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Buddhist Painting
Buddhist painting, in a broad sense, refers to Buddhist paintings in general, including Buddhist biographies, Jataka tales, Pure Land variant paintings (such as Taima mandala), Raigō, Buddhist narrative paintings such as the Two Rivers White Path and Six Paths paintings, Ancestors biographies, Emaki, E-toki, Ancestors drawings, Chinsō portraits of Zen monks, and portraits of ordinary monks. Chinsō, portraits of Zen monks, and portraits of ordinary monks. Narrowly defined, a painting used in the worship and rituals of Buddhism, especially esoteric sects. Paintings (single or group) depicting the Buddha (Tathāgata), Bodhisattvas, ancient Indian gods, Chinese and Japanese gods, and other deities worshipped in Buddhism, as well as Mandala of the Two Realms, Mandala of the Separate Realms, etc.). Buddhist paintings include not just framed paintings but also include mandalas, hanging scrolls, and prints See also * Kirikane - The decorative techniques of Buddhist painting hand ...
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Gathering Of Four Buddhas - Google Art Project
Gather, gatherer, or gathering may refer to: Anthropology and sociology *Hunter-gatherer, a person or a society whose subsistence depends on hunting and gathering of wild foods *Intensive gathering, the practice of cultivating wild plants as a step toward domestication *Harvesting crops Craftwork *Gather (sewing), an area where fabric is folded or bunched together with thread or yarn *Gather (knitting), a generic term for one of several knitting techniques to draw stitches closer together *Gathering (bookbinding), a number of sheets of paper folded and sewn or glued as a group into a bookbinding Gathering *Gathering, any type of party or meeting, including: **Bee (gathering), an old term which describes a group of people coming together for a task **Salon (gathering), a party associated with French and Italian intellectuals * Global gathering, a music festival in the United Kingdom *Rainbow Gathering *Ricochet Gathering, a music event in the United States * Tribal Gathering, a musi ...
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Jataka Tales
The Jātakas (meaning "Birth Story", "related to a birth") are a voluminous body of literature native to India which mainly concern the previous births of Gautama Buddha in both human and animal form. According to Peter Skilling, this genre is "one of the oldest classes of Buddhist literature."Skilling, Peter (2010). ''Buddhism and Buddhist Literature of South-East Asia,'' pp. 161-162. Some of these works are also considered great works of literature in their own right. In these stories, the future Buddha may appear as a king, an outcast, a deva, an animal—but, in whatever form, he exhibits some virtue that the tale thereby inculcates. Often, Jātaka tales include an extensive cast of characters who interact and get into various kinds of trouble - whereupon the Buddha character intervenes to resolve all the problems and bring about a happy ending. The Jātaka genre is based on the idea that the Buddha was able to recollect all his past lives and thus could use these memorie ...
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Taima Mandala
The Taima Mandala (當麻曼荼羅,綴織当麻曼荼羅図) is an 8th century mandala in Japanese Pure Land Buddhism. It depicts Sukhavati, the western Pure Land, with the Buddha Amitābha (Japanese: Amida) in the center. The original copy was made around 763 AD, and is currently kept at Taima-dera temple in Nara. Many copies have been made since, and the original work has degraded considerably. According to popular legend, Chūjō-hime witnessed the creation of the mandala, crafted from fibers of lotus stems by two nuns who were thought to be Amida and Kannon in disguise. The imagery on the painting is largely based on the '' Sutra of the Contemplation of Amitayus'', and has been the subject of several doctrinal commentaries in Japanese Buddhism. The mandala was designated a national treasure of Japan on April 27, 1961. Description The central image is Sukhavati, the Pure Land of the west. The left, right, and lower borders are lined with images from the Contemplation Sutra ...
