Britomart Redeems Faire Amoret
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Britomart Redeems Faire Amoret
''Britomart Redeems Faire Amoret'' is an oil painting on canvas by English artist William Etty, first exhibited in 1833 and now in Tate Britain. Intended to illustrate the virtues of honour and chastity, it depicts a scene from Edmund Spenser's ''The Faerie Queene'' in which the female warrior Britomart slays the evil magician Busirane and frees his captive, the beautiful Amoret. In Spenser's original poem Amoret has been tortured and mutilated by the time of her rescue, but Etty disliked the depiction of violence and portrayed her as unharmed. Despite being a depiction of an occult ritual, a violent death, a partly nude woman and strongly implied sexual torture, ''Britomart Redeems Faire Amoret'' was uncontroversial on its first exhibition in 1833 and was critically well received. Sold by Etty to a private collector in 1833, it passed through the hands of several more before entering the collection of the Lady Lever Art Gallery. In 1958, it was acquired by the Tate Gallery, a ...
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Etty Britomart 1833
Etty, Ettie or Etti is a feminine given name, often a short version of Esther or Elizabeth. It is also a surname. It may refer to the following people: Given name * Etti Ankri (born 1963), Israeli singer-songwriter * Etty Darwin (1843[–1927), editor for her father Charles Darwin * Etty Fraser (born 1931), Brazilian actress * Etty Glazer, kidnapped South African woman * Ettie Mae Greene (1877–1992), an American supercentenarian * Ettie Grenfell, Baroness Desborough (1867–1952), British society hostess * Etty Hillesum (1914–1943), Dutch Diary, diarist * Etty Lau Farrell (born 1974), American rock singer * Etti Plesch (1914–2003), Austrian countess, Hungarian countess, huntress, racehorse owner and socialite * Ettie Rout (1877–1936), Tasmanian-born New Zealander noted for fighting sexually transmitted diseases among World War I soldiers * Ettie Steinberg (1914–1942), one of the few Jewish Irish Holocaust victims * Etty Tantri (born 1975), Indonesian badminton player Surna ...
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Royal Academy
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a decad ...
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Solomonic Column
The Solomonic column, also called Barley-sugar column, is a helical column, characterized by a spiraling twisting shaft like a corkscrew. It is not associated with a specific classical order, although most examples have Corinthian or Composite capitals. But it may be crowned with any design, for example, making a Roman Doric solomonic or Ionic solomonic column. Etymology and origin Unlike the classical example of Trajan's Column of ancient Rome, which has a turned shaft decorated with a single continuous helical band of low-reliefs depicting Trajan’s military might in battle, the twisted column is known to be an eastern motif taken into Byzantine architecture and decoration. Twist-fluted columns were a feature of some eastern architecture of Late Antiquity. In the 4th century, Constantine the Great brought a set of columns to Rome and gave them to the original St. Peter's Basilica for reuse in the high altar and presbytery; '' The Donation of Constantine'', a painting from ...
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Elizabeth I Of England
Elizabeth I (7 September 153324 March 1603) was List of English monarchs, Queen of England and List of Irish monarchs, Ireland from 17 November 1558 until her death in 1603. Elizabeth was the last of the five House of Tudor monarchs and is sometimes referred to as the "Virgin Queen". Elizabeth was the daughter of Henry VIII and Anne Boleyn, his second wife, who was executed when Elizabeth was two years old. Anne's marriage to Henry was annulled, and Elizabeth was for a time declared Royal bastard, illegitimate. Her half-brother Edward VI ruled until his death in 1553, bequeathing the crown to Lady Jane Grey and ignoring the claims of his two half-sisters, the Catholic Church, Catholic Mary I of England, Mary and the younger Elizabeth, in spite of Third Succession Act, statute law to the contrary. Edward's will was set aside and Mary became queen, deposing Lady Jane Grey. During Mary's reign, Elizabeth was imprisoned for nearly a year on suspicion of supporting Protestant reb ...
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Chastity
Chastity, also known as purity, is a virtue related to temperance. Someone who is ''chaste'' refrains either from sexual activity considered immoral or any sexual activity, according to their state of life. In some contexts, for example when making a vow of chastity, chastity means the same as celibacy. Etymology The words ''chaste'' and ''chastity'' stem from the Latin adjective ("cut off", "separated", "pure"). The words entered the English language around the middle of the 13th century. ''Chaste'' meant "virtuous", "pure from unlawful sexual intercourse") or (from the early 14th century on) as a noun, a virgin, while ''chastity'' meant "(sexual) purity". Thomas Aquinas links ''(chastity)'' to the Latin verb ("chastise, reprimand, correct"), with a reference to Aristotle's Nicomachean Ethics: "Chastity takes its name from the fact that reason 'chastises' concupiscence, which, like a child, needs curbing, as the Philosopher states". In Abrahamic religions For many Jews, ...
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Magician (paranormal)
Magic, sometimes spelled magick, is an ancient praxis rooted in sacred rituals, spiritual divinations, and/or cultural lineage—with an intention to invoke, manipulate, or otherwise manifest supernatural forces, beings, or entities in the natural, incarnate world. It is a categorical yet often ambiguous term which has been used to refer to a wide variety of beliefs and practices, frequently considered separate from both religion and science. Although connotations have varied from positive to negative at times throughout history, magic continues to have an important religious and medicinal role in many cultures today. Within Western culture, magic has been linked to ideas of the Other, foreignness, and primitivism; indicating that it is "a powerful marker of cultural difference" and likewise, a non-modern phenomenon. During the late nineteenth and early twentieth century, Western intellectuals perceived the practice of magic to be a sign of a primitive mentality and also commo ...
