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Buffalo Springfield (box Set)
''Buffalo Springfield'' is a career retrospective album by the 1960s folk rock band of the same name, released in 2001. Band member Neil Young assembled the tracks in chronological order to show how the band evolved and disintegrated in the span of two years, as encompassed through the first three CDs, while the fourth disc contains the band's first two albums, all but three tracks of which had already appeared in identical versions elsewhere on the first three discs. The box set reached number 194 on Billboard's Top 200 album chart, and stayed on the chart for one week. Track listing CD 1 #"There Goes My Babe" (Neil Young) – 1:43 (previously unreleased demo)* #"Come On" (Stephen Stills) – 1:23 (previously unreleased demo)* #"Hello, I've Returned" (Stills, Van Dyke Parks) – 1:34 (previously unreleased demo)* #"Out of My Mind" (Young) – 2:44 (previously unreleased demo)* #"Flying on the Ground Is Wrong" (Young) – 3:08 (previously unreleased demo)* #"I'm Your Kind of Gu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Box Set
A box set or (its original name) boxed set is a set of items (for example, a compilation of books, musical recordings, films or television programs) traditionally packaged in a box and offered for sale as a single unit. Music Artists and bands with an extremely long and successful career often have anthology or "essential" collections of their boxes of music released as box sets. These often include rare and never-before-released tracks. Some box sets collect previously released boxes of singles or albums by a music artist, and often collect the complete discography of an artist such as Pink Floyd's ''Oh, by the Way'' and ''Discovery'' sets. Sometimes bands release expanded versions of their most successful albums such as Pink Floyd's ''Immersion'' box set versions of their ''The Dark Side of the Moon'' (1973), ''Wish You Were Here'' (1975) and ''The Wall'' (1979) albums. Pink Floyd have also released ''The Early Years 1965–1972'' box set which features mostly unreleased mate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nowadays Clancy Can't Even Sing
"Nowadays Clancy Can't Even Sing" is a song by the Canadian-American folk rock band Buffalo Springfield, released as the group's debut single in 1966. Neil Young wrote the song in Yorkville in 1965 shortly after returning from a series of performances in Toronto, during a period when his bid at a solo career had been met with little positive response. The lyrics reflect metaphorically on Young's frustration toward his stalled career in music, and was inspired by Ross "Clancy" Smith, an aberrant classmate who incited awe in his school. Commentators recognize "Nowadays Clancy Can't Even Sing" as one of Buffalo Springfield's signature songs, as well as a milestone in Young's progression as a songwriter. The song was the lead single to Buffalo Springfield's self-titled debut album, bubbling under the ''Billboard'' Hot 100 at 110. Buffalo Springfield played "Nowadays Clancy Can't Even Sing" at many concerts during their stay in Los Angeles where it found regional success. Young's or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary Burden
Gary Burden (May 23, 1933 – March 7, 2018) was an American artist specializing in the field of album covers. He is considered one of the pioneers of the concept of album cover art. Early life Gary Burden was born on May 23, 1933, in Cleveland, Ohio, the son of Lowell and Agatha Burden, and grew up mainly in south Florida. At the age of 16, he joined the Marine Corps. He studied architectural design at UC Berkeley. Career In the 1960s and 1970s, he designed covers for many rock stars, such as Mama Cass, Crosby, Stills, Nash, and Young, Joni Mitchell, The Doors, The Eagles and Jackson Browne. He created album covers for Neil Young for 35 years. His works were nominated for four Grammy Awards, and, at the 52nd Annual Grammy Awards in 2010, he won the award for Best Boxed or Special Limited Edition Packaging for the Neil Young ''The Archives Vol. 1 1963–1972''. Burden collaborated with photographer Henry Diltz. In 2000 they made a documentary ''California Rock: Under the Cove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruce Botnick