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Raigō
in Japanese Buddhism is the appearance of the Amida Buddha on a "purple" cloud (紫雲) at the time of one's death. Depictions The Amida would arrive either accompanied by two bodhisattva, making it a triad depiction, or with a large retinue that also includes musicians playing celestial music accompanying the Buddha. The Buddha would then lift the spirit of the deceased up and ascend back to the pure land. The belief of the Western Paradise for the souls is the most popular. It has given rise to a type of Japanese paintings (''raigō-zu''). As a ritual, such a painting is carried into the house of a person who is near death. Among the upper classes, ''raigō'' paintings and sculpture became very popular, as they depicted the Amida Buddha coming down in celebration in relation to dead relatives or to one's own house. Some of these paintings are clearly ''yamato-e'', or Japanese paintings in that they gave artists a chance to paint Japanese landscapes. File:Rapid descen ...
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List Of Founders Of Religious Traditions
These are historical figures credited with founding religions or religious philosophies, or who codified older known religious traditions. The list includes those who have founded a specific major denomination within a larger religion. Legendary/semi-historical Ancient (before AD 500) :''See culture hero for legendary founders of doubtful historicity. For figures that fall into that category, please add them to the Legendary section, not here.'' Medieval to Early Modern (500–1800 AD) New religious movements (post-1800) See also *Burial places of founders of world religions *List of Buddha claimants *List of messiah claimants *List of people who have been considered deities * List of religions and spiritual traditions *Lists of religious leaders by century *Timeline of religion Notes References Bibliography * * * * * * * * * * * * {{DEFAULTSORT:List Of Founders Of Religious Traditions Founders Founders Founders Founder or Founders may refer to ...
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Emakimono
or is an illustrated horizontal narration system of painted handscrolls that dates back to Nara-period (710–794 CE) Japan. Initially copying their much older Chinese counterparts in style, during the succeeding Heian (794–1185) and Kamakura periods (1185–1333), Japanese developed their own distinct style. The term therefore refers only to Japanese painted narrative scrolls. As in the Chinese and Korean scrolls, combine calligraphy and illustrations and are painted, drawn or stamped on long rolls of paper or silk sometimes measuring several metres. The reader unwinds each scroll little by little, revealing the story as seen fit. are therefore a narrative genre similar to the book, developing romantic or epic stories, or illustrating religious texts and legends. Fully anchored in the style, these Japanese works are above all an everyday art, centered on the human being and the sensations conveyed by the artist. Although the very first 8th-century were copies of Chin ...
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E-toki
refers to a Japanese Buddhist practice of using an emaki (hand picture, a painted hand scroll) or picture halls (rooms with pictures either painted onto the walls, or containing a series of hanging scrolls) to explain a Buddhist principle. History The earliest examples of e-toki are of a monk pointing to a picture in a picture hall and explaining the story of either Shakyamuni (the historical Buddha) or another important Buddhist monk, most notably Prince Shotoku who is often attributed with bringing Buddhism to Japan from China, or in the case of secular e-maki, exposing the hidden Buddhist message behind the images. The earliest examples of e-toki where only performed to a small group of the ruling class, and only upon special request. These early performances were non-accompanied, and a solo monk would use a pointer with a soft cotton tip to tap the paintings in areas that exemplified the point to be made ( the cotton tip was to reduce the wear on the scrolls, many emaki ...
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Chinsō
Chinsō ( ja, 頂相 ; alternatively pronounced ''Chinzō'' ) are commemorative portraits of Zen masters, a traditional form of East Asian art, specifically Zen art. They can be painted or sculpted and usually present a Zen master ceremonially dressed and seated upright in chair.Baroni, Helen Josephine. The Illustrated Encyclopedia of Zen Buddhism. The Rosen Publishing, Group Inc, 2002 Chinsō include realistic portraits of prominent Zen monks, possibly commissioned by them and painted while they were alive or shortly after they died, as well as depictions of famous Zen patriarchs from the past commissioned by his disciples. Chinsō were believed to have been passed down by Zen masters to their disciples as a symbol of dharma transmission, and known to have been meant for use in rituals, especially to represent the deceased during memorial services, and as an icon for their followers. Before monks would die, they would sometimes write a simple poem in the upper part of their port ...
