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British Animation
The history of animation in the United Kingdom began at the very origins of the artform in the late 19th century. British animation has been strengthened by an influx of émigrés to the UK; renowned animators such as Lotte Reiniger (Germany), John Halas (Hungary), George Dunning and Richard Williams (Canada), Terry Gilliam and Tim Burton (United States) have all worked in the UK at various stages of their careers. Notable full-length animated features to be produced in the UK include Animal Farm (1954), Yellow Submarine (1968), Watership Down (1978), and Wallace & Gromit: The Curse of the Were-Rabbit (2005). Conceptualising British animation history The history of British animation has gone through several stages of development, significantly influenced by both internal and international political, economic and cultural factors. Important among these is the relative impact of the international animation industry, which in several instances has been seen as both a challenge to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Animation
Animation is a method by which image, still figures are manipulated to appear as Motion picture, moving images. In traditional animation, images are drawn or painted by hand on transparent cel, celluloid sheets to be photographed and exhibited on film. Today, most animations are made with computer-generated imagery (CGI). Computer animation can be very detailed Computer animation#Animation methods, 3D animation, while Traditional animation#Computers and traditional animation, 2D computer animation (which may have the look of traditional animation) can be used for stylistic reasons, low bandwidth, or faster real-time renderings. Other common animation methods apply a stop motion technique to two- and three-dimensional objects like cutout animation, paper cutouts, puppets, or Clay animation, clay figures. A cartoon is an animated film, usually a short film, featuring an cartoon, exaggerated visual style. The style takes inspiration from comic strips, often featuring anthropomorphi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eadweard Muybridge
Eadweard Muybridge (; 9 April 1830 – 8 May 1904, born Edward James Muggeridge) was an English photographer known for his pioneering work in photographic studies of motion, and early work in motion-picture projection. He adopted the first name "Eadweard" as the original Anglo-Saxon form of "Edward", and the surname "Muybridge", believing it to be similarly archaic. Born in Kingston upon Thames, England, at the age of 20 he emigrated to the United States as a bookseller, first to New York City, and eventually to San Francisco. In 1860, he planned a return trip to Europe, and suffered serious head injuries in a stagecoach crash in Texas en route. He spent the next few years recuperating in Kingston upon Thames, where he took up professional photography, learned the wet-plate collodion process, and secured at least two British patents for his inventions. He returned to San Francisco in 1867, a man with a markedly changed personality. In 1868, he exhibited large photographs o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Golden Age Of American Animation
The golden age of American animation was a period in the history of U.S. animation that began with the popularization of sound cartoons in 1928 and gradually ended in the late 1960s, where theatrical animated shorts began losing popularity to the newer medium of television animation, produced on cheaper budgets and in a more limited animation style by companies such as Hanna-Barbera, UPA, Jay Ward Productions, and DePatie-Freleng. Many popular characters emerged from this period, including Disney's' '' Mickey Mouse'', ''Minnie Mouse'', '' Donald Duck'', '' Daisy Duck'', '' Goofy'', and ''Pluto''; Warner Bros.' ''Bugs Bunny'', ''Daffy Duck'', '' Porky Pig'', ''Tweety'', and '' Sylvester''; MGM's ''Tom and Jerry'' and ''Droopy''; Fleischer Studios' '' Betty Boop''; ''Felix the Cat''; Walter Lantz's ''Woody Woodpecker''; Terrytoons' ''Mighty Mouse''; UPA's '' Mr. Magoo''; and Jay Ward Productions' ''Rocky and Bullwinkle''. Feature-length animation began during this period, most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Film Board Of Canada
