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Brighten The Corner
''Brighten the Corner'' is a 1967 studio album by the American jazz singer Ella Fitzgerald, debut album on Capitol Records. The album charted at #172 in the Billboard Hot 200 album charts. The album was reissued by Capitol Records on CD in 1991 and together, on one CD, with the album " Ella Fitzgerald's Christmas" in 2006. The album was Ella's first since leaving the Verve label, which had seen her produce her most acclaimed body of work. It marked a sharp change of direction for Fitzgerald, as ''Brighten the Corner'' saw Ella sing Christian hymns, reflecting her own spirituality, and eschewing the Great American Songbook standards on which she had previously concentrated. Track listing For the 1967 LP on Capitol Records; Capitol ST 2684; ; Re-issued in 1991 on CD, Capitol CDP 7 95151-2 Side One: # " Abide with Me" (Henry Francis Lyte, Arrangers; G. Price, R. Black) - 3.24 # "Just a Closer Walk with Thee" (Traditional, Arrangers; G. Price, R. Black) - 5.00 # "The Old Rugge ...
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Ella Fitzgerald
Ella Jane Fitzgerald (April 25, 1917June 15, 1996) was an American jazz singer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, intonation, and a "horn-like" improvisational ability, particularly in her scat singing. After a tumultuous adolescence, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country but most often associated with the Savoy Ballroom in Harlem. Her rendition of the nursery rhyme "A-Tisket, A-Tasket" helped boost both her and Webb to national fame. After taking over the band when Webb died, Fitzgerald left it behind in 1942 to start her solo career. Her manager was Moe Gale, co-founder of the Savoy, until she turned the rest of her career over to Norman Granz, who founded Verve Records to produce new records by Fitzgerald. With Verve she recorded some of her more widely noted works, particularly he ...
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Traditional Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk reviv ...
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Capitol Records Albums
A capitol, named after the Capitoline Hill in Rome, is usually a legislative building where a legislature meets and makes laws for its respective political entity. Specific capitols include: * United States Capitol in Washington, D.C. * Numerous U.S. state and territorial capitols * Capitolio Nacional in Bogotá, Colombia * Capitolio Federal in Caracas, Venezuela * El Capitolio in Havana, Cuba * Capitol of Palau in Ngerulmud, Palau Capitol, capitols, or The Capitol may also refer to: ;Entertainment and Media * Capitol (board game), a Roman-themed board game * Capitol (The Hunger Games trilogy), a fictional city in The Hunger Games novels * ''Capitol'' (TV series), a U.S. soap opera * Capitol (collection), a book by Orson Scott Card * The Capitols, a Detroit, Michigan-based soul trio ;Business * Capitol Wrestling Corporation, a predecessor organization to World Wrestling Entertainment * Capitol Records, a U.S. record label * Capitol Air, originally known as Capitol Internat ...
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1967 Albums
Events January * January 1 – Canada begins a year-long celebration of the 100th anniversary of Confederation, featuring the Expo 67 World's Fair. * January 5 ** Spain and Romania sign an agreement in Paris, establishing full consular and commercial relations (not diplomatic ones). ** Charlie Chaplin launches his last film, ''A Countess from Hong Kong'', in the UK. * January 6 – Vietnam War: USMC and ARVN troops launch ''Operation Deckhouse Five'' in the Mekong Delta. * January 8 – Vietnam War: Operation Cedar Falls starts. * January 13 – A military coup occurs in Togo under the leadership of Étienne Eyadema. * January 14 – The Human Be-In takes place in Golden Gate Park, San Francisco; the event sets the stage for the Summer of Love. * January 15 ** Louis Leakey announces the discovery of pre-human fossils in Kenya; he names the species '' Kenyapithecus africanus''. ** American football: The Green Bay Packers defeat the Kansas City Chiefs 35–10 in the First AF ...
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Charles Crozat Converse
Charles Crozat Converse (October 7, 1832 – October 18, 1918) was an American Lawyer, attorney who also worked as a composer of church songs. He is notable for setting to music the words of Joseph Scriven to become the hymn "What a Friend We Have in Jesus". Converse published an arrangement of "The Death of Minnehaha", with words by Henry Wadsworth Longfellow. Life Charles Crozat Converse was born in Warren, Massachusetts on October 7, 1832. He studied law and music in Leipzig, Germany, returned home in 1857, and was graduated at the Albany Law School in 1861. Many of his musical compositions appeared under the anagrammatic pen-names "C. O. Nevers", "Karl Reden", and "E. C. Revons". He published a cantata (1855), ''New Method for the Guitar'' (1855), ''Musical Bouquet'' (1859), ''The One Hundred and Twenty-sixth Psalm'' (1860), ''Sweet Singer'' (1863), ''Church Singer'' (1863) and ''Sayings of Sages'' (1863). Converse proposed the use of the gender-neutral pronoun "thon". H ...
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Joseph M
Joseph is a common male given name, derived from the Hebrew Yosef (יוֹסֵף). "Joseph" is used, along with "Josef", mostly in English, French and partially German languages. This spelling is also found as a variant in the languages of the modern-day Nordic countries. In Portuguese language, Portuguese and Spanish language, Spanish, the name is "José". In Arabic, including in the Quran, the name is spelled ''Yusuf, Yūsuf''. In Persian language, Persian, the name is "Yousef". The name has enjoyed significant popularity in its many forms in numerous countries, and ''Joseph'' was one of the two names, along with ''Robert'', to have remained in the top 10 boys' names list in the US from 1925 to 1972. It is especially common in contemporary Israel, as either "Yossi" or "Yossef", and in Italy, where the name "Giuseppe" was the most common male name in the 20th century. In the first century CE, Joseph was the second most popular male name for Palestine Jews. In the Book of Genes ...
