Bridging A Gap
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Bridging A Gap
''Bridging a Gap'' is an album by vocalist Mark Murphy (singer), Mark Murphy which was recorded in 1972 and released on the Muse Records, Muse label.Muse Records listing
Retrieved November 1, 2017.


Reception

The AllMusic review by Ron Wynn stated: "The celebrated bop, ballads, standards, and scat vocalist sings with customary verve, clarity, and confidence, backed by a combo featuring Mike and Randy Brecker, Ron Carter, and more."


Track listing

All compositions by Mark Murphy except where noted # "Come and Get Me" – 3:37 # "Sausalito" – 3:42 # "She's Gone" – 2:50 # "Steamroller Blues, Steamroller" (James Taylor) – 3:14 # "We Could Be Flying" (Michel Colombier) – 3:39 # "Sunday in New York" (Peter Nero, Carroll Coates) – 5:08 # "Gee, Baby, Ain't I Good to You" ...
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Mark Murphy (singer)
Mark Howe Murphy (March 14, 1932 – October 22, 2015) was an American jazz singer based at various times in New York City, Los Angeles, London, and San Francisco. He recorded 51 albums under his own name during his lifetime and was principally known for his innovative vocal improvisations. He was the recipient of the 1996, 1997, 2000, and 2001 ''Down Beat'' magazine readers' jazz poll for Best Male Vocalist and was also nominated five times for the Grammy Award for Best Vocal Jazz Performance.Jones, Peter. ''This is Hip: The Life of Mark Murphy'' (Equinox Publishing, 2018) He wrote lyrics to the jazz tunes " Stolen Moments" and "Red Clay". Early life Born in Syracuse, New York, in 1932, Murphy was raised in a musical family, his parents having met when his father was appointed director of the local Methodist Church choir. He grew up in the nearby small town of Fulton, New York, where his grandmother and then his aunt were the church organists. Opera was also a presence in the M ...
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Salvador Camarata
Salvador "Tutti" Camarata (May 11, 1913 – April 13, 2005) was an American composer, arranger, trumpeter, and record producer. Also known as "Toots" Camarata. Early life and career Camarata, born in Glen Ridge, New Jersey, United States, and studied music at Juilliard School in New York — a student of Bernard Wagenaar, Joseph Littau, Cesare Sodero, and Jan Meyerowitz. His early career was as a trumpet player for bands such as Jimmy and Tommy Dorsey, Benny Goodman and others, eventually becoming the lead trumpet and arranger for Jimmy Dorsey (arranging such hits as ''Tangerine'', ''Green Eyes'' and ''Yours''). He also did arranging for Glen Gray and the Casa Loma Orchestra, Benny Goodman, Louis Armstrong, Bing Crosby, Nancy Sinatra, Billie Holiday, Ella Fitzgerald, Duke Ellington and many others. He conducted and orchestrated a recording of Jascha Heifetz. During World War II, he served as a flight instructor in the Army Air Forces. London Records In 1944, J. Arthur R ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Ron Carter
Ronald Levin Carter (born May 4, 1937) is an American jazz double bassist. His appearances on 2,221 recording sessions make him the most-recorded jazz bassist in history. He has won three Grammy awards, and is also a cellist who has recorded numerous times on that instrument. Some of his studio albums as a leader include: ''Blues Farm'' (1973), '' All Blues'' (1973), '' Spanish Blue'' (1974), ''Anything Goes'' (1975), '' Yellow & Green'' (1976), ''Pastels'' (1976), ''Piccolo'' (1977), '' Third Plane'' (1977), ''Peg Leg'' (1978), '' A Song for You'' (1978), ''Etudes'' (1982), ''The Golden Striker'' (2003), ''Dear Miles'' (2006), and ''Ron Carter's Great Big Band'' (2011). Early life Carter was born in Ferndale, Michigan. He started to play cello at the age of 10, and switched to bass while in high school. He earned a B.A. in music from the Eastman School of Music (1959) and a master's degree in music from the Manhattan School of Music (1961). Carter's first jobs as a jazz music ...
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Electronic Organ
An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed into several types of instruments: * Hammond-style organs used in pop, rock and jazz; * digital church organs, which imitate pipe organs and are used primarily in churches; * other types including combo organs, home organs, and software organs. History Predecessors ;Harmonium The immediate predecessor of the electronic organ was the harmonium, or reed organ, an instrument that was common in homes and small churches in the late 19th and early 20th centuries. In a fashion not totally unlike that of pipe organs, reed organs generate sound by forcing air over a set of reeds by means of a bellows, usually operated by constantly pumping a set of pedals. While reed organs have limited tonal quality, they are small, inexpensive, self ...
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Pat Rebillot
Patrick Earl "Pat" Rebillot (born April 21, 1935) is an American jazz pianist and composer. Early life and education Born in Louisville, Ohio, Rebilliot studied music at Mt. Union College and the Cincinnati Conservatory of Music with Jeno Takacs. He graduated with a Bachelor of Music Education in 1957. Career Rebillot is associated with fellow session and studio musicians Hugh McCracken, Tony Levin, Steve Gadd, Ray Barretto and Ralph MacDonald. A long-time member of Herbie Mann's various line-ups, for which he is also credited as arranger, Rebillot also appears on recordings by John Klemmer, Steely Dan, the Average White Band, Gloria Gaynor, Irene Worth, Bette Midler, Flora Purim, Hall & Oates, David Newman, Jon Faddis, Morrissey–Mullen and others. Discography As leader *''Free Fall'' - with Tony Levin on bass, Steve Gadd on drums, Armen Halburian on percussion and Sam Brown on guitar. Produced by Herbie Mann (1974) - Atlantic Records As sideman With Patti Austin ...