The National Film Board of Canada (NFB; french: Office national du film du Canada (ONF)) is Canada's public film and digital media producer and distributor. An agency of the Government of Canada, the NFB produces and distributes documentary films, animation, web documentaries, and alternative dramas. In total, the NFB has produced over 13,000 productions since its inception, which have won over 5,000 awards. The NFB reports to the Parliament of Canada through the Minister of Canadian Heritage. It has bilingual production programs and branches in English and French, including multicultural-related documentaries. History Canadian Government Motion Picture Bureau The Exhibits and Publicity Bureau was founded on 19 September 1918, and was reorganized into the Canadian Government Motion Picture Bureau in 1923. The organization's budget stagnated and declined during the Great Depression. Frank Badgley, who served as the bureau's director from 1927 to 1941, stated that the bure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Len Lye
Leonard Charles Huia Lye (; 5 July 1901 – 15 May 1980) was a New Zealand artist known primarily for his experimental films and kinetic sculpture. His films are held in archives including the New Zealand Film Archive, British Film Institute, Museum of Modern Art in New York City, and the Pacific Film Archive at University of California, Berkeley. Lye's sculptures are found in the collections of the Whitney Museum of American Art, the Art Institute of Chicago, the Albright-Knox Art Gallery and the Berkeley Art Museum. Although he became a naturalized citizen of the United States in 1950, much of his work went to New Zealand after his death, where it is housed at the Govett-Brewster Art Gallery in New Plymouth. Career As a student, Lye became convinced that motion could be part of the language of art, leading him to early (and now lost) experiments with kinetic sculpture, as well as a desire to make film. Lye was also one of the first Pākehā artists to appreciate the art of Māo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norman McLaren
William Norman McLaren, LL. D. (11 April 1914 – 27 January 1987) was a Scottish Canadian animator, director and producer known for his work for the National Film Board of Canada (NFB).Rosenthal, Alan. ''The new documentary in action: a casebook in film making''. University of California Press, 1972. 267-8. Print. He was a pioneer in a number of areas of animation and filmmaking, including hand-drawn animation, drawn-on-film animation, visual music, abstract film, pixilation and graphical sound. McLaren was also an artist and printmaker, and explored his interest in dance in his films. His awards included an Academy Award for Best Documentary Short Subject in 1952 for ''Neighbours'', a Silver Bear for best short documentary at the 1956 Berlin International Film Festival for '' Rythmetic'' and a 1969 BAFTA Award for Best Animated Film for ''Pas de deux''. Early life Norman McLaren was born in Stirling, Scotland, on 11 April 1914. He had two older siblings, one brother, Jack ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Grierson
John Grierson (26 April 1898 – 19 February 1972) was a pioneering Scottish documentary maker, often considered the father of British and Canadian documentary film. In 1926, Grierson coined the term "documentary" in a review of Robert J. Flaherty's '' Moana''.Ann Curthoys, Marilyn Lakebr>Connected worlds: history in transnational perspective, Volume 2004p.151. Australian National University Press Early life Grierson was born in the old schoolhouse in Deanston, near Doune, Scotland, to schoolmaster Robert Morrison Grierson from Boddam, near Peterhead, and Jane Anthony, a teacher from Ayrshire. His mother, a suffragette and ardent Labour Party activist, often took the chair at Tom Johnston's election meetings. The family moved to Cambusbarron, Stirling, in 1900, when the children were still young, after Grierson's father was appointed headmaster of Cambusbarron school. When the family moved, John had three elder sisters, Agnes, Janet, and Margaret, and a younger brother, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Public Information Film
Public information films (PIFs) are a series of government-commissioned short films, shown during television advertising breaks in the United Kingdom. The name is sometimes also applied, ''faute de mieux'', to similar films from other countries, but the US equivalent is the public service announcement (PSA). Public information films were common place in the 1950s till the 2000s however became obsolete with the closure of the COI (Central Office of Information). Subjects The films advise the public on what to do in a multitude of situations ranging from crossing the road to surviving a nuclear attack. They are sometimes thought to concern only topics related to safety, but there are PIFs on many other subjects, including animal cruelty, protecting the environment, crime prevention, how to vote at a general election or how to fill in a census form. Many of these films were aimed at children and were shown during breaks in children's programmes during holidays and at weekends. M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anson Dyer