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What A Friend We Have In Jesus
"What a Friend We Have in Jesus" is a Christian hymn originally written by preacher Joseph M. Scriven as a poem in 1855 to comfort his mother, who was living in Ireland while he was in Canada. Scriven originally published the poem anonymously, and only received full credit for it in the 1880s. The tune to the hymn was composed by Charles Crozat Converse in 1868. The hymn also has many versions with different lyrics in multiple languages. The ''Handbook to the Lutheran Hymnal'' notes, "In spite of the fact that this hymn, with its tune, has been criticized as being too much on the order of the sentimental gospel type, its popularity remains strong, and the hymn retains a place in modern hymnals." In some settings, the lyrics have been matched to other tunes such as the Welsh "Calon Lân" (originally wedded to the Welsh poem translated as "A Pure Heart"). Renditions *Washington Phillips, as "Jesus Is My Friend" (1928, Columbia Records) *Bing Crosby (1951, ''Beloved Hymns'') *Ten ...
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I Shall Not Be Moved
"I Shall Not Be Moved", also known as "We Shall Not Be Moved", is an African-American slave spiritual, hymn, and protest song dating to the early 19th century American south. It was likely originally sung at revivalist camp-meetings as a slave jubilee. The song describes being "like a tree planted by the waters" who "shall not be moved" because of faith in God. Secularly, as "We Shall Not Be Moved" it gained popularity as a protest and union song of the Civil Rights Movement. The text is based on biblical scripture: In 1908 Alfred H. and B. D. Ackley copyrighted a hymn by the name "I Shall Not Be Moved". Civil rights movement As "We Shall Not Be Moved" the song gained popularity as a protest and union song of the Civil rights movement. The song became popular in the Swedish anti-nuclear and peace movements in the late 1970s, in a Swedish translation by Roland von Malmborg, "" ('Never shall we give up'). Recorded versions Among others, the following artists recorded "I ...
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The Church In The Wildwood
"The Church in the Wildwood" is a song that was written by Dr. William S. Pitts in 1857 following a coach ride that stopped in Bradford, Iowa. It is a song about a church in a valley near the town, though the church was not actually built until several years later. In the years since, the church has become known simply as " the Little Brown Church". Origins of the song During a stagecoach ride to visit his fiancée in Fredericksburg, Iowa, the stage stopped at Bradford and allowed Pitts to wander in the area and enjoy the woodlands. Pitts found particular beauty in a wooded valley formed by the Cedar River. While viewing the spot, Pitts envisioned a church building there and could not seem to ease the vision from his mind. Returning to his home in Wisconsin, he wrote "The Church in the Wildwood" for his own sake, eventually saying of its completion, "only then was I at peace with myself." By 1862 Pitts was married, and he and his wife moved to Fredericksburg to be near he ...
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In The Garden (1912 Song)
"In the Garden" (sometimes rendered by its first line "I Come to the Garden Alone" is a gospel song written by American songwriter C. Austin Miles (1868–1946), a former pharmacist who served as editor and manager at Hall-Mack publishers for 37 years. According to Miles' great-granddaughter, the song was written "in a cold, dreary and leaky basement in Pitman, New Jersey that didn't even have a window in it let alone a view of a garden." The song was first published in 1912 and popularized during the Billy Sunday evangelistic campaigns of the early twentieth century by two members of his staff, Homer Rodeheaver and Virginia Asher. Recorded versions Roy Rogers and Dale Evans recorded the song with vocal quartet and orchestra on March 3, 1950. Tennessee Ernie Ford performed the song on his 1956 platinum album ''Hymns''. A June 18, 1958 recording by Perry Como was part of his album ''When You Come to the End of the Day''. Rosemary Clooney included it on her 1959 MGM Records album ...
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I Need Thee Every Hour
Annie Hawks (May 28, 1836 - January 3, 1918) was an American poet and gospel hymnist who wrote a number of hymns with her pastor, Robert Lowry (hymn writer), Robert Lowry. She contributed to several popular Sunday school hymnbooks, and wrote the lyrics to a number of well-known hymns including: "I Need Thee Every Hour"; "Thine, Most Gracious Lord"; "Why Weepest Thou? Who Seekest Thou?"; "Full and Free Salvation" and "My Soul Is Anchored". Early life and education Annie Sherwood was born on May 28, 1836, in Hoosick, New York, Hoosick, New York (state), New York. Her ancestry on her father's side was English, and on her mother's side, remotely, Holland Dutch. She was educated in the public schools and in the Troy Seminary. She never graduated from a school, but she always had a passion for books and read widely. By age 14, she was submitting poems to a local newspaper.Smith, Jane Stuart and Betty Carlson. ''Great Christian Hymn Writers''. Wheaton, Illinois: Crossway Books, 1997: 85 ...
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Homer Rodeheaver
Homer Alvan Rodeheaver (October 4, 1880 – December 18, 1955) was an American evangelist, music director, music publisher, composer of gospel songs, and pioneer in the recording of sacred music. Early career Born in Cinco Hollow in Hocking County, Ohio, he was taken as a child to Jellico in eastern Tennessee and there worked with his father in the lumber mill business. Although he learned the mountain ballads, he preferred Negro spirituals because they emphasized harmony and rhythm and had a "definite religious purpose." Rodeheaver early learned to play the cornet but switched to trombone while attending Ohio Wesleyan College, where he also served as a cheerleader. In 1898 he left college to serve in the Fourth Tennessee Band during the Spanish–American War. Around 1904 he joined evangelist W. E. Biederwolf as music director and then served, from 1910 to 1930, in the same role for Billy Sunday, the most popular evangelist of the period. Shortly after Billy Sunday's death ...
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