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Bulul
Bulul, also known as bul-ul or tinagtaggu, is a carved wooden figure used to guard the rice crop by the Ifugao (and their sub-tribe Kalanguya) peoples of northern Luzon. The sculptures are highly stylized representations of ancestors and are thought to gain power and wealth from the presence of the ancestral spirit. The Ifugao are particularly noted for their skill in carving bulul. Use Bul'uls are used in ceremonies associated with rice production and with healing. The creation of a bulul involves alwen bulul ritual by a priest to ensure that the statue gains power. The bul'ul is treated with care and respect to avoid the risk of the spirits of the ancestors bringing sickness. The figures are placed together with the rice in the house or granaries to bring a plentiful harvest. The bulul is important to Ifugaos because they believe they can protect and multiply the rice and help make the harvest abundant. Form Male and female Bulul statues are often found together, with s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ifugao People
The Ifugao people are the ethnic group inhabiting Ifugao Province. They reside in the municipalities of Lagawe (capital of Ifugao), Aguinaldo, Alfonso Lista, Asipulo, Banaue, Hingyon, Hungduan, Kiangan, Lamut, Mayoyao, and Tinoc. The province is one of the smallest provinces in the Philippines with an area of only 251,778 hectares, or about 0.8% of the total Philippine land area. As of 1995, the population of the Ifugaos was counted to be 131,635. Although the majority of them are still in Ifugao province, some of them have moved to Baguio, where they work as woodcarvers, and to other parts of the Cordillera Region. Demonym The term "Ifugao" is derived from "''ipugo''" which means "earth people", "mortals" or "humans", as distinguished from spirits and deities. It also means "from the hill", as ''pugo'' means hill. The term ''Igorot'' or ''Ygolote'' was the term used by Spanish conquerors for mountain people. The Ifugaos, however, prefer the name ''Ifugao''. History Henry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Authenticity In Art
Authenticity in art is manifest in the different ways that a work of art, or an artistic performance, can be considered authentic. The initial distinction is between ''nominal authenticity'' and ''expressive authenticity''. In the first sense, nominal authenticity is the correct identification of the author of a work of art; of how closely an actor or an actress interprets a role in a stageplay as written by the playwright; of how well a musician's performance of an artistic composition corresponds to the composer's intention; and how closely an '' objet d’art'' conforms to the artistic traditions of its genre. In the second sense, expressive authenticity is how much the work of art possesses inherent authority of and about its subject, and how much of the artist's intent is in the work of art. For the spectator, the listener, and the viewer, the ''authenticity of experience'' is an emotion impossible to recapture beyond the first encounter with the work of art in its original ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anito
''Anito'', also spelled ''anitu'', refers to ancestor spirits, nature spirits, and deities in the indigenous Philippine folk religions from the precolonial age to the present, although the term itself may have other meanings and associations depending on the Filipino ethnic group. It can also refer to carved humanoid figures, the ''taotao'', made of wood, stone, or ivory, that represent these spirits. ''Anito'' (a term predominantly used in Luzon) is also sometimes known as ''diwata'' in certain ethnic groups (especially among Visayans). ''Pag-anito'' refers to a séance, often accompanied by other rituals or celebrations, in which a shaman (Visayan: ''babaylan'', Tagalog: ''katalonan'') acts as a medium to communicate directly with the spirits. When a nature spirit or deity is specifically involved, the ritual is called ''pagdiwata''. The act of worship or a religious sacrifice to a spirit is also sometimes simply referred to as ''anito''. The belief in ''anito'' are so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ifugao Sculpture Louvre 70-1999-4-1
Ifugao, officially the Province of Ifugao ( ilo, Probinsia ti Ifugao; tl, Lalawigan ng Ifugao), is a landlocked province of the Philippines in the Cordillera Administrative Region in Luzon. Its capital is Lagawe and it borders Benguet to the west, Mountain Province to the north, Isabela to the east, and Nueva Vizcaya to the south. The Rice Terraces of the Philippine Cordilleras and Banaue Rice Terraces are the main tourist attractions in the province. These terraces are believed to have been hand-carved into the mountains 2,000 years ago to plant rice. However, recent research by carbon dating suggests that they were built much later. In 1995, the Rice Terraces of the Philippine Cordilleras were declared as a UNESCO World Heritage Site. In 2008 and 2015, the ''Hudhud chants of the Ifugao'' and the ''Punnuk (Tugging rituals and games)'' were inscribed in the UNESCO Intangible Cultural Heritage Lists. Etymology Ifugao is named after the term ''i-pugo'' (''"i"'' rom/peopleand ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ifugao
Ifugao, officially the Province of Ifugao ( ilo, Probinsia ti Ifugao; tl, Lalawigan ng Ifugao), is a landlocked province of the Philippines in the Cordillera Administrative Region in Luzon. Its capital is Lagawe and it borders Benguet to the west, Mountain Province to the north, Isabela to the east, and Nueva Vizcaya to the south. The Rice Terraces of the Philippine Cordilleras and Banaue Rice Terraces are the main tourist attractions in the province. These terraces are believed to have been hand-carved into the mountains 2,000 years ago to plant rice. However, recent research by carbon dating suggests that they were built much later. In 1995, the Rice Terraces of the Philippine Cordilleras were declared as a UNESCO World Heritage Site. In 2008 and 2015, the ''Hudhud chants of the Ifugao'' and the ''Punnuk (Tugging rituals and games)'' were inscribed in the UNESCO Intangible Cultural Heritage Lists. Etymology Ifugao is named after the term ''i-pugo'' (''"i"'' rom/peopleand ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Religion In The Philippines
