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Brisbane Masonic Temple
The Masonic Temple is a heritage-listed masonic temple at 311 Ann Street, Brisbane City, City of Brisbane, Queensland, Australia. It was designed by Lange Leopold Powell of Atkinson, Powell and Conrad and was built from 1928 to 1930 by George Alexander Stronach & Son. It is also known as the Masonic Memorial Temple. It was added to the Queensland Heritage Register on 21 October 1992. History The Masonic Temple was constructed between 1928 and 1930. In April 1921 the United Grand Lodge of Queensland was formed by the union of the 281 Freemasons' lodges in Queensland. To commemorate the union the Grand Lodge agreed to construct a centrally located temple. In December 1921 land in Ann Street, with a frontage and depth of , was purchased. In December 1922 an additional was acquired to make the site symmetrical. The total cost of the land was £6 874. In June 1923 a competition was held to produce a design for the temple. On 8 December 1924 the plans of Lange Powell (a fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ann Street, Brisbane
Ann Street runs parallel to Adelaide Street and is the northernmost street in the Brisbane CBD in Queensland, Australia. The street is named for Anne, Queen of Great Britain, as part of the CBD street naming series of female British royalty. It is a major thoroughfare, linking as a four-lane one-way street the suburb of Fortitude Valley in the northeast with the Riverside Expressway in the southwest; house numbers run the opposite direction. Parks and buildings along Ann Street include the State Law Building, Central Railway Station, Brisbane City Hall, King George Square, King George Central, and also ANZAC Square and the Shrine of Remembrance (both of which commemorate Australia's and New Zealand's war dead). The now demolished Canberra Hotel (1929–1987) was located on the corner of Ann and Edward Streets. Each year, on Anzac Day (25 April), a dawn memorial service is held at the Shrine of Remembrance, with wreaths being laid around the eternal flame in memory of thos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Herbert Green
William Green may refer to Arts and entertainment *William Green (action painter) (1934–2001), British artist *William Green (painter) (1760–1823), British artist *William Green (piper) (1775–1860), Northumbrian piper *William Curtis Green (1875–1960), English architect *William Clark Green (born 1986), American country music singer * William Ellis Green (1923–2008), Australian cartoonist Military *Sir William Green, 1st Baronet (1725–1811), British army officer *William Green (British Army soldier) (1784–1881), English veteran of the Napoleonic wars * William Green (British Army officer, born 1882) (1882–1947), British Army major-general *William Edward Green (1898–1940), British World War I flying ace *William Henry Rodes Green (1823–1912), British Indian Army general *Sir William Wyndham Green (1887–1979), British Army general Politics and law U.K. *William Green (fl.1406), MP for Lewes * William Green (died 1555), MP for Downton *William Green (MP for Pool ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandstone
Sandstone is a clastic sedimentary rock composed mainly of sand-sized (0.0625 to 2 mm) silicate grains. Sandstones comprise about 20–25% of all sedimentary rocks. Most sandstone is composed of quartz or feldspar (both silicates) because they are the most resistant minerals to weathering processes at the Earth's surface. Like uncemented sand, sandstone may be any color due to impurities within the minerals, but the most common colors are tan, brown, yellow, red, grey, pink, white, and black. Since sandstone beds often form highly visible cliffs and other topographic features, certain colors of sandstone have been strongly identified with certain regions. Rock formations that are primarily composed of sandstone usually allow the percolation of water and other fluids and are porous enough to store large quantities, making them valuable aquifers and petroleum reservoirs. Quartz-bearing sandstone can be changed into quartzite through metamorphism, usually related to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Granite
Granite () is a coarse-grained (phaneritic) intrusive igneous rock composed mostly of quartz, alkali feldspar, and plagioclase. It forms from magma with a high content of silica and alkali metal oxides that slowly cools and solidifies underground. It is common in the continental crust of Earth, where it is found in igneous intrusions. These range in size from dikes only a few centimeters across to batholiths exposed over hundreds of square kilometers. Granite is typical of a larger family of ''granitic rocks'', or ''granitoids'', that are composed mostly of coarse-grained quartz and feldspars in varying proportions. These rocks are classified by the relative percentages of quartz, alkali feldspar, and plagioclase (the QAPF classification), with true granite representing granitic rocks rich in quartz and alkali feldspar. Most granitic rocks also contain mica or amphibole minerals, though a few (known as leucogranites) contain almost no dark minerals. Granite is nearly alway ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flagpole
