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Brush Script
Brush Script is a casual connecting script typeface designed in 1942 by Robert E. Smith for the American Type Founders (ATF). The face exhibits an exuberant graphic stroke emulating the look of handwritten written letters with an ink brush. Lowercase letters are deliberately irregular to further affect the look of handwritten text. The typeface was introduced in 1942 and saw near immediate success with advertisers, retailers, and in posters. Its popularity continued through the 1950s, and waned as influence of the International Typographic Style The International Typographic Style is a systemic approach to graphic design that emerged during the 1930s–1950s but continued to develop internationally. It is considered the basis of the Swiss style. It expanded on and formalized the modern ... grew in the 1960s. The typeface has regained considerable popularity for its nostalgic association with the post WW2 era. Along with Dom Casual and Mistral, it is one of the best-known ca ...
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Script (typefaces)
Script typefaces are based on the varied and often fluid stroke created by handwriting. They are generally used for display or trade printing, rather than for extended body text in the Latin alphabet. Some Greek alphabet typefaces, especially historically, have been a closer simulation of handwriting. Styles Script typefaces are organized into highly regular formal types similar to cursive writing and looser, more casual scripts. Formal scripts A majority of formal scripts are based upon the letterforms of seventeenth and eighteenth century writing-masters like George Bickham, George Shelley and Charles Snell. The letters in their original form are generated by a quill or metal nib of a pen. Both are able to create fine and thick strokes. Typefaces based upon their style of writing appear late in the eighteenth century and early nineteenth century. Contemporary revivals of formal script faces can be seen in Kuenstler Script and Matthew Carter's typeface Snell Roundhand. ...
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Robert E
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' () "fame, glory, honour, praise, renown, godlike" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin.Reaney & Wilson, 1997. ''Dictionary of English Surnames''. Oxford University Press. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe, the name entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including En ...
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American Type Founders
American Type Founders (ATF) Co. was a business trust created in 1892 by the merger of 23 type foundries, representing about 85 percent of all type manufactured in the United States at the time. De Vinne, Theodore Low, ''The Practice of Typography'', Century Company, N.Y.C., 1922, p. 105. The new company, consisting of a consolidation of firms from throughout the United States, was incorporated in New Jersey. The American Type Founders Co. should not be confused with the American Type Founders' Association, also called the Type Founders' Association of the United States. Both institutions are identified by the same acronym, ATF. The ATF Association was formed in 1864 and was responsible for establishing the American point system in 1886 based on 83 picas exactly equal to 35 cm. The ATF Co. was not formed until 1892. All but six of the 23 foundries in the company were members of the ATF Association. The American Type Founders Co. was the dominant American manufacturer of m ...
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Typeface
A typeface (or font family) is a design of Letter (alphabet), letters, Numerical digit, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size (e.g., 24 point), weight (e.g., light, bold), slope (e.g., italic), width (e.g., condensed), and so on. Each of these variations of the typeface is a font. There are list of typefaces, thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called type design. Designers of typefaces are called type designers and are often employed by type foundry, type foundries. In desktop publishing, type designers are sometimes also called "font developers" or "font designers" (a typographer is someone who ''uses'' typefaces to design a page layout). Every typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for ch ...
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Lowercase
Letter case is the distinction between the letters that are in larger uppercase or capitals (more formally ''majuscule'') and smaller lowercase (more formally '' minuscule'') in the written representation of certain languages. The writing systems that distinguish between the upper- and lowercase have two parallel sets of letters: each in the majuscule set has a counterpart in the minuscule set. Some counterpart letters have the same shape, and differ only in size (e.g. ), but for others the shapes are different (e.g., ). The two case variants are alternative representations of the same letter: they have the same name and pronunciation and are typically treated identically when sorting in alphabetical order. Letter case is generally applied in a mixed-case fashion, with both upper and lowercase letters appearing in a given piece of text for legibility. The choice of case is often denoted by the grammar of a language or by the conventions of a particular discipline. In ortho ...
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International Typographic Style
The International Typographic Style is a systemic approach to graphic design that emerged during the 1930s–1950s but continued to develop internationally. It is considered the basis of the Swiss style. It expanded on and formalized the modernist typographic innovations of the 1920s that emerged in part out of art movements such as Constructivism (Russia), De Stijl (The Netherlands) and at the Bauhaus (Germany). The International Typographic Style has had profound influence on graphic design as a part of the modernist movement, impacting many design-related fields including architecture and art. It emphasizes simplicity, clarity, readability, and objectivity. Hallmarks of the style are asymmetric layouts, use of a grid, sans-serif typefaces like Akzidenz Grotesk and Helvetica, and flush left, ragged right text. The style is also associated with a preference for photography in place of illustrations or drawings. Many of the early International Typographic Style works featu ...