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Buddhism
Buddhism ( , ), also known as Buddha Dharma and Dharmavinaya (), is an Indian religion or philosophical tradition based on teachings attributed to the Buddha. It originated in northern India as a -movement in the 5th century BCE, and gradually spread throughout much of Asia via the Silk Road. It is the world's fourth-largest religion, with over 520 million followers (Buddhists) who comprise seven percent of the global population. The Buddha taught the Middle Way, a path of spiritual development that avoids both extreme asceticism and hedonism. It aims at liberation from clinging and craving to things which are impermanent (), incapable of satisfying ('), and without a lasting essence (), ending the cycle of death and rebirth (). A summary of this path is expressed in the Noble Eightfold Path, a training of the mind with observance of Buddhist ethics and meditation. Other widely observed practices include: monasticism; " taking refuge" in the Buddha, the , and the ; ...
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Tathāgata
Tathāgata () is a Pali word; Gautama Buddha uses it when referring to himself or other Buddhas in the Pāli Canon. The term is often thought to mean either "one who has thus gone" (''tathā-gata''), "one who has thus come" (''tathā-āgata''), or sometimes "one who has thus not gone" (''tathā-agata''). This is interpreted as signifying that the Tathāgata is beyond all coming and going – beyond all transitory phenomena. There are, however, other interpretations and the precise original meaning of the word is not certain.Chalmers, RobertThe Journal of the Royal Asiatic Society, 1898. pp.103-115/ref> The Buddha is quoted on numerous occasions in the Pali Canon as referring to himself as ''the Tathāgata'' instead of using the pronouns ''me'', ''I'' or ''myself''. This may be meant to emphasize by implication that the teaching is uttered by one who has transcended the human condition, one beyond the otherwise endless cycle of rebirth and death, i.e. beyond dukkha. Etymology a ...
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Bodhisattva
In Buddhism, a bodhisattva ( ; sa, 𑀩𑁄𑀥𑀺𑀲𑀢𑁆𑀢𑁆𑀯 (Brahmī), translit=bodhisattva, label=Sanskrit) or bodhisatva is a person who is on the path towards bodhi ('awakening') or Buddhahood. In the Early Buddhist schools as well as modern Theravada Buddhism, a bodhisattva (Pali: ''bodhisatta'') refers to someone who has made a resolution to become a Buddha and has also received a confirmation or prediction from a living Buddha that this will be so. In Mahayana Buddhism, a bodhisattva refers to anyone who has generated ''bodhicitta'', a spontaneous wish and compassionate mind to attain Buddhahood for the benefit of all sentient beings. Mahayana bodhisattvas are spiritually heroic persons that work to attain awakening and are driven by a great compassion (''mahakaruṇā''). These beings are exemplified by important spiritual qualities such as the "four divine abodes" (''brahmaviharas'') of loving-kindness ('' metta''), compassion (''karuṇā''), empathet ...
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Mandala Of The Two Realms
The Mandala of the Two Realms (Traditional Chinese: 両界曼荼羅; Pinyin: ''Liǎngjiè màntúluó''; Romanji: ''Ryōkai mandara''), also known as the Mandala of the Two Divisions (Traditional Chinese: 両部曼荼羅; Pinyin: ''Liǎngbù màntúluó''; Romanji: ''Ryōbu mandara''), is a set of two mandalas depicting both the Five Wisdom Buddhas of the Diamond Realm as well as the Five Wisdom Kings of the Womb Realm. The number of deities arranged around the cores varies, but may range as high as 414. The Diamond Realm represents the unchanging cosmic principle of the Buddha, while the Womb Realm depicts the active, physical manifestation of Buddha in the natural world. The mandalas are thus considered a compact expression of the entirety of the Dharma in Mahayana Buddhism, and form the root of the Vajrayana teachings. Chinese Tangmi and Japanese Shingon and Tendai temples, in particular, often prominently display the Mandalas of the Two Realms mounted at right angles to the ...
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