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Fuseli – Britomart
Henry Fuseli ( ; German: Johann Heinrich Füssli ; 7 February 1741 – 17 April 1825) was a Swiss painter, draughtsman and writer on art who spent much of his life in Britain. Many of his works, such as ''The Nightmare'', deal with supernatural subject matter. He painted works for John Boydell's Shakespeare Gallery, and created his own "Milton Gallery". He held the posts of Professor of Painting and Keeper at the Royal Academy. His style had a considerable influence on many younger British artists, including William Blake. Biography Fuseli was born in Zürich, Switzerland, the second of 18 children. His father was Johann Caspar Füssli, a painter of portraits and landscapes, and author of ''Lives of the Helvetic Painters''. He intended Henry for the church, and sent him to the Caroline college of Zurich, where he received an excellent classical education. One of his schoolmates there was Johann Kaspar Lavater, with whom he became close friends. After taking orders in 17 ...
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Society For The Suppression Of Vice
The Society for the Suppression of Vice, formerly the Proclamation Society Against Vice and Immorality, or simply Proclamation Society, was a 19th-century English society dedicated to promoting public morality. It was established in 1802, based on a proclamation by George III in 1787, and as a successor to the 18th-century Society for the Reformation of Manners, and continued to function until 1885. History The Society was founded by William Wilberforce following a Royal Proclamation by George III in 1787, the ''Proclamation for the Discouragement of Vice'', on the urging of Wilberforce, as a remedy for the rising tide of immorality. The proclamation commanded the prosecution of those guilty of "excessive drinking, blasphemy, profane swearing and cursing, lewdness, profanation of the Lord's Day, and other dissolute, immoral, or disorderly practices". Greeted largely with public indifference, Wilberforce sought to increase its impact by mobilising public figures to the cause, and b ...
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Welbore Ellis Agar, 2nd Earl Of Normanton
Welbore Ellis Agar, 2nd Earl of Normanton (12 November 1778 — 26 August 1868) was an Irish peer and landowner, of Anglo-Irish origins, who spent most of his life in England, where he acquired the Somerley estate in 1825. His father was Charles Agar, Bishop of Cloyne, who was later created Earl of Normanton in the peerage of Ireland and ended his career as Archbishop of Dublin. His father was the third son of Henry Agar of Gowran Castle, County Kilkenny and his wife Anne Ellis, a daughter of Welbore Ellis, Bishop of Meath. His mother was Jane Benson, daughter of William Benson, of Downpatrick, County Down.''Burke's Peerage'', volume 2 (2003), pp. 2923–2924 Agar may have been named for a prosperous uncle, Welbore Ellis Agar, who at the time of his birth had been married for some nine years but had no children. On 14 July 1809, Agar succeeded his father as Earl of Normanton, Viscount Somerton, and Baron Somerton in the peerage of Ireland. On 17 May 1816, Normanton married ...
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Nude (art)
The nude, as a form of visual art that focuses on the unclothed human figure, is an enduring tradition in Western art. It was a preoccupation of Ancient Greek art, and after a semi-dormant period in the Middle Ages returned to a central position with the Renaissance. Unclothed figures often also play a part in other types of art, such as history painting, including allegorical and religious art, portraiture, or the decorative arts. From prehistory to the earliest civilizations, nude female figures are generally understood to be symbols of fertility or well-being. In India, the Khajuraho Group of Monuments built between 950 and 1050 CE are known for their erotic sculptures, which comprise about 10% of the temple decorations. Japanese prints are one of the few non-western traditions that can be called nudes, but the activity of communal bathing in Japan is portrayed as just another social activity, without the significance placed upon the lack of clothing that exists in th ...
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William Etty (1787–1849) – Candaules, King Of Lydia, Shews His Wife By Stealth To Gyges, One Of His Ministers, As She Goes To Bed – N00358 – Tate
William Etty (10 March 1787 – 13 November 1849) was an English artist best known for his history paintings containing nude figures. He was the first significant British painter of nudes and still lifes. Born in York, he left school at the age of 12 to become an apprentice printer in Hull. He completed his apprenticeship seven years later and moved to London, where in 1807 he joined the Royal Academy Schools. There he studied under Thomas Lawrence and trained by copying works by other artists. Etty earned respect at the Royal Academy of Arts for his ability to paint realistic flesh tones, but had little commercial or critical success in his first few years in London. Etty's '' Cleopatra's Arrival in Cilicia'', painted in 1821, featured numerous nudes and was exhibited to great acclaim. Its success prompted several further depictions of historical scenes with nudes. All but one of the works he exhibited at the Royal Academy in the 1820s contained at least one nu ...
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John Constable
John Constable (; 11 June 1776 – 31 March 1837) was an English landscape painter in the Romanticism, Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedham Vale, the area surrounding his home – now known as "Constable Country" – which he invested with an intensity of affection. "I should paint my own places best", he wrote to his friend John Fisher in 1821, "painting is but another word for feeling". Constable's most famous paintings include ''Wivenhoe Park (painting), Wivenhoe Park'' (1816), ''The Vale of Dedham (painting), Dedham Vale'' (1821) and ''The Hay Wain'' (1821). Although his paintings are now among the most popular and valuable in Art of the United Kingdom, British art, he was never financially successful. He became a member of the establishment after he was elected to the Royal Academy of Arts at the age of 52. His work was embraced in France, where he sold more than in his ...
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