reed and blowing direct air pressure to cause the reed to vibrate. Its fingering system can be quite complex when compared to those of other instruments. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band, and chamber music literature, and is occasionally heard in pop, r ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Finer Moments
''Finer Moments'' is a compilation album by Frank Zappa. It was compiled and mastered by Zappa in 1972 and released posthumously in 2012. Overview Some of the tracks from this album have appeared (most of them under another title) on various other releases including 1991's ''You Can't Do That on Stage Anymore, Vol. 4'', 1992's ''You Can't Do That on Stage Anymore, Vol. 5'', 1998's ''Mystery Disc'', 1996's ''The Lost Episodes'', and 2011's ''Carnegie Hall''. Track listing Personnel ;Musicians * Frank Zappa – guitar, vocals * Don Preston – keyboards, mini moog * Ian Underwood – clarinet, keyboards, piano, alto sax, woodwind * Bunk Gardner – tenor sax, woodwind * Motorhead Sherwood – baritone sax * Buzz Gardner – trumpet * Roy Estrada – bass, vocals * Jimmy Carl Black – drums * Art Tripp – drums, percussion * Lowell George – guitar (on "There Is No Heaven From Where Slogans Go To Die" and "Squeeze It, Squeeze It, Squeeze It") * Dave Samuels – guest artis ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mystery Disc
''Mystery Disc'' is a compilation album by Frank Zappa. It was released on CD in 1998, compiling tracks that were originally released on two separate vinyl records and included in the mail order ''Old Masters'' box sets, which were released in three volumes between 1985 and 1987. (These box sets, issued on Barking Pumpkin, contained repressings of Zappa's albums from ''Freak Out!'' (1966) to ''Zoot Allures'' (1976), along with a 'Mystery Disc' in boxes one and two.) The CD omits the last two tracks from the 1985 LP, "Why Don'tcha Do Me Right?" and "Big Leg Emma", both of which were included on the CD version of '' Absolutely Free'' (1967) in 1989. The recordings featured on ''Mystery Disc'' cover the early stages of Zappa's career, and were made between 1962 and 1969 (with the exception of "The Story of Willie the Pimp", a 1972 'field recording'). The material overlaps in places with that of ''You Can't Do That on Stage Anymore, Vol. 5'' (1992), ''Ahead of Their Time'' (1993), ''T ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ahead Of Their Time
''Ahead of Their Time'' is a live album by The Mothers of Invention. It was recorded at the Royal Festival Hall, London, England, on October 25, 1968, and released in 1993 on CD by Barking Pumpkin. It was reissued on Rykodisc in 1995. Performances The first part of the set is a one-off performance of a musical play retrospectively entitled ''Progress?'', and featuring members of the BBC Symphony Orchestra. Portions of this performance originally found their way on to the '' Mystery Disc'' (1998) contained on the second 1986 box of ''The Old Masters'' and the Honker Home Video release of ''Uncle Meat'' (1969). Much of the humor and storyline of the play is lost to the casual listener due to primitive recording techniques and the visual nature of some of the performance, necessitating extensive liner notes by Zappa. According to Zappa's liner notes, the remainder of the set is "A fair – not outstanding – 1968 Mothers of Invention rock concert performance". Different edits of s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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You Can't Do That On Stage Anymore, Vol
In Modern English, ''you'' is the Grammatical person, second-person English pronouns, pronoun. It is Grammatical number, grammatically plural, and was historically used only for the dative case, but in most modern dialects is used for all cases and numbers. History ''You'' comes from the Proto-Germanic language, Proto-Germanic demonstrative base *''juz''-, *''iwwiz'' from Proto-Indo-European language, PIE *''yu''- (second person plural pronoun). Old English had singular, dual, and plural second-person pronouns. The dual form was lost by the twelfth century, and the singular form was lost by the early 1600s. The development is shown in the following table. Early Modern English distinguished between the plural ''ye (pronoun), ye'' and the singular ''thou''. As in many other European languages, English at the time had a T–V distinction, which made the plural forms more respectful and deferential; they were used to address strangers and social superiors. This distinction ultim ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Weasels Ripped My Flesh
