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Broadcast Design
Motion graphics (sometimes mograph) are pieces of animation or digital footage which create the illusion of motion or rotation, and are usually combined with audio for use in multimedia projects. Motion graphics are usually displayed via electronic media technology, but may also be displayed via manual powered technology (e.g. thaumatrope, phenakistoscope, stroboscope, zoetrope, praxinoscope, flip book). The term distinguishes static graphics from those with a transforming appearance over time, without over-specifying the form. While any form of experimental or abstract animation can be called motion graphics, the term typically more explicitly refers to the commercial application of animation and effects to video, film, TV, and interactive applications. History of the term Since there is no universally accepted definition of motion graphics, the official beginning of the art form is disputed. There have been presentations that could be classified as motion graphics as early as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walther Ruttmann
Walter Ruttmann (28 December 1887 – 15 July 1941) was a German cinematographer and film director, an important German abstract experimental film maker, along with Hans Richter, Viking Eggeling and Oskar Fischinger. He is best known for directing the semi- documentary 'city symphony' silent film, with orchestral score by Edmund Meisel, in 1927, '' Berlin: Symphony of a Metropolis''. His audio montage ''Wochenende (Weekend)'' (1930) is considered a major contribution in the development of audio plays. Biography Ruttmann was born in Frankfurt am Main, the son of a wealthy mercantilist. He graduated "high school" in 1905, then began in 1907, architectural studies in Zürich, later, in 1909, painting in Munich (later in Marburg) where he befriended Paul Klee and Lyonel Feininger. Ruttmann was conscripted into the army in 1913, first serving in Darmstadt, and shortly after the outbreak of the World War I was he sent to the Eastern Front, where he served as an artillery lieutena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyle Cooper
Kyle Cooper is an American designer known for his main title sequence work. He has produced and directed over 350 visual effects and title sequences for motion pictures and broadcast. Early life Childhood Cooper was born on a Friday the 13th in Salem, Massachusetts. As a child, Cooper spent his days obsessed with sketching monsters. He was also fascinated by comic books, monster makeup books, and horror movies. Cooper stated in an interview with Revert to Saved that he had always wanted to be a film director, “I’ve always been interested in film and editing—more specifically, the juxtaposition of images in film or on a single page. However, I felt it more comprehensive to tell stories over time. Print design can provide great single moments, but I wanted to work with a sequence that had a beginning, middle and end". Education When it came time for Cooper to go to college, he attended the University of Massachusetts Amherst, studying interior architecture. While o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Film
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources. While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants. Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in new technology rather t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stan Brakhage
James Stanley Brakhage ( ; January 14, 1933 – March 9, 2003) was an American filmmaker. He is considered to be one of the most important figures in 20th-century experimental film. Over the course of five decades, Brakhage created a large and diverse body of work, exploring a variety of formats, approaches and techniques that included handheld camerawork, painting directly onto celluloid, fast cutting, in-camera editing, scratching on film, collage film and the use of multiple exposures. Interested in mythology and inspired by music, poetry, and visual phenomena, Brakhage sought to reveal the universal, in particular exploring themes of birth, mortality, sexuality,Senses of Cinema: Stan Brakhage and innocence. His films are for the most part silen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vertigo (film)
''Vertigo'' is a 1958 American film noir psychological thriller film directed and produced by Alfred Hitchcock. The story was based on the 1954 novel ''D'entre les morts'' (''From Among the Dead'') by Boileau-Narcejac. The screenplay was written by Alec Coppel and Samuel A. Taylor. The film stars James Stewart as former police detective John "Scottie" Ferguson, who has retired because an incident in the line of duty has caused him to develop acrophobia (an extreme fear of heights) and vertigo, a false sense of rotational movement. Scottie is hired by an acquaintance, Gavin Elster, as a private investigator to follow Gavin's wife Madeleine (Kim Novak), who is behaving strangely. The film was shot on location in the city of San Francisco, California, as well as in Mission San Juan Bautista, Big Basin Redwoods State Park, Cypress Point on 17-Mile Drive, and Paramount Studios in Hollywood. It is the first film to use the dolly zoom, an in-camera effect that distorts perspective ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Man With The Golden Arm