Bruce Botnick (born 1945) is an American audio engineer and record producer, best known for his work with the Doors, the Beach Boys, Eddie Money, Love and film composer Jerry Goldsmith. Early work Botnick engineered Love's first two albums, and co-produced their third album, ''Forever Changes'', with the band's singer-songwriter, Arthur Lee. He also is listed as the one of two recording engineers on the 1965 Curtis Amy LP ''The Sounds of Broadway - The Sounds of Hollywood'' - said to have been released in 1965, although it also has been said to have been released earlier. The LP back cover (liner notes) are written by Curtis Amy, where he formally thanks Bruce Botnick for his work on the recordings. The Doors Botnick audio engineered the Doors' studio recordings starting with their first album in 1966. In November 1970 he took over production of The Doors' ''L.A. Woman'' album, their last with lead singer Jim Morrison, after the band's long-serving producer Paul A. Rothchild f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hal Blaine
Hal Blaine (born Harold Simon Belsky; February 5, 1929 – March 11, 2019) was an American drummer and session musician, thought to be among the most recorded studio drummers in the music industry, claiming over 35,000 sessions and 6,000 singles. His drumming is featured on 150 US top 10 hits, 40 of which went to number one. Born in Holyoke, Massachusetts, Blaine moved with his family to California in 1943 and began playing jazz and big band music before taking up rock and roll session work. He became one of the regulars in Phil Spector's de facto house band, which Blaine nicknamed " the Wrecking Crew". Some of the records Blaine played on include the Ronettes' single "Be My Baby" (1963), which contained a drum beat that became widely imitated, as well as works by popular artists such as Frank Sinatra, Elvis Presley, the Beach Boys, Simon & Garfunkel, the Carpenters, Neil Diamond, and the Byrds. Blaine's workload declined in the 1980s as recording and musical practices changed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joel Bernstein
Joel Bernstein is a photographer, guitarist, and record producer based in Oakland, California. His photographs have appeared as the album covers to, among others, ''After the Gold Rush'', ''4 Way Street'', ''Rita Coolidge'', ''Wind on the Water'', '' Running on Empty'', ''CSN'', ''Bob Dylan at Budokan'', ''Rust Never Sleeps'', '' Shadows and Light'', and ''Hard Promises''. His photographs have been published in ''Time'', ''The New York Times'', and'' Rolling Stone'', among other publications, and there have been retrospective exhibits of his work in New York City, San Francisco, Los Angeles, and London. As a guitarist, he is most noted for support work to his friends David Crosby and Graham Nash, both individually and on their Crosby & Nash records. He has acted as co-producer and archivist with Nash for Crosby, Stills, Nash & Young, and is responsible with Nash for the compilation and production of the box sets ''Voyage'' for Crosby, '' Reflections'' for Nash, ''Carry On'' for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruce Palmer
Bruce Palmer (September 9, 1946 – October 1, 2004) was a Canadian musician best known as the bassist in the seminal Canadian-American folk rock band Buffalo Springfield, who were inducted into the Rock and Roll Hall of Fame in 1997. Early years Palmer was born in Liverpool, Nova Scotia, later moving with his family to Toronto, Ontario, where in the early 1960s he began pursuing a musical career. He started out playing with Robbie Lane & The Disciples, then graduated to a local, otherwise all-black group fronted by Billy Clarkson. Next came British invasion-inspired Jack London & The Sparrows (which, after Palmer left, evolved into Steppenwolf). In early 1965 he left to join The Mynah Birds where he first met Neil Young who was playing lead guitar in the band. The Mynah Birds, fronted by future funk legend Rick James, had a bright future and were signed to the prestigious Motown Records to do some demo recordings before it was discovered that James was actually in Toronto to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Messina (musician)
James Messina (born December 5, 1947) is an American musician, songwriter, singer, guitarist, recording engineer and record producer. He was a member of the folk rock group Buffalo Springfield, a founding member of the pioneering country rock band Poco, and half of the soft rock duo Loggins and Messina with Kenny Loggins. Early life James Messina was born in Maywood, California, in 1947, and raised in Harlingen, Texas, until he was eight. He spent much of his childhood split between his father's home in California and his mother's home in Texas. His father was a guitarist and greatly influenced his son's musical career. Messina began playing the guitar at the age of five. He later became interested in the music of Elvis Presley and Ricky Nelson. Career Jim Messina and His Jesters When he was 16 years old, he recorded an LP with "His Jesters" titled ''The Dragsters'', which was released in November 1964. One notable track was "The Jester", on which he played lead guitar; it w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broken Arrow (Buffalo Springfield Song)
