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Bowie Legacy
''Legacy (The Very Best of David Bowie)'' (also known as ''Legacy'') is a greatest hits album by English musician David Bowie, released on 11 November 2016 through Sony Music Entertainment in the US and Warner Music Group in the UK and several territories. The album's contents are mostly identical to the two-disc edition of Bowie's previous greatest hits album ''Nothing Has Changed'' (2014). "Love Is Lost" and "Sue (Or in a Season of Crime)", which were present on ''Nothing Has Changed'', are replaced by three new selections: " Lazarus" and " I Can't Give Everything Away", both from Bowie's final studio album ''Blackstar'' (2016), and the radio edit of the '' Heathen'' song " Slow Burn" (which also appears on the three-disc version of ''Nothing Has Changed''). Additionally, a new mix of "Life on Mars?" by Ken Scott, the song's original co-producer, replaces the original version from ''Hunky Dory ''Hunky Dory'' is the fourth studio album by English musician David Bowie, rele ...
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David Bowie
David Robert Jones (8 January 194710 January 2016), known professionally as David Bowie ( ), was an English singer-songwriter and actor. A leading figure in the music industry, he is regarded as one of the most influential musicians of the 20th century. Bowie was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft had a significant impact on popular music. Bowie developed an interest in music from an early age. He studied art, music and design before embarking on a professional career as a musician in 1963. "Space Oddity", released in 1969, was his first top-five entry on the UK Singles Chart. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust (character), Ziggy Stardust. The character was spearheaded by the success of Bowie's single "Starman (song), Starma ...
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Heathen (David Bowie Album)
''Heathen'' (stylised as ''uǝɥʇɐǝɥ'') is the 23rd studio album by English musician David Bowie, originally released in Europe on 10 June 2002, and the following day in America. His first release through his own ISO label, it reunited Bowie with producer Tony Visconti for the two's first full-album collaboration since 1980. Recording took place at New York studios from August 2001 to January 2002 and featured guest musicians, including Dave Grohl and Pete Townshend. Two tracks, "Afraid" and "Slip Away", evolved from Bowie's shelved ''Toy'' project, while three were covers of songs by Pixies, Neil Young and the Legendary Stardust Cowboy. Musically, ''Heathen'' displays an art rock and art pop sound reminiscent of Bowie's 1970s works. The spiritual lyrics, reflected in the artwork and packaging, were based on his accumulated feelings of dread, thoughts on ageing and hopes for a better future for his newborn daughter. Commentators interpreted some tracks, particularly " ...
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The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
''The Rise and Fall of Ziggy Stardust and the Spiders from Mars'' (often shortened to ''Ziggy Stardust'') is the fifth studio album by English musician David Bowie, released on 16June 1972 in the United Kingdom through RCA Records. It was co-produced by Bowie and Ken Scott and features Bowie's backing band the Spiders from Mars, comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. Most of the songs were written around the same time as Bowie's previous album ''Hunky Dory'' (1971). After that album was completed, recording for ''Ziggy Stardust'' commenced in November 1971 at Trident Studios in London, with further sessions in early February 1972. Described as a loose concept album and rock opera, ''Ziggy Stardust'' concerns Bowie's titular alter ego Ziggy Stardust, a fictional androgynous and bisexual rock star who is sent to Earth as a saviour before an impending apocalyptic disaster. In its story, Ziggy wins the hearts of fans but suffers a fall from grace after succumb ...
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Starman (song)
"Starman" is a song by English musician David Bowie. It was released on 28 April 1972 by RCA Records as the lead single of his fifth studio album ''The Rise and Fall of Ziggy Stardust and the Spiders from Mars''. Co-produced by Ken Scott, Bowie recorded the song on 4 February 1972 at Trident Studios in London with his backing band known as the Spiders from Mars – comprising guitarist Mick Ronson, bassist Trevor Bolder and drummer Mick Woodmansey. The song was a late addition to the album, written as a direct response to RCA's request for a single; it replaced the Chuck Berry cover " Round and Round" on the album. The lyrics describe Ziggy Stardust bringing a message of hope to Earth's youth through the radio, salvation by an alien 'Starman'. The chorus is inspired by " Over the Rainbow", sung by Judy Garland, while other influences include T. Rex and the Supremes. Upon release, "Starman" sold favorably and earned positive reviews. Following Bowie's performance of the song on ...
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Oh! You Pretty Things
"Oh! You Pretty Things" is a song written by English singer-songwriter David Bowie, released on his 1971 album ''Hunky Dory''. It was the first song he wrote for the album. Bowie recorded the song as a demo before giving it to singer Peter Noone, lead singer of Herman's Hermits, who decided to release it as his debut solo single. Featuring Bowie on piano, Noone's recording was produced by Mickie Most and featured structural and lyrical differences from Bowie's later version. Released by RAK Records in April 1971 under the title "Oh! You Pretty Thing", the single peaked at number 12 in the UK, becoming Bowie's biggest success as a songwriter since his own single "Space Oddity" two years earlier. Bowie recorded his own version at Trident Studios in London during the sessions for ''Hunky Dory'' between June and July 1971. Co-produced by Bowie and Ken Scott, it featured the musicians who would later become known as the Spiders from Mars: guitarist Mick Ronson, bassist Trevor Bolde ...
