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Bullitt (soundtrack)
''Bullitt'' is a soundtrack album to the motion picture ''Bullitt'', by Argentine composer, pianist and conductor Lalo Schifrin, recorded in 1968 and released on the Warner Bros. label. The tracks released on the album are alternate versions of those heard in the film and were re-recorded at the film producers' insistence for a more "pop" oriented soundtrack. Reception The Allmusic review states "Everything on the album is visually evocative the way good soundtrack music should be, yet the individual cuts are tight and melodic enough to hold up to repeated listens. The end result is a soundtrack that succeeds both as a film score and a stand-alone album. This unique combination makes Bullitt one of the finest achievements in the Lalo Schifrin catalog and one of the best action film scores ever written".Guarisco, D. AAllmusic Reviewaccessed March 12, 2012 Track listing ''All compositions by Lalo Schifrin except as indicated'' # "Bullitt (Main Title)" (2:08) # "Room "26"" (2:23 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lalo Schifrin
Boris Claudio "Lalo" Schifrin (born June 21, 1932) is an Argentine-American pianist, composer, arranger and conductor. He is best known for his large body of film and TV scores since the 1950s, incorporating jazz and Latin American musical elements alongside traditional orchestrations. He is a five-time Grammy Award winner, and has been nominated for six Academy Awards and four Emmy Awards. Schifrin's best known compositions include the " Theme from ''Mission: Impossible''", and the scores to '' Cool Hand Luke'' (1967), ''Bullitt'' (1968), ''THX 1138'' (1971), ''Enter the Dragon'' (1973), ''The Four Musketeers'' (1974), ''Voyage of the Damned'' (1976), ''The Amityville Horror'' (1979), and the ''Rush Hour'' trilogy (1998–2007). Schifrin is also noted for his collaborations with Clint Eastwood from the late 1960s to the 1980s, particularly the ''Dirty Harry'' series of films. He also composed the Paramount Pictures fanfare used from 1976 to 2004. In 2019, he received an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Bennett (musician)
Max Bennett (May 24, 1928 – September 14, 2018) was an American jazz bassist and session musician. Early life Bennett grew up in Kansas City, Missouri and Oskaloosa, Iowa, and went to college in Iowa. Career His first professional gig was with Herbie Fields in 1949, and following this he played with Georgie Auld, Terry Gibbs, and Charlie Ventura. He served in the Army during the Korean War from 1951 to 1953, and then played with Stan Kenton before moving to Los Angeles. There he played regularly at the Lighthouse Cafe with his own ensemble, and played behind such vocalists as Peggy Lee, Ella Fitzgerald, Joni Mitchell and Joan Baez through the 1970s. He also recorded with Charlie Mariano, Conte Candoli, Bob Cooper, Bill Holman, Stan Levey, Lou Levy, Coleman Hawkins and Jack Montrose. Bennett recorded under his own name from the late 1950s and did extensive work as a composer and studio musician in addition to jazz playing. Often associated with The Wrecking Crew, he perfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Brown (musician)
Raymond Matthews Brown (October 13, 1926 – July 2, 2002) was an American jazz double bassist, known for his extensive work with Oscar Peterson and Ella Fitzgerald. He was also a founding member of the group that would later develop into the Modern Jazz Quartet. Biography Early life Ray Brown was born October 13, 1926, in Pittsburgh, Pennsylvania, and took piano lessons from the age of eight. After noticing how many pianists attended his high school, he thought of taking up the trombone, but was unable to afford one. With a vacancy in the high school jazz orchestra, he took up the upright bass. Career A major early influence on Brown's bass playing was Jimmy Blanton, the bassist in the Duke Ellington band. As a young man Brown became increasingly well known in the Pittsburgh jazz scene, with his first experiences playing in bands with the Jimmy Hinsley Sextet and the Snookum Russell band. After graduating high school, having heard stories about the burgeoning jazz scene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Howard Roberts
Howard Mancel Roberts (October 2, 1929 – June 28, 1992) was an American jazz guitarist, educator, and session musician. Early years Roberts was born in Phoenix, Arizona to Damon and Vesta Roberts, and began playing guitar at the age of 8 - a Gibson manufactured $18 Kalamazoo student model acoustic given to him by his parents at Christmas. He took lessons from Horace Hatchett who commented to Roberts’ father that Roberts, at the age of 15, “...has his own style of playing and there's nothing else I can show him. He plays better than I do.” By the time he was 15 he was playing professionally locally, predominantly blues based music, where he learned from a number of black musicians, trumpeter Art Farmer being among that group. In 1992 Roberts was quoted in "The Independent Newsletter" by Steve Voce saying he considered that early experience to be “the most valuable” to him in his development as a player.Sallis, James. "Middle Ground: Herb Ellis, Howard Roberts, Jim Hall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Deasy