Religion in the Philippines is marked by a majority of people being adherents of the Christian faith.Philippines in Figures : 2014 , . At least 88% of the population is Christian; about 79% belong to the while about 9% belong to , [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dambana
Indigenous Philippine shrines and sacred grounds are places regarded as holy within the indigenous Philippine folk religions. These places usually serve as grounds for communication with the spirit world, especially to the deities and ancestral spirits. In some cases, they also function as safeguards for the caskets of ancestors, as well as statues or other objects depicting divine entities. Overview Ancient Filipinos and Filipinos who continue to adhere to the indigenous Philippine folk religions generally do not have so-called "temples" of worship under the context known to foreign cultures. However, they do have sacred shrines, which are also called as spirit houses. They can range in size from small roofed platforms, to structures similar to a small house (but with no walls), to shrines that look similar to pagodas, especially in the south where early mosques were also modeled in the same way. These shrines were known in various indigenous terms, which depend on the ethnic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rey Paz Contreras
Rey Paz Contreras (August 31, 1950-March 23, 2021) is a prominent Filipino sculptor working with urban refuse and environmental materials as artistic media. He is inspired by the indigenous Filipino culture and creates visual forms of contemporary images that explore a distinct Filipino aesthetics. Life and work Rey Paz Contreras was born in Parañaque, south of Manila, and grew up in a house by the railway tracks in the crowded urban district of Tayuman. When the railway company decided to replace the old wooden railroad sleepers, some of them 100 years old and severely damaged, Contreras bought the wood and began using it to create wooden objects. At first these were functional objects such as bowls, often reflecting irregularities in the wood. Contreras' sculpture often still has a functional aspect. Through the years, Contreras has experimented on non-traditional art materials in his quest for contemporary Filipino art. Aside from the travieza, he explored using logging refu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shamanism
Shamanism is a religious practice that involves a practitioner (shaman) interacting with what they believe to be a Spirit world (Spiritualism), spirit world through Altered state of consciousness, altered states of consciousness, such as trance. The goal of this is usually to direct Non-physical entity, spirits or Energy (esotericism), spiritual energies into the physical world for the purpose of healing, divination, or to aid human beings in some other way. Beliefs and practices categorized as "shamanic" have attracted the interest of scholars from a variety of disciplines, including anthropologists, archeologists, historians, religious studies scholars, philosophers and psychologists. Hundreds of books and Academic publishing#Scholarly paper, academic papers on the subject have been produced, with a peer-reviewed academic journal being devoted to the study of shamanism. In the 20th century, non-Indigenous Peoples, Indigenous Westerners involved in countercultural movements, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pterocarpus Indicus
''Pterocarpus indicus'' (commonly known as Amboyna wood, Malay padauk, Papua New Guinea rosewood, Philippine mahogany, Andaman redwood, Burmese rosewood, narra and asana in the Philippines, angsana, or Pashu padauk) is a species of ''Pterocarpus'' native to southeastern Asia, northern Australasia, and the western Pacific Ocean islands, in Cambodia, southernmost China, East Timor, Indonesia, Malaysia, Papua New Guinea, the Philippines, the Ryukyu Islands, the Solomon Islands, Thailand, and Vietnam.International Legume Database & Information Service''Pterocarpus indicus'' ''Pterocarpus indicus'' was one of two species (the other being '' Eysenhardtia polystachya'') used as a source for the 16th- to 18th-century traditional diuretic known as '' lignum nephriticum''. Many populations of ''Pterocarpus indicus'' are seriously threatened. It is extinct in Vietnam and possibly in Sri Lanka and Peninsular Malaysia. It was declared the national tree of the Philippines in 1934 by Governor- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intsia Bijuga
''Intsia bijuga'', commonly known as Borneo teak, Johnstone River teak, Kwila, Moluccan ironwood, Pacific teak, scrub mahogany and vesi, is a species of flowering tree in the family Fabaceae, native to the Indo-Pacific. It ranges from Tanzania and Madagascar east through India and Queensland, Australia, Papua New Guinea to the Pacific islands of Fiji and Samoa.It grows to around 50 metres (160 feet) tall with a highly buttressed trunk. It inhabits mangrove forests. ''Intsia bijuga'' differ from ''Intsia palembanica'' in the number of leaflets that make up their compound leaves. The tree has a variety of common names including ipil and kwila. Uses The bark and leaves of the ipil are used in traditional medicines. The tree's timber, called ''kwila'', is a very durable and termite-resistant wood, making it a highly valued material for flooring and other uses. The wood can also be used to extract a dye. The tree can contain a "gold" fleck that runs through the grain, considered to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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