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Dom Casual
Dom Casual is an American typeface designed in 1951 by Peter Dom (born as Peter Dombrezian). It is an informal design that emulates brush script. Dom Casual is featured in the 1956 musical teen drama film '' Rock, Rock, Rock!'' In television shows, it also has been used often in titles and credits, such as on ''Bewitched'', ''Barney Miller'', ''Home Improvement'' (seasons 4–6), ''Animaniacs'', ''Barney & Friends'' (from 1992 to 1999), ''Sesame Street'' (from 1992 to 2006) and ''Only Fools And Horses'', as well as 1960-64 Warner Bros. cartoons, and is currently used in various labels on ''The Price Is Right''. Other TV shows which have used it include ''Bill Nye the Science Guy'', the first season of ''Inspector Gadget'', the Bob Saget era of ''America's Funniest Home Videos'', ''Full House'' and ''Clarissa Explains it All''. In business and commerce, The Great Atlantic & Pacific Tea Company ("A&P") used it in their instore broadsheet signage and in newspaper advertising into ...
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Mistral (typeface)
Mistral is a casual script typeface designed by Roger Excoffon for the Fonderie Olive type foundry, and released in 1953. The Amsterdam Type foundry released a version in 1955. Excoffon based the form of the typeface on his own handwriting. The stroke has an informal graphic quality similar to brush and ink. The lowercase letters are carefully designed to connect on a line to an extent unusual in script fonts. Descenders are long, and increase the sense of motion. The face has several specially designed ligatures (which have not been duplicated in digital versions). In lowercase Mistral is a true connecting script, similar to cursive Cursive (also known as joined-up writing) is any style of penmanship in which characters are written joined in a flowing manner, generally for the purpose of making writing faster, in contrast to block letters. It varies in functionality and m ... writing. Choc, another typeface of Excoffon's, grew out of his repeated and ultimately abandone ...
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Simon Garfield
Simon Frank Garfield (born 19 March 1960) is a British journalist and non-fiction author. He has written for publications such as '' Time Out'', ''The Independent'', and ''The Observer''. His early work focused on the music industry, but his books have increasingly delved into niche topics, from British wrestling and the invention of mauve to the history of encyclopedias and typefaces. Garfield is based in London. Career Early life and career Simon Frank Garfield was born in London on 19 March 1960 to Herbert Sidney and Hella Helene () Garfield. He grew up in a comfortable middle-class family in Hampstead Garden Suburb. His father was born in Hamburg, Germany, but left for London in 1934, changed his name from Garfunkel to Garfield and became a successful city solicitor. Garfield's father died when he was 13, his brother when he was 18 and his mother when he was 19. Garfield attended University College School. He went on to study at the London School of Economics, where he ...
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Just My Type (book)
''Just My Type: A Book About Fonts'' is a nonfiction book by Simon Garfield, a British journalist and non-fiction author. The book touches on typography in our daily lives, specifically why people dislike Comic Sans, Papyrus, and Trajan Capitals; the overwhelming European popularity of Helvetica; and how a font can make a person seem such a way, such as masculine, feminine, American, British, German, or Jewish. Overview The first chapter, "We Don't Serve Your Type", is about why people dislike the font Comic Sans. Other widely disliked fonts are discussed in chapter 21, "The Worst Fonts in the World". Chapter 2, "Capital Offence", details font etiquette, while chapter 3, "Legibility vs. Readability", details the difference between a font being "legible" and a font being "readable." Chapters 4, "Can a font make me popular?"; 9, "What is it about the Swiss?"; 13, "Can a font be German, or Jewish?"; and 14, "American Scottish", detail how a font can make somebody or something look. ...
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Waltograph
Waltograph is a freeware typeface based on the lettering of the Disney logo. Description Several versions exist, some under its original title of "Walt Disney Script". The typeface is not, as many assume, based on the actual handwriting of Walt Disney; rather, it is an extrapolation of the Walt Disney Company's corporate logotype, which was based on a stylized version of Walt Disney's autograph. First released in 2000, Walt Disney Script was continuously updated and eventually renamed Waltograph in 2004. Reception Although the project is unofficial and not affiliated with nor endorsed by The Walt Disney Company, it has been used by the company on occasions. One writer remarked that "When Mickey Mouse sits down to tap out his memoirs, we bet the title page will be set in Waltograph." Like the informal font Comic Sans Comic Sans MS is a sans-serif typeface created and designed by Vincent Connare and released by Microsoft Corporation in 1994. Designed as a non-connecting scri ...
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American Type Founders Typefaces
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label that was previously known as Def American * American University, in Washington, D.C. Sports teams S ...
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