Michael William Deasy (born February 4, 1941) is an American rock and jazz guitarist. As a session musician, he played on numerous hit singles and albums recorded in Los Angeles in the 1960s, 1970s and 1980s. He is sometimes credited as Mike Deasy Sr. Biography He was born and raised in Los Angeles, California, where he learned to play guitar as a child. While still at high school, he played in bands backing visiting musicians such as Ricky Nelson and The Everly Brothers, and also played in Ritchie Valens' touring band with Bruce Johnston, Larry Knechtel, Sandy Nelson, and Jim Horn. After graduating in 1959, he joined Eddie Cochran's band, the Kelly Four, where he played both guitar and baritone sax and made his first recordings.Mike Deasy at Musicians Hall of Fame . Retrieved August 22, 2013< ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Organ
An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed into several types of instruments: * Hammond-style organs used in pop, rock and jazz; * digital church organs, which imitate pipe organs and are used primarily in churches; * other types including combo organs, home organs, and software organs. History Predecessors ;Harmonium The immediate predecessor of the electronic organ was the harmonium, or reed organ, an instrument that was common in homes and small churches in the late 19th and early 20th centuries. In a fashion not totally unlike that of pipe organs, reed organs generate sound by forcing air over a set of reeds by means of a bellows, usually operated by constantly pumping a set of pedals. While reed organs have limited tonal quality, they are small, inexpensive, self ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Melvoin
Mike Melvoin (May 10, 1937February 22, 2012) was an American jazz pianist, composer, and arranger. He served as chairman and president of The Recording Academy and worked as a prolific studio musician, recording with Frank Sinatra, John Lennon, The Jackson 5, Natalie Cole, and The Beach Boys. Melvoin was nominated for the 2003 Grammy Award for Best Jazz Instrumental Solo for "All or Nothing at All" from his album ''It's Always You''. Biography Melvoin was born in Oshkosh, Wisconsin, and began playing the piano at the age of three. He studied English at Dartmouth College, graduating in 1959, but decided to pursue a career in music. Melvoin, whose original family name was Mehlworm, was Jewish. After moving to Los Angeles in 1961, he played with Frank Rosolino, Leroy Vinnegar, Gerald Wilson, Paul Horn, Terry Gibbs, Joe Williams, Peggy Lee and others. He released his debut album as a bandleader, ''Keys to Your Mind'', in 1966 on Liberty Records. Melvoin played in clubs in Los A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Nimitz
Jack Nimitz (January 11, 1930 – June 10, 2009) was an American jazz baritone saxophonist. He was nicknamed "The Admiral". Career A native of Washington, D.C., Nimitz started on clarinet in his early teens before playing alto saxophone. During the 1950s he played baritone saxophone with Woody Herman, Stan Kenton, and Herbie Mann. He continued to play in big bands in the 1960s with Terry Gibbs and Gerald Wilson in addition to working in film and leading a quintet. He was a founding member of Supersax in the early 1970s and remained with the band into the 1990s. During the 1980s and 1990s he was a member of big bands led by Oliver Nelson and Bill Berry. He performed in the sextet of Frank Strazzeri and the sextet of Bud Shank in the 1990s. In 1997 he worked with Buddy Childers at the PizzaExpress Jazz Club in London. A studio musician for much of his life, Nimitz recorded his first album as leader in the 1990s. The Jack Nimitz Quintet played its final performance on May 10, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Perkins (saxophonist)
William Reese Perkins ( – ) was an American cool jazz saxophonist and flutist, popular on the West Coast jazz scene, known primarily as a tenor saxophonist. Born in San Francisco, California, United States, Perkins started performing in the big bands of Woody Herman and Jerry Wald. He worked for the Stan Kenton orchestra, which led to his entry into the cool jazz idiom. He began performing with Art Pepper and Bud Shank. He was also a member of The Tonight Show Band from 1970–1992 and The Lighthouse All-Stars. In the 1960s, Perkins had a second career as a recording engineer. He died of cancer in his Sherman Oaks home at the age of 79. Discography * '' The Brothers!'' with Al Cohn and Richie Kamuca (RCA Victor, 1955) * ''On Stage'' (Pacific Jazz, 1956) * ''Tenors Head-On'' with Richie Kamuca (Liberty, 1957) * ''Just Friends'' with Art Pepper, Richie Kamuca (Pacific Jazz, 1957) * ''Bossa Nova with Strings Attached'' (Liberty, 1963) * ''Quietly There'' (Riverside, 1966; r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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