"Broken Arrow" is a song written by Canadians, Canadian singer-songwriter Neil Young and recorded by Buffalo Springfield on their 1967 in music, 1967 album ''Buffalo Springfield Again''. It was recorded in August and September 1967 at Columbia Recording Studios and Sunset Sound Recorders. It incorporates musical ideas from "Down Down Down," a demo Young recorded with Buffalo Springfield (now available on the Buffalo Springfield (box set), box set). "Broken Arrow" was confessional folk rock. It consists of three parts in three different time signatures interspersed with snippets of sounds, featuring organ (music), organ, a jazz combo with piano, bass, drums, and a clarinet. The song begins with audience applause (taken not from a Buffalo Springfield show, as some expect, but rather from a concert by the Beatles) and the opening of "Mr. Soul" (which opens the album) recorded in the studio. The second verse begins with the sound of an audience booing, while the Calliope plays a versi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Expecting To Fly (song)
"Expecting to Fly" is a song written by Neil Young and performed by Buffalo Springfield. The song appeared on their 1967 album, '' Buffalo Springfield Again''. It would reach #98 on the ''Billboard'' Hot 100 in 1968. During one of the times that Young had left the band, he booked a studio to record the song with outside musicians under the impression that it would be for a Neil Young solo project rather than for Buffalo Springfield. Producer Jack Nitzsche provided the orchestral arrangement featuring a string section plus an English horn. The song does not feature any members of the Springfield other than Young. Live versions from Young's early solo performances appear on the albums ''Live at the Riverboat 1969'', '' Sugar Mountain – Live at Canterbury House 1968'', and '' Live at the Cellar Door''. In the 2018 music documentary film, ''Echo in the Canyon'', it is suggested "Expecting to Fly" marks and exemplifies a shift in a late 1960s's movement from group-oriented folk r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bluebird (Buffalo Springfield Song)
"Bluebird" is a song recorded by the American rock group Buffalo Springfield. It was written and produced by Stephen Stills, with co-production by Ahmet Ertegun. In June 1967, Atco Records released it as a single to follow-up their hit "For What It's Worth" (1966). "Bluebird" reflects various influences and musical approaches. Stills conceived of it as a multi-part song, which developed over time. A key feature is the contrasting solos, which alternate between Stills's fingerpicked acoustic and Neil Young's distorted electric guitars. Three different studio versions have been released: a two-minute folk rock single focused on the intro vocal verses; a four and a half minute album version (featured on ''Buffalo Springfield Again'') incorporating hard rock and country elements; and an extended nine-minute jam version, released on the band's self-titled compilation in 1973. The song was a feature of Buffalo Springfield performances, usually as their closing number. Shortly aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
For What It's Worth
"For What It's Worth (Stop, Hey What's That Sound)" (often referred to as simply "For What It's Worth") is a song written by Stephen Stills. Performed by Buffalo Springfield, it was recorded on December 5, 1966, released as a single on Atco Records on December 23, 1966, and peaked at No. 7 on the ''Billboard'' Hot 100 chart in the spring of 1967. It was later added to the March 1967 second pressing of their first album, ''Buffalo Springfield''. The title was added after the song was written, and does not appear in the lyrics. In 2004 ''Rolling Stone'' magazine ranked the song at number 63 on its list of the 500 Greatest Songs of All Time. Background Although "For What It's Worth" is often considered an anti-war song, Stephen Stills was inspired to write the song because of the Sunset Strip curfew riots in Los Angeles in November 1966, a series of early counterculture-era clashes that took place between police and young people on the Sunset Strip in Hollywood, California, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