Anson Dyer, born Ernest J. Anson Dyer (Brighton, 18 July 1876 – Cheltenham, 22 February 1962), was an English director, screenwriter, animator, and actor. His company Stratford Abbey Films, based in Stroud, was the only Technicolor production unit and three-colour camera in the whole Western Europe in the 1940s. Filmography The following filmography, based on the Internet Movie Database is incomplete. Director *'' Peter's Picture Poems'' (1917) *'' Old King Koal'' (1917) *''Three Little Pigs'' (1918) *'' Oh'phelia'' or ''Oh'phelia a Cartoon Burlesque'' (1919) *''Romeo and Juliet'' (1919) *''The Merchant of Venice'' (1919) *'' 'Amlet'' (1919) *''Othello'' (1920) *''Dollars in Surrey'', co-directed by George Dewhurst (1921) *''Little Red Riding Hood'' (1922) *'' A Day Out In Liverpool'' (1929) *'' The Story of the Port of London'' (1932) *'' Drummed Out'' *'' Sam and His Musket'' *'' Beat the Retreat'' *''Carmen'' (1936) *'' Sam's Medal'' *'' Halt, Who Goes There?'' *'' The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cutout Animation
Cutout animation is a form of stop-motion animation using flat characters, props and backgrounds cut from materials such as paper, card, stiff fabric or photographs. The props would be cut out and used as puppets for stop motion. The world's earliest known animated feature films were cutout animations (made in Argentina by Quirino Cristiani), as is the world's earliest surviving animated feature '' Die Abenteuer des Prinzen Achmed'' (1926) by Lotte Reiniger. The technique of most cutout animation is comparable to that of shadow play, but with stop motion replacing the manual or mechanical manipulation of flat puppets. Some films, including ''Die Abenteuer des Prinzen Achmed'', also have much of their silhouette style in common with shadow plays. Cutout animation pioneer Lotte Reiniger studied the traditions of shadow play and created several shadow play film sequences, including a tribute to François Dominique Séraphin in Jean Renoir's film ''La Marseillaise'' (1938). While s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lost Film
A lost film is a feature or short film that no longer exists in any studio archive, private collection, public archive or the U.S. Library of Congress. Conditions During most of the 20th century, U.S. copyright law required at least one copy of every American film to be deposited at the Library of Congress at the time of copyright registration, but the Librarian of Congress was not required to retain those copies: "Under the provisions of the act of March 4, 1909, authority is granted for the return to the claimant of copyright of such copyright deposits as are not required by the Library." A report created by Library of Congress film historian and archivist David Pierce claims: * 75% of original silent-era films have perished. * 14% of the 10,919 silent films released by major studios exist in their original 35 mm or other formats. * 11% survive only in full-length foreign versions or film formats of lesser image quality. Of the American sound films made from 1927 to 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry The Tyke
''Jerry the Tyke'' also known as ''Jerry the Troublesome Tyke'' is a cartoon dog created during the silent film era. Created by Cardiff-based animator Sid Griffiths, and shown throughout British cinemas as part of Pathé Pictorial's screen news-magazines, ''Jerry the Tyke'' was the first animated series to be made in Wales. History ''Jerry the Troublesome Tyke'' was first produced in 1925 by animator Sid Griffiths and photographer Bert Bilby who both worked as projectionists at Cardiff's Capitol Cinema. They were later joined by London-based co-animator Brian White. Inspired by the American animation ''Felix the Cat'', ''Jerry the Tyke'' was a mixture of live-action sequences and animation, similar in style to Max Fleischer's ''Out of the Inkwell'' series. 40 animations were created between 1925 and 1927, and were shown throughout the World as part of ''Pathé Pictorial'', a fortnightly cinema news-magazine. Each silent short lasted for about four minutes and often featured Griff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
