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Bullfighting Films
Bullfighting is a physical contest that involves a bullfighter attempting to subdue, immobilize, or kill a bull, usually according to a set of rules, guidelines, or cultural expectations. There are several variations, including some forms which involve dancing around or leaping over a cow or bull or attempting to grasp an object tied to the animal's horns. The best-known form of bullfighting is Spanish-style bullfighting, practiced in Spain, Portugal, Southern France, Mexico, Colombia, Ecuador, Venezuela, and Peru. The Spanish Fighting Bull is bred for its aggression and physique, and is raised free-range with little human contact. The practice of bullfighting is controversial because of a range of concerns including animal welfare, funding, and religion. While some forms are considered a blood sport, in some countries, for example Spain, it is defined as an art form or cultural event, and local regulations define it as a cultural event or heritage. Bullfighting is illegal in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matador
A bullfighter (or matador) is a performer in the activity of bullfighting. ''Torero'' () or ''toureiro'' (), both from Latin ''taurarius'', are the Spanish and Portuguese words for bullfighter and describe all the performers in the activity of bullfighting as practised in Spain, Portugal, Mexico, Peru, France, Colombia, Ecuador, Venezuela and other countries influenced by Portuguese and Spanish culture. The main performer and leader of the entourage in a bullfight, and who finally kills the bull, is addressed as ''maestro'' (master), or with the formal title ''matador de toros'' (killer of bulls). The other bullfighters in the entourage are called ''subalternos'' and their suits are embroidered in silver as opposed to the matador's gold. They include the ''picadores'', ''rejoneadores'', and ''banderilleros''. Present since the sport's earliest history, the number of women in bullfighting has steadily increased since the late-19 century, both on foot and on horseback. Usua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Knossos Bull-Leaping Fresco
Knossos (also Cnossos, both pronounced ; grc, Κνωσός, Knōsós, ; Linear B: ''Ko-no-so'') is the largest Bronze Age archaeological site on Crete and has been called Europe's oldest city. Settled as early as the Neolithic period, the name Knossos survives from ancient Greek references to the major city of Crete. The palace of Knossos eventually became the ceremonial and political centre of the Minoan civilization and culture. The palace was abandoned at some unknown time at the end of the Late Bronze Age, c. 1380–1100 BC; the reason is unknown, but one of the many disasters that befell the palace is generally put forward. In the First Palace Period (around 2000 BC), the urban area reached a size of as many as 18,000 people. Spelling The name Knossos was formerly Latinized as Cnossus or Cnossos and occasionally Knossus, Gnossus, or Gnossos but is now almost always written Knossos. Neolithic period The site of Knossos has had a very long history of human habitation b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mithraeum
A Mithraeum , sometimes spelled Mithreum and Mithraion ( grc, Μιθραίον), is a Mithraic temple, erected in classical antiquity by the worshippers of Mithras. Most Mithraea can be dated between 100 BC and 300 AD, mostly in the Roman Empire. The Mithraeum was either an adapted natural cave or cavern, or a building imitating a cave. Where possible, the Mithraeum was constructed within or below an existing building, such as the Mithraeum found beneath the Basilica of San Clemente in Rome. While most Mithraea are underground, some feature openings in the ceiling to allow light to enter, a reminder of the connection to the universe and the passage of time. The site of a Mithraeum may also be identified by its singular entrance or vestibule, which stands across from an apse at the back of which stands an altar on a pedestal, often in a recess, and its "cave", called the ''Spelaeum'' or ''Spelunca'', with raised benches along the side walls for the ritual meal. Many mithraea th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mithraic Mysteries
Mithraism, also known as the Mithraic mysteries or the Cult of Mithras, was a Roman mystery religion centered on the god Mithras. Although inspired by Iranian worship of the Zoroastrian divinity (''yazata'') Mithra, the Roman Mithras is linked to a new and distinctive imagery, with the level of continuity between Persian and Greco-Roman practice debated. The mysteries were popular among the Imperial Roman army from about the 1st to the 4th-century CE. Worshippers of Mithras had a complex system of seven grades of initiation and communal ritual meals. Initiates called themselves ''syndexioi'', those "united by the handshake". They met in underground temples, now called ''mithraea'' (singular '' mithraeum''), which survive in large numbers. The cult appears to have had its center in Rome, and was popular throughout the western half of the empire, as far south as Roman Africa and Numidia, as far as Roman Dacia, as far north as Roman Britain, and to a lesser extent in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tauroctony