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Sam Brown (guitarist)
Sam Brown (January 19, 1939 – December 27, 1977) was an American jazz guitarist. History Sam T. Brown's playing style was unusual in that he performed in a generally jazz-rock format, while performing in Keith Jarrett's ensembles that sometimes veered close to a free jazz style. His initial recording success included membership of the jazz rock group Ars Nova during the 1967-1969 period. Brown's most noteworthy recorded performances were on recordings of Keith Jarrett (particularly, his "American band" with Dewey Redman); and Charlie Haden's Liberation Music Orchestra. On the ''Liberation Music Orchestra'' album he has a spotlighted performance on the 21-minute suite, "El Quinto Regimiento/Los Cuatro Generales/Viva la Quince Brigada"."El Quinto Regimiento/Los Cuatro Generales/Viva la Quince Brigada He also performed as a session musician for popular artists as diverse as James Brown, Astrud Gilberto, Peter Allen and Barry Manilow. Discography As sideman With Louis A ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Michael Brecker
Michael Leonard Brecker (March 29, 1949 – January 13, 2007) was an American jazz saxophonist and composer. He was awarded 15 Grammy Awards as both performer and composer. He was awarded an Honorary Doctorate from Berklee College of Music in 2004, and was inducted into the ''DownBeat'' Jazz Hall of Fame in 2007. Biography Early life and career Michael Brecker was born in Philadelphia and raised in Cheltenham Township, a local suburb. He was raised in a Jewish—and artistic—family: his father, Bob (Bobby), was a lawyer who played jazz piano and his mother, Sylvia, was a portrait artist. Michael Brecker was exposed to jazz at an early age by his father. He grew up as part of the generation of jazz musicians who saw rock music not as the enemy but as a viable musical option. Brecker began studying clarinet at age 6, then moved to alto saxophone in eighth grade, settling on the tenor saxophone as his primary instrument in his sophomore year. He graduated from Chelte ...
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Randy Brecker
Randal Edward Brecker (born November 27, 1945) is an American trumpeter, flugelhornist, and composer. His versatility has made him a popular studio musician who has recorded with acts in jazz, rock, and R&B. Early life Brecker was born on November 27, 1945, in the Philadelphia suburb of Cheltenham to a musical family. His father Bob (Bobby) was a lawyer who played jazz piano and his mother Sylvia was a portrait artist. Randy described his father as "a semipro jazz pianist and trumpet fanatic. In school when I was eight, they only offered trumpet or clarinet. I chose trumpet from hearing Diz, Miles, Clifford, and Chet Baker at home. My brother (Michael Brecker) didn't want to play the same instrument as I did, so three years later he chose the clarinet!" Randy's father, Bob, was also a songwriter and singer who loved to listen to recordings of the great jazz trumpet players such as Miles Davis, Dizzy Gillespie and Clifford Brown. He took Randy and his younger brother Mich ...
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Jimmy Dorsey
James Francis Dorsey (February 29, 1904 – June 12, 1957) was an American jazz clarinetist, saxophonist, composer and big band leader. He recorded and composed the jazz and pop standards "I'm Glad There Is You (In This World of Ordinary People)" and " It's The Dreamer In Me". His other major recordings were "Tailspin", " John Silver", " So Many Times", " Amapola", "Brazil ( Aquarela do Brasil)", " Pennies from Heaven" with Bing Crosby, Louis Armstrong, and Frances Langford, "Grand Central Getaway", and "So Rare". He played clarinet on the seminal jazz standards "Singin' the Blues" in 1927 and the original 1930 recording of "Georgia on My Mind", which were inducted into the Grammy Hall of Fame. Early life Jimmy Dorsey was born in Shenandoah, Pennsylvania, United States, the first son of Theresa Langton Dorsey and Thomas Francis Dorsey. His father, Thomas, was initially a coal miner, but would later become a music teacher and marching-band director. Both Jimmy and his younger ...
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I'm Glad There Is You
"I'm Glad There Is You (In This World of Ordinary People)" is a song written by Jimmy Dorsey and Paul Madeira (sometimes credited as Paul Mertz) first published in 1941. It has become a jazz and pop standard. Original recording The song was released by Jimmy Dorsey and His Orchestra in 1942 by Decca Records backed with "Tomorrow's Sunrise" featuring Bob Eberly on vocals. The song was recorded on December 22, 1941, in New York City. The recording was reviewed in '' Billboard'': "With the customary Dorsey eclat, Jimmy enters two new ballads in this couplet....Maestro Jimmy had a hand in writing the plattermate. It's a love song, with the story steeped in philosophical thoughts rather than June-moon wordage. Eberly sings it from edge, saxophones and Jimmy's clarinet carving a half chorus for themselves before Bob is brought back to finish it out." The song was also released in 1946, recorded on February 6, 1946, by Jimmy Dorsey and His Orchestra with Dee Parker on vocals. The B sid ...
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