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Changes (David Bowie Song)
"Changes" is a song by English singer-songwriter David Bowie, originally released on his 1971 album ''Hunky Dory''. RCA Records then released it as a single from the album on 7 January 1972. Written following his promotional tour of America in early 1971, "Changes" was recorded at Trident Studios in London between June and July that year. Co-produced by Bowie and Ken Scott, it featured Strawbs member Rick Wakeman on piano and the musicians who would later become known as the Spiders from Mars: guitarist Mick Ronson, bassist Trevor Bolder and drummer Mick Woodmansey. The song also marks the first instance of Bowie playing the saxophone on one of his recordings. At this point in his career, Bowie had experimented with numerous musical styles, all of which failed to earn him stardom. The lyrics of "Changes" reflect this, with the first verse focusing on the compulsive nature of artistic reinvention and distancing oneself from the rock mainstream. The second verse concerns clashes ...
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The Man Who Sold The World (album)
The Man Who Sold the World may refer to: * ''The Man Who Sold the World'' (album), a 1970 album by David Bowie ** "The Man Who Sold the World" (song), the album's title track * "The Man Who Sold the World" (''Life on Mars''), 2008 episode of ''Life on Mars'' * "The Man Who Sold the World" (''Holby City''), 2017 episode of ''Holby City'' {{DEFAULTSORT:Man Who Sold the World, The ...
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The Man Who Sold The World (song)
"The Man Who Sold the World" is a song by English singer-songwriter David Bowie. The title track of Bowie's third studio album, it was released in November 1970 in the US and in April 1971 in the UK by Mercury Records. Produced by Tony Visconti, it was recorded at Trident and Advision Studios in London in May 1970, towards the end of the album's sessions; Bowie recorded his vocal on the final day of mixing for the album, reflecting his generally dismissive attitude during the sessions. Musically, it is based around a "circular" guitar riff from Mick Ronson. Its lyrics are cryptic and evocative, being inspired by numerous poems including the 1899 "Antigonish" by William Hughes Mearns. Bowie's vocals are heavily "phased" throughout and have been described as "haunting". "The Man Who Sold the World" went relatively unnoticed upon initial release in 1970. It was not released as a single by Bowie, though appeared as a B-side on the 1973 reissues of "Space Oddity" in the US and "Life ...
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David Bowie (1969 Album)
''David Bowie'' (commonly known as ''Space Oddity'') is the second studio album by English musician David Bowie. After the commercial failure of his 1967 self-titled debut album, Bowie acquired a new manager, Kenneth Pitt, who commissioned a promotional film in hopes of widening the artist's audience. For the film, Bowie wrote a new song, titled "Space Oddity", a tale about a fictional astronaut. The song earned Bowie a contract with Mercury Records, who agreed to finance production of a new album, with Pitt hiring Tony Visconti to produce. Due to his dislike of the song, Visconti appointed engineer Gus Dudgeon to produce a re-recording for release as a lead single, while he produced the rest of the album. Recording for the new album began in June 1969 and continued until early October, at Trident Studios in London. It featured an array of collaborators, including Herbie Flowers, Rick Wakeman, Terry Cox and the band Junior's Eyes. Departing from the music hall style of Bowie' ...
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Space Oddity
"Space Oddity" is a song by English singer-songwriter David Bowie. It was first released on 11 July 1969 by Philips Records as a 7-inch single, then as the opening track of his second studio album ''David Bowie''. After the commercial failure of his self-titled debut album in 1967, Bowie's manager Kenneth Pitt commissioned '' Love You till Tuesday'', a promotional film intended to introduce Bowie to a larger audience. For the film, Bowie wrote "Space Oddity", a tale about a fictional astronaut named Major Tom; its title and subject matter were partly inspired by Stanley Kubrick's '' 2001: A Space Odyssey'' (1968) and Bowie's feelings of alienation at that point in his career. One of the most musically complex songs Bowie had written up to that point, it represented a change from the music hall-influenced sound of his debut to a sound akin to psychedelic folk and inspired by the Bee Gees. "Space Oddity" was demoed in early 1969 before the ''Love You till Tuesday'' ve ...
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Hunky Dory
''Hunky Dory'' is the fourth studio album by English musician David Bowie, released on 17December 1971 through RCA Records. Following the release of his 1970 album, '' The Man Who Sold the World'', Bowie took time off from recording and touring. He settled down to write new songs, composing on piano rather than guitar as on earlier tracks. Following a tour of the United States, Bowie assembled a new backing band consisting of guitarist Mick Ronson, bassist Trevor Bolder and drummer Mick Woodmansey, and began to record a new album in mid-1971 at Trident Studios in London. Future Yes member Rick Wakeman contributed on piano. Bowie co-produced the album with Ken Scott, who had engineered Bowie's previous two records. Compared to the guitar-driven hard rock sound of ''The Man Who Sold the World'', Bowie opted for a warmer, more melodic piano-based pop rock and art pop style on ''Hunky Dory''. His lyrical concerns on the record range from the compulsive nature of artistic reinventi ...
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Ken Scott
Ken Scott (born 20 April 1947) is a British record producer and engineer known for being one of the five main engineers for the Beatles, as well as engineering Elton John, Pink Floyd, Procol Harum, Mahavishnu Orchestra, Duran Duran, the Jeff Beck Group and many more. As a producer, Scott is noted for his work with David Bowie, Supertramp, Devo, Kansas, the Tubes, Ronnie Montrose, Level 42, Missing Persons, among others. Scott was also influential in the evolution of jazz rock, pioneering a harder rock sound through his work with Mahavishnu Orchestra, Stanley Clarke, Billy Cobham, Dixie Dregs, Happy The Man, and Jeff Beck. Career Early years Scott was born in South London, and grew up listening to 78 rpm records of artists like Elvis Presley, Bill Haley, and Eddie Cochran on a wind-up gramophone. In 1959 at the age of 12, he received a tape recorder which he used to record material from the BBC Light Programme ''Pick of the Pops'', but it was an episode of ''Here Come th ...
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