''Tauroctony'' is a modern name given to the central cult reliefs of the Roman Mithraic Mysteries. The imagery depicts Mithras killing a bull, hence the name ''tauroctony'' after the Greek word (, "bull killing"). A ''tauroctony'' is distinct from the sacrifice of a bull in ancient Rome called a ; the was mainly part of the unrelated cult of Cybele. Despite the name, the scene is symbolic, and to date there is no known physical evidence that patrons of the Roman cult ever performed such a rite. Like all Greco-Roman mysteries, the Mithraic Mysteries was limited to initiates, and there is very little known about the cult's beliefs or practices. However, several images of the bull include a ribbon or blanket, which was a Roman convention to identify a sacrificial animal, so it is fairly certain that the killing of the bull represents a sacrificial act. And, because the main bull-killing scene is often accompanied by explicit depictions of the sun, moon, and stars, it is also fai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avesta
The Avesta () is the primary collection of religious texts of Zoroastrianism, composed in the Avestan language. The Avesta texts fall into several different categories, arranged either by dialect, or by usage. The principal text in the liturgical group is the ''Yasna'', which takes its name from the Yasna ceremony, Zoroastrianism's primary act of worship, and at which the ''Yasna'' text is recited. The most important portion of the ''Yasna'' texts are the five Gathas, consisting of seventeen hymns attributed to Zoroaster himself. These hymns, together with five other short Old Avestan texts that are also part of the ''Yasna'', are in the Old (or 'Gathic') Avestan language. The remainder of the ''Yasna'''s texts are in Younger Avestan, which is not only from a later stage of the language, but also from a different geographic region. Extensions to the Yasna ceremony include the texts of the ''Vendidad'' and the ''Visperad''. The ''Visperad'' extensions consist mainly of addit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gathas
The Gathas () ''''. are 17 s traditionally believed to have been composed by the prophet Zarathushtra (Zoroaster). They form the core of the |
Zoroaster
Zoroaster,; fa, زرتشت, Zartosht, label=New Persian, Modern Persian; ku, زەردەشت, Zerdeşt also known as Zarathustra,, . Also known as Zarathushtra Spitama, or Ashu Zarathushtra is regarded as the spiritual founder of Zoroastrianism. He is said to have been an Iranian religions, Iranian prophet who founded a religious movement that challenged the existing traditions of ancient Iranian religion, and inaugurated a movement that eventually became a staple religion in History of Iran, ancient Iran. He was a native speaker of Avestan, Old Avestan and lived in the eastern part of the Iranian plateau, but his exact birthplace is uncertain. There is no scholarly consensus on when he lived. Some scholars, using linguistic and socio-cultural evidence, suggest a dating to somewhere in the second millennium BC. Other scholars date him to the 7th and 6th centuries BC as a near-contemporary of Cyrus the Great and Darius the Great. Zoroastrianism eventually became the official ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mithra
Mithra ( ae, ''Miθra'', peo, 𐎷𐎰𐎼 ''Miça'') commonly known as Mehr, is the Iranian deity of covenant, light, oath, justice and the sun. In addition to being the divinity of contracts, Mithra is also a judicial figure, an all-seeing protector of Truth, and the guardian of cattle, the harvest, and of the Waters. The Romans attributed their Mithraic mysteries to Zoroastrian Persian sources relating to Mithra. Since the early 1970s, the dominant scholarship has noted dissimilarities between the Persian and Roman traditions, making it, at most, the result of Roman ''perceptions'' of Zoroastrian ideas. Etymology Together with the Vedic common noun '' mitra'', the Avestan common noun ''miθra'' derives from Proto-Indo-Iranian '' *mitrám'' (Mitra), from the root ''*mi-'' "to bind", with the "tool suffix" ''-tra-'' "causing to". Thus, etymologically ''mitra''/''miθra'' means "that which causes binding", preserved in the Avestan word for "Covenant, Contract, Oath". In M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Iran
The history of Iran is intertwined with the history of a larger region known as Greater Iran, comprising the area from Anatolia in the west to the borders of Ancient India and the Syr Darya in the east, and from the Caucasus and the Eurasian Steppe in the north to the Persian Gulf and the Gulf of Oman in the south. Central to this area is Iran, commonly known until the mid-20th century as Persia in the Western world. Iran is home to one of the world's oldest continuous major civilizations, with historical and urban settlements dating back to 7000 BC.People, "New evidence: modern civilization began in Iran", 10 Aug 2007 , retrieved 1 October 2007 The south-western and western part of the |
Bull-leaping
Bull-leaping ( grc, ταυροκαθάψια, ) is a term for various types of non-violent bull fighting. Some are based on an ancient ritual from the Minoan civilization involving an acrobat leaping over the back of a charging bull (or cow). As a sport it survives in modern France, usually with cows rather than bulls, as ; in Spain, with bulls, as and in Tamil Nadu, India with bulls as Jallikattu. Ritual leaping over bulls is a motif in Middle Bronze Age figurative art, especially in Minoan art, and what are probably Minoan objects found in Mycenaean Greece, but it is also sometimes found in Hittite Anatolia, the Levant, Bactria and the Indus Valley. It is often interpreted as a depiction of a rite performed in connection with bull worship. Iconography Younger (1995) classifies bull-leaping depictions in Bronze Age Aegean art as follows: * Type I: the acrobat approaches the bull from the front, grabs the horns, and somersaults backwards * Type II: the acrobat approaches ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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