|
Bravo! Brubeck!
''Bravo! Brubeck!'' is a 1967 live album by Dave Brubeck and his quartet, recorded during their tour of Mexico. The quartet were augmented by Chamin Correa on guitar, and the bongo and conga player Salvatore Agueros. It was released in 1967. A second live album recorded on their tour, '' Buried Treasures'', was released in 1998. The album peaked at 9 on the ''Billboard'' Top Jazz Albums chart. Reception The album was reviewed by Scott Yanow at Allmusic who wrote that "One of the better Dave Brubeck LPs from the later period of the Quartet with altoist Paul Desmond, this set is unusual in that it only contains one Brubeck original. ...The results are melodic but swinging treatments of a variety of famous themes". Track listing # Introduction – 1:18 # "Cielito Lindo" (Traditional) – 5:01 # "La Paloma Azul (The Blue Dove)" (Traditional) – 6:16 # " Sobre las Olas (Over the Waves)" (Juventino Rosas) – 3:17 # " Besame Mucho" ( Sunny Skylar, Consuelo Velázquez) – 5:53 # ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dave Brubeck
David Warren Brubeck (; December 6, 1920 – December 5, 2012) was an American jazz pianist and composer. Often regarded as a foremost exponent of cool jazz, Brubeck's work is characterized by unusual time signatures and superimposing contrasting rhythms, Metre (music), meters, and tonality, tonalities. Born in Concord, California, Brubeck was drafted into the US Army, but was spared from combat service when a International Red Cross and Red Crescent Movement, Red Cross show he had played at became a hit. Within the US Army, Brubeck formed one of the first racial integration, racially diverse bands. In 1951, Brubeck formed the Dave Brubeck Quartet, which kept its name despite shifting personnel. The most successful—and prolific—lineup of the quartet was the one between 1958 and 1968. This lineup, in addition to Brubeck, featured saxophonist Paul Desmond, bassist Eugene Wright and drummer Joe Morello. A U.S. Department of State-sponsored tour in 1958 featuring the band inspir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bamba (song)
"La Bamba" () is a Mexican folk song, originally from the state of Veracruz, also known as "La Bomba". The song is best known from a 1958 adaptation by Ritchie Valens, a Top 40 hit in the U.S. charts. Valens's version is ranked number 345 on ''Rolling Stone magazine''′s list of the 500 Greatest Songs of All Time. "La Bamba" has been covered by numerous artists, notably by Los Lobos whose version was the title track of the 1987 film '' La Bamba'', a bio-pic about Valens; their version reached No. 1 in many charts in the same year. Traditional versions "La Bamba" is a classic example of the ''son jarocho'' musical style, which originated in the Mexican state of Veracruz, and combines Spanish, indigenous, and African musical elements. The song is typically played on one or two arpa jarochas (harps) along with guitar relatives the jarana jarocha and the requinto jarocho. Lyrics to the song vary greatly, as performers often improvise verses while performing. However, versions such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuel Ponce
Manuel María Ponce Cuéllar (8 December 1882 – 24 April 1948) was a Mexican composer active in the 20th century. His work as a composer, music educator and scholar of Mexican music connected the concert scene with a mostly forgotten tradition of popular song and Mexican folklore. Many of his compositions are strongly influenced by the harmonies and form of traditional songs. Biography Early years Born in Fresnillo, Zacatecas, Manuel Maria Ponce moved with his family to the city of Aguascalientes only a few weeks after his birth and lived there until he was 15 years old. He was famous for being a musical prodigy; according to his biographers, he was barely four years of age when, after having listened to the piano classes received by his sister, Josefina, he sat in front of the instrument and interpreted one of the pieces that he had heard. Immediately, his parents had him receive classes in piano and musical notation. Traveling years In 1901 Ponce entered the Nati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Domínguez (songwriter)
Alberto Domínguez may refer to: *Alberto Domínguez (songwriter) Alberto Domínguez may refer to: * Alberto Domínguez (songwriter) (1911-1975), Mexican songwriter * Alberto Domínguez (rower) (born 1978), Spanish rower * Alberto Domínguez (footballer) (born 1988), Spanish footballer {{hndis, Domínguez, Al ... (1911-1975), Mexican songwriter * Alberto Domínguez (rower) (born 1978), Spanish rower * Alberto Domínguez (footballer) (born 1988), Spanish footballer {{hndis, Domínguez, Alberto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frenesí
"Frenesí" is a musical piece originally composed by Alberto Domínguez Borrás for the marimba, and adapted as a jazz standard by Leonard Whitcup and others. Background The word ''frenesí'' is Spanish for "frenzy". Artie Shaw recording A hit version recorded by Artie Shaw and His Orchestra (with an arrangement by William Grant Still) reached number one on the ''Billboard'' pop chart on December 21, 1940, staying for 13 weeks, and was inducted into the Grammy Hall of Fame in 1982. Cover versions Other performers who have recorded the song include: *Julie London * Les Brown *Dave Brubeck on his 1967 album, '' Bravo! Brubeck!'' *Betty Carter *June Christy *Natalie Cole *Ray Charles *Bing Crosby *Tommy Dorsey *The Four Freshmen *Eydie Gorme *Woody Herman *Earl Hines *Harry James *Ben E. King *Steve Lawrence *Billy May *Glenn Miller *Anita O'Day * Perez Prado *Cliff Richard *Linda Ronstadt *Jack Emblow, *Pat Suzuki *Frank Sinatra *Three X Sisters vocals with the Watson O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allá En El Rancho Grande (song)
"Allá en el Rancho Grande" is a Mexican song. It was written in the 1920s for a musical theatrical work, but now is most commonly associated with the eponymous 1936 Mexican motion picture ''Allá en el Rancho Grande'', in which it was sung by renowned actor and singer Tito Guízar and with mariachis. Bing Crosby recorded the song on April 3, 1939 as "El Rancho Grande" and it reached the No. 6 spot in the charts during a ten-week stay in 1939. Crosby recorded the song again in 1954 for the album Bing: A Musical Autobiography. The song was featured in the film '' Mexicali Rose'' (1939) starring Gene Autry. Autry also made a commercial recording of the song. Others to record the song are Al Bowlly (as "Give Me My Ranch"), Artie Shaw, Dave Brubeck (on his ''Bravo! Brubeck!'' album) and Dean Martin (on his ''Dino Latino'' album). In 1958 the song was covered by Rex Allen on his album ''Mister Cowboy'' on the Decca record label. Elvis Presley sang the song when playing around at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nat Simon
Nat Simon (6 August 1900, in Newburgh, New York – 1979) was an American composer, pianist, bandleader and songwriter. From the 1930s to 1950s his songs were used in over 20 films. Between 1931 and 1940 he also took part in the musical Vaudeville revue '' Songwriters on Parade'', which featured hit songwriters of the day. It was considered one of the last Vaudevillian forays of this type. Nat's daughter, Sally Simon Meisel, who sang vocals was an integral part of his live performances as heard on this 1945 session from New York Public Radio. https://www.wnyc.org/story/the-music-of-tin-pan-alley/ Songs * Poinciana, 1936 * "The Old Lamp-Lighter", 1946 * "The Mama Doll Song", 1954? * "Sandy's Tune" (from ''That Bad Eartha''), 1954 * "Istanbul (Not Constantinople)", 1930s? 1953?Composer-Song-Little Curley Hair in the High Chair-1950 * "No Can Do" from the Copacabana Revue with Charlie Tobias 1945, recorded by Guy Lombardo, Erwin Halletz Erwin Halletz (Vienna, 12 July 1923 – 27 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Bernier
Henry 'Buddy' Bernier (April 21, 1910 – June 18, 1983) was an American lyricist born in Watertown, New York, who was mainly active during the 1940s and 1950s. He came from a show business family and had two sisters, Daisy and Peggy who were each a singer and actress respectively. His mother Margaret was also a singer and dancer. He was enlisted into the armed forces in April 1941 and served a corporal of the Lincoln Army Air Field before his discharge in March 1946. He died in June 1983 at the age of 73 due to alcoholic cardiomyopathy. Career Songwriter Among his earliest successes came in 1935, when he had a hit with the song "I Haven't Got A Hat". In 1937, he was credited with being responsible for a sudden dance craze named the "Big Apple", after being inspired by reading a newspaper clipping which mentioned a southern dance type around the floor in an apple shape. Bernier wrote a song about it, naming it "The Big Apple", which shot to the top of the Hit parade and "engulfed th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poinciana (song)
"Poinciana" is a song by Nat Simon with lyrics by Buddy Bernier written in 1936. Background The song has been identified as a development of a Cuban folk song entitled "La Canción del Árbol" whose title translates as "the song of the tree", the royal poinciana being a favorite Caribbean flowering plant. However composer Nat Simon would claim the song's tune came to him while he was dining at Manhattan Theater District restaurant Leone's, and that he jotted down a rough draft of the melody on his table's cloth which - with Leone's permission - he took home to work out the completed melody at his piano. Lyrics for the song were completed in about thirty minutes by Buddy Bernier, who cited as his inspiration a postcard of a royal Poinciana tree he'd recently received from Florida. Reportedly "Poinciana" was largely overlooked for several years being somewhat longer than a typical contemporary song. Orchestra leader Jerry Wald was a rare early aficionado of the song, and Wald's sho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consuelo Velázquez
Consuelo Velázquez Torres (August 21, 1916 in Ciudad Guzmán, Jalisco – January 22, 2005, Mexico City), also popularly known as Consuelito Velázquez, was a Mexican concert pianist and composer. She was the composer of famous Mexican ballads such as "Bésame mucho", "Amar y vivir", and " Cachito". Beginning Years Originally from Ciudad Guzmán, Mexico, she was the youngest of five daughters born to the soldier and poet Isaac Velázquez de Valle and his wife, María de Jesús Torres Ortíz. At four years old she started to demonstrate a good ear and an aptitude for music, and at barely six years old she began studying music and piano at the Académia de Música Serratos in Guadalajara. After several years of study, when she was eleven, she moved to Mexico City, where she continued her studies and obtained a degree in teaching music and concert piano at the National Conservatory of Music. Her first public concert was held in the Palacio de Bellas Artes in the capital, and soon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_(cropped).jpg "Click for more on -> Consuelo Velázquez")