|
Buchla
Buchla Electronic Musical Instruments (BEMI) was a manufacturer of synthesizers and unique MIDI controllers. The origins of the company could be found in Buchla & Associates, created in 1963 by synthesizer pioneer Don Buchla of Berkeley, California. In 2012 the original company led by Don Buchla was acquired by a group of Australian investors trading as Audio Supermarket Pty. Ltd. The company was renamed Buchla Electronic Musical Instruments as part of the acquisition. In 2018 the assets of BEMI were acquired by a new entity, Buchla U.S.A., and the company continues under new ownership. Company origin Buchla's first modular electronic music system was the result of a San Francisco Tape Music Center commission by composers Ramon Sender and Morton Subotnick in 1963, who later allotted $500 from a Rockefeller Foundation grant to Buchla in 1964. Subotnick envisioned a voltage-controlled instrument that would allow musicians and composers to create sounds suited to their own specificati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buchla Touche
Buchla Electronic Musical Instruments (BEMI) was a manufacturer of synthesizers and unique MIDI controllers. The origins of the company could be found in Buchla & Associates, created in 1963 by synthesizer pioneer Don Buchla of Berkeley, California. In 2012 the original company led by Don Buchla was acquired by a group of Australian investors trading as Audio Supermarket Pty. Ltd. The company was renamed Buchla Electronic Musical Instruments as part of the acquisition. In 2018 the assets of BEMI were acquired by a new entity, Buchla U.S.A., and the company continues under new ownership. Company origin Buchla's first modular electronic music system was the result of a San Francisco Tape Music Center commission by composers Ramon Sender and Morton Subotnick in 1963, who later allotted $500 from a Rockefeller Foundation grant to Buchla in 1964. Subotnick envisioned a voltage-controlled instrument that would allow musicians and composers to create sounds suited to their own specificati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buchla 200 (1) @ Nordcafe, Teknisca Museet
Buchla Electronic Musical Instruments (BEMI) was a manufacturer of synthesizers and unique MIDI controllers. The origins of the company could be found in Buchla & Associates, created in 1963 by synthesizer pioneer Don Buchla of Berkeley, California. In 2012 the original company led by Don Buchla was acquired by a group of Australian investors trading as Audio Supermarket Pty. Ltd. The company was renamed Buchla Electronic Musical Instruments as part of the acquisition. In 2018 the assets of BEMI were acquired by a new entity, Buchla U.S.A., and the company continues under new ownership. Company origin Buchla's first modular electronic music system was the result of a San Francisco Tape Music Center commission by composers Ramon Sender and Morton Subotnick in 1963, who later allotted $500 from a Rockefeller Foundation grant to Buchla in 1964. Subotnick envisioned a voltage-controlled instrument that would allow musicians and composers to create sounds suited to their own specificati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buchla Music Easel
Buchla Electronic Musical Instruments (BEMI) was a manufacturer of synthesizers and unique MIDI controllers. The origins of the company could be found in Buchla & Associates, created in 1963 by synthesizer pioneer Don Buchla of Berkeley, California. In 2012 the original company led by Don Buchla was acquired by a group of Australian investors trading as Audio Supermarket Pty. Ltd. The company was renamed Buchla Electronic Musical Instruments as part of the acquisition. In 2018 the assets of BEMI were acquired by a new entity, Buchla U.S.A., and the company continues under new ownership. Company origin Buchla's first modular electronic music system was the result of a San Francisco Tape Music Center commission by composers Ramon Sender and Morton Subotnick in 1963, who later allotted $500 from a Rockefeller Foundation grant to Buchla in 1964. Subotnick envisioned a voltage-controlled instrument that would allow musicians and composers to create sounds suited to their own specificati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buchla 250e Arbitrary Function Generator
Buchla Electronic Musical Instruments (BEMI) was a manufacturer of synthesizers and unique MIDI controllers. The origins of the company could be found in Buchla & Associates, created in 1963 by synthesizer pioneer Don Buchla of Berkeley, California. In 2012 the original company led by Don Buchla was acquired by a group of Australian investors trading as Audio Supermarket Pty. Ltd. The company was renamed Buchla Electronic Musical Instruments as part of the acquisition. In 2018 the assets of BEMI were acquired by a new entity, Buchla U.S.A., and the company continues under new ownership. Company origin Buchla's first modular electronic music system was the result of a San Francisco Tape Music Center commission by composers Ramon Sender and Morton Subotnick in 1963, who later allotted $500 from a Rockefeller Foundation grant to Buchla in 1964. Subotnick envisioned a voltage-controlled instrument that would allow musicians and composers to create sounds suited to their own specificati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buchla 100 Series At NYU (edit1)
Buchla Electronic Musical Instruments (BEMI) was a manufacturer of synthesizers and unique MIDI controllers. The origins of the company could be found in Buchla & Associates, created in 1963 by synthesizer pioneer Don Buchla of Berkeley, California. In 2012 the original company led by Don Buchla was acquired by a group of Australian investors trading as Audio Supermarket Pty. Ltd. The company was renamed Buchla Electronic Musical Instruments as part of the acquisition. In 2018 the assets of BEMI were acquired by a new entity, Buchla U.S.A., and the company continues under new ownership. Company origin Buchla's first modular electronic music system was the result of a San Francisco Tape Music Center commission by composers Ramon Sender and Morton Subotnick in 1963, who later allotted $500 from a Rockefeller Foundation grant to Buchla in 1964. Subotnick envisioned a voltage-controlled instrument that would allow musicians and composers to create sounds suited to their own specificati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Buchla