''The Man with the Golden Arm'' is a 1955 American drama film with elements of film noir directed by Otto Preminger, based on the novel of the same name by Nelson Algren. Starring Frank Sinatra, Eleanor Parker, Kim Novak, Arnold Stang and Darren McGavin, It recounts the story of a drug addict who gets clean while in prison, but struggles to stay that way in the outside world. Although the addictive drug is never identified in the film, according to the American Film Institute "most contemporary and modern sources assume that it is heroin", in contrast to Algren's book which named the drug as morphine. The film's initial release was controversial for its treatment of the then-taboo subject of drug addiction. It was nominated for three Academy Awards: Sinatra for Best Actor in a Leading Role, Joseph C. Wright and Darrell Silvera for Best Art Direction-Set Decoration, Black-and-White and Elmer Bernstein for Best Music, Scoring of a Dramatic or Comedy Picture. Sinatra was also no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saul Bass
Saul Bass (; May 8, 1920 – April 25, 1996) was an American graphic designer and Oscar-winning filmmaker, best known for his design of motion-picture title sequences, film posters, and corporate logos. During his 40-year career, Bass worked for some of Hollywood's most prominent filmmakers, including Alfred Hitchcock, Otto Preminger, Billy Wilder, Stanley Kubrick and Martin Scorsese. Among his best known title sequences are the animated paper cut-out of a heroin addict's arm for Preminger's ''The Man with the Golden Arm'', the credits racing up and down what eventually becomes a high-angle shot of a skyscraper in Hitchcock's ''North by Northwest'', and the disjointed text that races together and apart in '' Psycho''. Bass designed some of the most iconic corporate logos in North America, including the Geffen Records logo in 1980, the Hanna-Barbera "swirling star" logo in 1979, the sixth and final version of the Bell System logo in 1969, as well as AT&T Corporation's fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Whitney (animator)
John Hales Whitney, Sr. (April 8, 1917September 22, 1995) was an American animator, composer and inventor, widely considered to be one of the fathers of computer animation. Life Whitney was born in Pasadena, California and attended Pomona College. He is a descendant of the Whitney family through his father's direct line. His first works in film were 8 mm movies of a lunar eclipse which he made using a home-made telescope. In 1937-38 he spent a year in Paris, studying twelve-tone composition under René Leibowitz. In 1939 he returned to America and began to collaborate with his brother James on a series of abstract films. Their work, ''Five Film Exercises'' (1940–45) was awarded a prize for sound at the First International Experimental Film Competition in Belgium in 1949. In 1948 he was awarded a Guggenheim Fellowship. During the 1950s, Whitney used his mechanical animation techniques to create sequences for television programs and commercials. In 1952, he directed engi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Ruttmann
Walter Ruttmann (28 December 1887 – 15 July 1941) was a German cinematographer and film director, an important German abstract experimental film maker, along with Hans Richter, Viking Eggeling and Oskar Fischinger. He is best known for directing the semi- documentary 'city symphony' silent film, with orchestral score by Edmund Meisel, in 1927, '' Berlin: Symphony of a Metropolis''. His audio montage ''Wochenende (Weekend)'' (1930) is considered a major contribution in the development of audio plays. Biography Ruttmann was born in Frankfurt am Main, the son of a wealthy mercantilist. He graduated "high school" in 1905, then began in 1907, architectural studies in Zürich, later, in 1909, painting in Munich (later in Marburg) where he befriended Paul Klee and Lyonel Feininger. Ruttmann was conscripted into the army in 1913, first serving in Darmstadt, and shortly after the outbreak of the World War I was he sent to the Eastern Front, where he served as an artillery lieutena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Video Editing
Video editing is the manipulation and arrangement of video shots. Video editing is used to structure and present all video information, including films and television shows, video advertisements and video essays. Video editing has been dramatically democratized in recent years by editing software available for personal computers. Editing video can be difficult and tedious, so several technologies have been produced to aid people in this task. Pen based video editing software was developed in order to give people a more intuitive and fast way to edit video. Types of editing Though once the province of expensive machines called video editors, video editing software is now available for personal computers and workstations. Video editing includes cutting segments (trimming), re-sequencing clips, and adding transitions and other special effects. * Linear video editing uses video tape and is edited in a very linear way. Several video clips from different tapes are recorded to one single ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Computer Graphics
Computer graphics deals with generating images with the aid of computers. Today, computer graphics is a core technology in digital photography, film, video games, cell phone and computer displays, and many specialized applications. A great deal of specialized hardware and software has been developed, with the displays of most devices being driven by computer graphics hardware. It is a vast and recently developed area of computer science. The phrase was coined in 1960 by computer graphics researchers Verne Hudson and William Fetter of Boeing. It is often abbreviated as CG, or typically in the context of film as computer generated imagery (CGI). The non-artistic aspects of computer graphics are the subject of computer science research. Some topics in computer graphics include user interface design, sprite graphics, rendering, ray tracing, geometry processing, computer animation, vector graphics, 3D modeling, shaders, GPU design, implicit surfaces, visualization, scientific c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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