''Weasels Ripped My Flesh'' is the seventh studio album by the American rock group the Mothers of Invention, and the tenth overall by Frank Zappa, released in 1970. It is the second album released after the Mothers disbanded in 1969, preceded by '' Burnt Weeny Sandwich''. In contrast to its predecessor, which almost entirely focused on studio recordings of arranged compositions, ''Weasels Ripped My Flesh'' consists of a combination of live and studio recordings and features more improvisation. Album information Whereas all but one of the pieces on ''Burnt Weeny Sandwich'' have a more planned feel captured by quality studio equipment, five tracks from ''Weasels Ripped My Flesh'' capture the Mothers on stage, where they employ frenetic and chaotic improvisation characteristic of avant-garde jazz and free jazz. This is particularly evident on "The Eric Dolphy Memorial Barbecue," a tribute to the multi-instrumentalist, who died in 1964 and is cited as a musical influence in the l ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Burnt Weeny Sandwich
''Burnt Weeny Sandwich'' is the sixth studio album by the American rock band the Mothers of Invention, and the ninth overall by Frank Zappa, released in 1970. It consists of both studio recordings and live elements. In contrast to the next album ''Weasels Ripped My Flesh'', which is predominantly live and song-oriented, most of ''Burnt Weeny Sandwich'' focuses on studio recordings and tightly arranged compositions. The LP included a large triple-folded black and white poster ("The Mothers of Invention Sincerely Regret to Inform You") which has never been reproduced in any of the CD reissues (except the Japanese Ryko mini-lp sleeve editions). Title The album's unusual title, Zappa would later say in an interview, comes from an actual snack that he enjoyed eating, consisting of a burnt Hebrew National hot dog sandwiched between two pieces of bread with mustard. ''Burnt Weeny Sandwich'' and ''Weasels Ripped My Flesh'' were also reissued together on vinyl as ''2 Originals of the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Uncle Meat
''Uncle Meat'' is the fifth studio album by the Mothers of Invention, released as a double album in 1969. ''Uncle Meat'' was originally developed as a part of ''No Commercial Potential'', a project which spawned three other albums sharing a conceptual connection: ''We're Only in It for the Money'', ''Lumpy Gravy'' and '' Cruising with Ruben & the Jets''. The album also served as a soundtrack album to a proposed science fiction film which would not be completed, though a direct-to-video film containing test footage from the project was released by Frank Zappa in 1987. The music is diverse in style, drawing from orchestral, jazz, blues and rock music. ''Uncle Meat'' was a commercial success upon release, and has been highly acclaimed for its innovative recording and editing techniques, including experiments in manipulation of tape speed and overdubbing, and its diverse sound. Background Frank Zappa, who had been interested in film since high school, decided to develop a film veh ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cruising With Ruben & The Jets
''Cruising with Ruben & the Jets'' is the fourth studio album by the Mothers of Invention, released under the alias Ruben and the Jets. Released on December 2, 1968 on Bizarre and Verve Records with distribution by MGM Records, it is a concept album, influenced by 1950s doo-wop and rock and roll. The album's concept deals with a fictitious Chicano doo-wop band called Ruben & the Jets, represented by the cover illustration by Cal Schenkel, which depicts the Mothers of Invention as anthropomorphic dogs. It was conceived as part of a project called ''No Commercial Potential'', which produced three other albums: ''Lumpy Gravy'', ''We're Only in It for the Money'' and ''Uncle Meat''. The album and its singles received some radio success, due to its doo-wop sound. Subsequently, the name Ruben and the Jets continued with a different lineup, led by musician Rubén Guevara Jr., who recorded the albums '' For Real!'' (1973) and '' Con Safos'' (1974). Zappa produced the former. Background ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lumpy Gravy
''Lumpy Gravy'' is the debut solo album by Frank Zappa, written by Zappa and performed by a group of session players he dubbed the Abnuceals Emuukha Electric Symphony Orchestra. Zappa conducted the orchestra but did not perform on the album. It is his third album overall: his previous releases had been under the name of his group, the Mothers of Invention. It was commissioned and briefly released, on August 7, 1967, by Capitol Records in the 4-track Stereo-Pak format only and then withdrawn due to a lawsuit from MGM Records. MGM claimed that the album violated Zappa's contract with their subsidiary, Verve Records. In 1968 it was reedited and released by MGM's Verve Records on May 13, 1968. The final version of the album consisted of two musique concrète pieces that combined elements from the original orchestral performance with elements of surf music and the spoken word. It was praised for its music and editing. Produced simultaneously with ''We're Only in It for the Money'', ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |