Brass Shout
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Brass Shout
''Brass Shout'' is an album by trumpeter Art Farmer, featuring a brass ensemble arranged and conducted by Benny Golson. Recorded in 1959, the album was originally released on the United Artists label.Art Farmer discography
accessed June 19, 2012


Recording

The album was recorded in Nola Studies in .


Reception

The review stated: "Golson's well-crafted arrangements back Farmer's superb solos with flair".Dryden, K

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Art Farmer
Arthur Stewart Farmer (August 21, 1928 – October 4, 1999) was an American jazz trumpeter and flugelhorn player. He also played flumpet, a trumpet–flugelhorn combination especially designed for him. He and his identical twin brother, double bassist Addison Farmer, started playing professionally while in high school. Art gained greater attention after the release of a recording of his composition "Farmer's Market" in 1952. He subsequently moved from Los Angeles to New York, where he performed and recorded with musicians such as Horace Silver, Sonny Rollins, and Gigi Gryce and became known principally as a bebop player. As Farmer's reputation grew, he expanded from bebop into more experimental forms through working with composers such as George Russell and Teddy Charles. He went on to join Gerry Mulligan's quartet and, with Benny Golson, to co-found the Jazztet. Continuing to develop his own sound, Farmer switched from trumpet to the warmer flugelhorn in the early 1960s, and ...
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Moanin' (song)
"Moanin'" is a composition by Bobby Timmons, first recorded by Art Blakey's band the Jazz Messengers for the album of the same titleSeymour, Gene (2005), in Kirchner, Bill (ed.), ''The Oxford Companion to Jazz'', p. 380. Oxford University Press. that was released by Blue Note Records. Composition "Moanin has a call and response melody. One account of its creation was given by Benny Golson, the tenor saxophonist in Blakey's band: Timmons had the opening eight bars, which he often played between tunes, but formed the complete song only after Golson encouraged him to add a bridge. It is played in F minor. Recordings and reception "Moanin was first recorded, by Art Blakey's band the Jazz Messengers, on October 30, 1958. It has been recorded numerous times and has become a jazz standard.Morrison, Nick (October 13, 2009) "Art Blakey: Jazz Messenger, Jazz Mentornpr music.Accessed July 31, 2013. Gary Giddins stated that the song "set the music world on its ear" and that it was "part of ...
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Curtis Fuller
Curtis DuBois Fuller (December 15, 1932May 8, 2021) was an American jazz trombonist. He was a member of Art Blakey's Jazz Messengers and contributed to many classic jazz recordings. Early life Fuller was born in Detroit on December 15, 1932. His father had emigrated from Jamaica and worked in a Ford automobile factory, but he died from tuberculosis before his son was born. His mother, who had moved north from Atlanta, died when he was 9. He spent several years in an orphanage run by Jesuits. He developed a passion for jazz after one of the nuns there brought him to see Illinois Jacquet and his band perform, with J. J. Johnson on trombone. Fuller attended a public school in his hometown, together with Paul Chambers, Donald Byrd, Tommy Flanagan, Thad Jones, and Milt Jackson. There, he took up the trombone when he was sixteen, after attempting the violin and with the saxophone (his next choice) being unavailable. He studied under Johnson and Elmer James. Career Fuller joined ...
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Jimmy Cleveland
James Milton Cleveland (May 3, 1926 – August 23, 2008) was an American jazz trombonist born in Wartrace, Tennessee.Jazztimes
Cleveland was signed by EmArcy Records in 1955. Cleveland was married to jazz vocalist Janet Thurlow. He died on August 23, 2008, in , at the age of 82. He was buried beside his wife at

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French Horn
The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a list of horn players, horn player or hornist. Pitch is controlled through the combination of the following factors: speed of air through the instrument (controlled by the player's lungs and thoracic diaphragm); diameter and tension of lip aperture (by the player's lip muscles—the embouchure) in the mouthpiece; plus, in a modern horn, the operation of Brass instrument valve, valves by the left hand, which route the air into extra sections of tubing. Most horns have lever-operated rotary valves, but some, especially older horns, use piston valves (similar to a trumpet's ...
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Julius Watkins
Julius Watkins (October 10, 1921 – April 4, 1977) was an American jazz musician who played French horn. Described by AllMusic as "virtually the father of the jazz French horn", Watkins won the ''Down Beat'' critics poll in 1960 and 1961 for Miscellaneous Instrument. Life and career Watkins was born in Detroit, Michigan, United States. He began playing the French horn when he was nine years old. Watkins began his career in jazz playing the trumpet in the Ernie Fields Orchestra from 1943 to 1946. By the late 1940s, he had played some French horn solos on recording sessions led by Kenny Clarke and Babs Gonzales. After moving to New York City, Watkins studied for three years at the Manhattan School of Music. He started appearing in small-group jazz sessions, including two led by Thelonious Monk, featuring on "Friday the 13th" on the album ''Thelonious Monk and Sonny Rollins'' (1954). Watkins recorded with many other jazz musicians, including John Coltrane, Freddie Hubbard, Charle ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Ernie Royal
Ernest Andrew Royal (June 2, 1921 in Los Angeles, California – March 16, 1983 in New York City) was a jazz trumpeter. His older brother was clarinetist and alto saxophonist Marshal Royal, with whom he appears on the classic Ray Charles big band recording '' The Genius of Ray Charles'' (1959). Career He began in Los Angeles as a member of Les Hite's Orchestra in 1937. In the following 20 years he would work with Lionel Hampton, Woody Herman, Count Basie, Duke Ellington, Wardell Gray, Stan Kenton and recording as a member of the Charles Mingus Octet, with Teo Macero, John Lewis and Kenny Clarke, among others, in 1953. He led ten albums, most of them recorded in Paris. In 1957 he became a staff musician for the American Broadcasting Company. He went on to play in The Tonight Show Band and can be heard on the Miles Davis albums '' Miles Ahead'' (1957), ''Porgy and Bess'' (1958), and ''Sketches of Spain'' (1960). Death A resident of Teaneck, New Jersey, Royal died of cancer at a ...
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Lee Morgan
Edward Lee Morgan (July 10, 1938 – February 19, 1972) was an American jazz trumpeter and composer. One of the key hard bop musicians of the 1960s, Morgan came to prominence in his late teens, recording on John Coltrane's '' Blue Train'' (1957) and with the band of drummer Art Blakey before launching a solo career. Morgan stayed with Blakey until 1961 and started to record as leader in the late '50s. His song "The Sidewinder", on the album of the same name, became a surprise crossover hit on the pop and R&B charts in 1964, while Morgan's subsequent recordings found him touching on other styles of music such as post-bop and avant-garde jazz as his artistry matured. Soon after ''The Sidewinder'' was released, Morgan rejoined Blakey for a short period. After leaving Blakey for the final time, Morgan continued to work prolifically as both a leader and a sideman with the likes of Hank Mobley and Wayne Shorter, becoming a cornerstone of the Blue Note label. Morgan died at the a ...
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Ned Washington
Ned Washington (born Edward Michael Washington, August 15, 1901 – December 20, 1976) was an American lyricist born in Scranton, Pennsylvania. Life and career Washington was nominated for eleven Academy Awards from 1940 to 1962. He won the Best Original Song award twice: in 1940 for " When You Wish Upon a Star" in ''Pinocchio'' and in 1952 for " High Noon (Do Not Forsake Me, Oh My Darlin')" in '' High Noon''. Washington had his roots in vaudeville as a master of ceremonies. Having started his songwriting career with ''Earl Carroll's Vanities'' on Broadway in the late 1920s, he joined the ASCAP in 1930. In 1934, he was signed by MGM and relocated to Hollywood, eventually writing full scores for feature films. During the 1940s, he worked for a number of studios, including Paramount, Warner Brothers, Disney, and Republic. During these tenures, he collaborated with many of the great composers of the era, including Hoagy Carmichael, Victor Young, Max Steiner, and Dimitri Tiomkin. ...
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Victor Young
Albert Victor Young (August 8, 1899– November 10, 1956)"Victor Young, Composer, Dies of Heart Attack", ''Oakland Tribune'', November 12, 1956. was an American composer, arranger, violinist and conductor. Biography Young is commonly said to have been born in Chicago on August 8, 1900, but according to Census data and his birth certificate, his birth year is 1899. His grave marker shows his birth year as 1901. He was born into a very musical Jewish family, his father being a tenor with Joseph Sheehan's touring opera company. After his mother died, his father abandoned the family. The young Victor, who had begun playing violin at the age of six, and was sent to Poland when he was ten to stay with his grandfather and study at Warsaw Imperial Conservatory (his teacher was Polish composer Roman Statkowski), achieving the Diploma of Merit. He studied the piano with Isidor Philipp of the Paris Conservatory. While still a teenager he embarked on a career as a concert violinist with th ...
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