A flagpole, flagmast, flagstaff, or staff is a pole designed to support a flag. If it is taller than can be easily reached to raise the flag, a cord is used, looping around a pulley at the top of the pole with the ends tied at the bottom. The flag is fixed to one lower end of the cord, and is then raised by pulling on the other end. The cord is then tightened and tied to the pole at the bottom. The pole is usually topped by a flat plate or ball called a "truck" (originally meant to keep a wooden pole from splitting) or a finial in a more complex shape. Very high flagpoles may require more complex support structures than a simple pole, such as a guyed mast. Dwajasthambam are flagpoles commonly found at the entrances of South Indian Hindu temples. Design Flagpoles are usually made of wood or metal. Flagpoles can be designed in one piece with a taper (typically a steel taper or a Greek entasis taper), or be made from multiple pieces to make them able to expand. In the United State ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bay (architecture)
In architecture, a bay is the space between architectural elements, or a recess or compartment. The term ''bay'' comes from Old French ''baie'', meaning an opening or hole."Bay" ''Online Etymology Dictionary''. http://www.etymonline.com/index.php?allowed_in_frame=0&search=bay&searchmode=none accessed 3/10/2014 __NOTOC__ Examples # The spaces between posts, columns, or buttresses in the length of a building, the division in the widths being called aisles. This meaning also applies to overhead vaults (between ribs), in a building using a vaulted structural system. For example, the Gothic architecture period's Chartres Cathedral has a nave (main interior space) that is '' "seven bays long." '' Similarly in timber framing a bay is the space between posts in the transverse direction of the building and aisles run longitudinally."Bay", n.3. def. 1-6 and "Bay", n.5 def 2. ''Oxford English Dictionary'' Second Edition on CD-ROM (v. 4.0) © Oxford University Press 2009 # Where there a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leadlight
Leadlights, leaded lights or leaded windows are decorative windows made of small sections of glass supported in lead cames. The technique of creating windows using glass and lead came to be known as came glasswork. The term 'leadlight' could be used to describe any window in which the glass is supported by lead, but traditionally, a distinction is made between stained glass windows and leadlights; the former is associated with the ornate coloured-glass windows of churches and similar buildings, while the latter is associated with the windows of vernacular architecture and defined by its simplicity. Since the traditional technique of setting glass into lead cames is the same in both cases, the division between 'leadlights' and 'stained glass' became less distinct during the late 20th century. The terms are now often incorrectly used interchangeably for any window employing this technique, while the term 'stained glass' is often applied to any windows, sculptures or works of art u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pediment
Pediments are gables, usually of a triangular shape. Pediments are placed above the horizontal structure of the lintel, or entablature, if supported by columns. Pediments can contain an overdoor and are usually topped by hood moulds. A pediment is sometimes the top element of a portico. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The tympanum, the triangular area within the pediment, is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. Pediments are found in ancient Greek architecture as early as 600 BC (e.g. the archaic Temple of Artemis). Variations of the pediment occur in later architectural styles such as Classical, Neoclassical and Baroque. Gable roofs were common in ancient Greek temples with a low pitch (angle of 12.5° to 16°). History The pediment is found in classical Greek temples, Et ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Varian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corinthian Columns
The Corinthian order (Greek: Κορινθιακός ρυθμός, Latin: ''Ordo Corinthius'') is the last developed of the three principal classical orders of Ancient Greek architecture and Roman architecture. The other two are the Doric order which was the earliest, followed by the Ionic order. In Ancient Greek architecture, the Corinthian order follows the Ionic in almost all respects other than the capitals of the columns. When classical architecture was revived during the Renaissance, two more orders were added to the canon: the Tuscan order and the Composite order. The Corinthian, with its offshoot the Composite, is the most ornate of the orders. This architectural style is characterized by slender fluted columns and elaborate capitals decorated with acanthus leaves and scrolls. There are many variations. The name ''Corinthian'' is derived from the ancient Greek city of Corinth, although the style had its own model in Roman practice, following precedents set by the Templ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giant Order
In classical architecture, a giant order, also known as colossal order, is an order whose columns or pilasters span two (or more) storeys. At the same time, smaller orders may feature in arcades or window and door framings within the storeys that are embraced by the giant order. The giant order as such was unknown to antiquity, although most ancient buildings using formal orders lacked upper storeys. To an extent buildings with giant orders resemble a Roman temple adapted for post-classical use, as many were (the survivors have now usually been stripped of later filling-in). In Renaissance and Beaux-Arts architecture One of the earliest uses of this feature in the Renaissance was at the Basilica of Sant'Andrea, Mantua, designed by Leon Battista Alberti and begun in 1472; this adapted the Roman triumphal arch to a church facade. From designs by Raphael for his own palazzo in Rome on an island block it seems that all facades were to have a giant order of pilasters rising at le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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