Donald Buchla (April 17, 1937 – September 14, 2016) was an American pioneer in the field of sound synthesis. Buchla popularized the "West Coast" style of synthesis. He was co-inventor of the voltage controlled modular synthesizer along with Robert Moog, the two working independently in the early 1960s. Biography Buchla was born in South Gate, California on April 17, 1937, and grew up in California and New Jersey. He studied physics, physiology, and music at UC Berkeley, graduating in 1959 as a physics major. Buchla formed his electronic music equipment company, Buchla and Associates, in 1962 in Berkeley, California. He was commissioned by composers Morton Subotnick and Ramon Sender, both of the San Francisco Tape Music Center, to create an electronic instrument for live performance. Buchla began designing his first modules for the Tape Music Center in 1963. With partial funding from a $500 Rockefeller Foundation grant made to the Tape Music Center, Buchla assembled his modules ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Analog Sequencer
An analog sequencer is a music sequencer constructed from analog (analogue) electronics, invented in the first half of the 20th century. Raymond Scott designed and constructed some of the first electro-mechanical music sequencers in the 1940s. The first electronic sequencer was invented by Raymond Scott, using thyratrons and relays. Incidentally in 1951, computer music was started from the music sequencing, and later its applicable fields were expanded into the music composition and sound generation. However, the RCA Mark II Sound Synthesizer in 1957 was still indirectly controlled via punch-tape system similar to piano rolls, a kind of mechanical sequencer. Also, in earlier electronic music, artists used sound-on-film technology to generate sound waves as well as control sequences of notes. At its most basic, an analog sequencer consists of a bank of potentiometers and a "clock" (pulse generator) connected to a sequencer, which steps through these potentiometers one at a tim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morton Subotnick
Morton Subotnick (born April 14, 1933) is an American composer of electronic music, best known for his 1967 composition '' Silver Apples of the Moon'', the first electronic work commissioned by a record company, Nonesuch. He was one of the founding members of California Institute of the Arts, where he taught for many years. Subotnick has worked extensively with interactive electronics and multi-media, co-founding the San Francisco Tape Music Center with Pauline Oliveros and Ramon Sender, often collaborating with his wife Joan La Barbara. Morton Subotnick is one of the pioneers in the development of electronic music and multi-media performance and an innovator in works involving instruments and other media, including interactive computer music systems. Most of his music calls for a computer part, or live electronic processing; his oeuvre utilizes many of the important technological breakthroughs in the history of the genre. Early career Subotnick was born in Los Angeles, Califo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesizers
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 1964 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramon Sender
Ramón Sender Barayón (born October 29, 1934) is a composer, visual artist and writer. He was the co-founder with Morton Subotnick of the San Francisco Tape Music Center in 1962. He is the son of Spanish writer Ramón J. Sender. Education Sender was born in Madrid, Spain, and left the country during the civil war following the Fascist coup there in 1936. He studied piano with George Copeland, harmony with Elliott Carter, and counterpoint and fugue with Harold Shapero (1948–1951). Sender attended the Conservatorio di Santa Cecilia in Rome and Columbia University in New York, where he studied with Henry Cowell. He also studied with Robert Erickson at the San Francisco Conservatory of Music (1959–1962) and at Mills College, where he studied with Darius Milhaud. Sender holds a Bachelor of Music degree from the San Francisco Conservatory of Music and an M.A. from Mills College. San Francisco Tape Music Center Sender co-founded the San Francisco Tape Music Center in 1962 wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illuminations (Buffy Sainte-Marie Album)
''Illuminations'' is the sixth album by Indigenous Canadian-American singer Buffy Sainte-Marie, released in 1969 on Vanguard Records. From a foundation of vocals and acoustic guitar, Sainte-Marie and producer Maynard Solomon made pioneering use of the Buchla 100 synthesizer to create electronically treated vocals. It was the first quadraphonic vocal album released. The album's only single was "Better to Find Out for Yourself". British experimental music magazine ''The Wire'' listed ''Illuminations'' amongst its '100 Albums that Set the World on Fire While No-One was Listening'. ''Pitchfork'' ranked it the 66th best album of the 1960s. Production The album was among the first to make prominent use of the Buchla synthesizer, which was previously featured on Morton Subotnick's 1967 recording '' Silver Apples of the Moon''. On ''Illuminations'', the synthesizer was employed to create treated electronic sound, particularly of Sainte-Marie's voice. The opening track "God is Alive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Francisco Tape Music Center
The San Francisco Tape Music Center, or SFTMC, was founded in the summer of 1962 by composers Ramon Sender and Morton Subotnick as a collaborative, "non profit corporation developed and maintained" by local composers working with tape recorders and other novel compositional technologies, which functioned both as an electronic music studio and concert venue. Composer Pauline Oliveros, artist Tony Martin (artist), Tony Martin and technician William Maginnis eventually joined the SFTMC. The SFTMC was an active and important hub for experimental music and interdisciplinary art in the Bay Area from 1962 to 1966. History San Francisco Conservatory of Music Before the SFTMC was officially established, it began as a small music studio built in the attic of the San Francisco Conservatory of Music by Ramon Sender in October 1961. The studio was minimally equipped and housed little else than the conservatory's two-channel Ampex tape recorder, but Sender and fellow Sonics composers crea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Buchla")
