Bow Porcelain
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Bow Porcelain
The Bow porcelain factory (active c. 1747–64 and closed in 1776) was an emulative rival of the Chelsea porcelain factory in the manufacture of early soft-paste porcelain in Great Britain. The two London factories were the first in England. It was originally located near Bow, in what is now the London Borough of Tower Hamlets, but by 1749 it had moved to "New Canton", sited east of the River Lea, and then in Essex, now in the London Borough of Newham. Designs imitated imported Chinese and Japanese porcelains and the wares being produced at Chelsea, at the other end of London. From about 1753, Meissen figures were copied, both directly and indirectly through Chelsea. Quality was notoriously uneven; the warm, creamy body of Bow porcelains is glassy and the glaze tends towards ivory. The paste included bone ash, and Bow figures were made by pressing the paste into moulds, rather than the slipcasting used at Chelsea. Bow appears to have been the largest English factory of its per ...
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Parrot MET DP252735 (cropped)
Parrots, also known as psittacines (), are birds of the roughly 398 species in 92 genus (biology), genera comprising the order (biology), order Psittaciformes (), found mostly in tropics, tropical and subtropics, subtropical regions. The order is subdivided into three superfamilies: the true parrot, Psittacoidea ("true" parrots), the Cockatoo, Cacatuoidea (cockatoos), and the New Zealand parrot, Strigopoidea (New Zealand parrots). One-third of all parrot species are threatened by extinction, with higher aggregate extinction risk (Red List Index, IUCN Red List Index) than any other comparable bird group. Parrots have a generally pantropical distribution with several species inhabiting temperateness, temperate regions in the Southern Hemisphere, as well. The greatest biodiversity, diversity of parrots is in South America and Australasia. Characteristic features of parrots include a strong, curved beak, bill, an upright stance, strong legs, and clawed Dactyly#In birds, zygodactyl f ...
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Japanese Export Porcelain
Japanese export porcelain includes a wide range of porcelain that was made and decorated in Japan primarily for export to Europe and later to North America, with significant quantities going to south and southeastern Asian markets. Production for export to the West falls almost entirely into two periods, firstly between the 1650s and 1740s, and then the period from the 1850s onwards. The wares produced are a complex and varying mixture of styles, based on Chinese porcelain, the local Japanese pottery and porcelain (itself much influenced by Korean porcelain), and European styles and tastes. Often the shapes were dictated by the export markets, but the decoration was predominantly East Asian in style, although quite often developed from Dutch imitations of Chinese pieces. In the first period the great majority of the wares were produced in the area of Arita, in the old Hizen Province and are covered by the terms Arita ware (or Hizen ware), Imari ware and Kakiemon, all of which ha ...
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James Wolfe
James Wolfe (2 January 1727 – 13 September 1759) was a British Army officer known for his training reforms and, as a Major-general (United Kingdom), major general, remembered chiefly for his victory in 1759 over the Kingdom of France, French at the Battle of the Plains of Abraham in Quebec. The son of a distinguished general, Edward Wolfe, he received his first commission at a young age and saw extensive service in Europe during the War of the Austrian Succession. His service in Flanders and in Scotland, where he took part in the suppression of the Jacobite Rebellion (1745), Jacobite Rebellion, brought him to the attention of his superiors. The advancement of his career was halted by the Treaty of Aix-la-Chapelle (1748), Peace Treaty of 1748 and he spent much of the next eight years on garrison duty in the Scottish Highlands. Already a brigade major at the age of 18, he was a lieutenant-colonel by 23. The outbreak of the Seven Years' War in 1756 offered Wolfe fresh opportun ...
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William Duesbury
William Duesbury (1725–1786) was an English Vitreous enamel, enameller, in the sense of a painter of porcelain, who became an important porcelain entrepreneur, founder of the Royal Crown Derby and owner of porcelain factories at Bow porcelain factory, Bow, Chelsea porcelain factory, Chelsea, Derby porcelain, Derby and Longton Hall. Biography Duesbury was born on 7 September 1725. to William Duesbury, currier, of Cannock in Staffordshire. Around 1742 he was working as an "enameller" China painting, painting china in London, where he remained until 1753; he decorated Chelsea porcelain and perhaps other wares. Subsequently, between 1754 and 1755, he lived and worked in Longton Hall, where his father lived and where there was a small china works. On 1 January 1756 he moved with his father to Derby having acquired a share in the Derby potworks on Cockpit Hill with his new partners John Heath and Andrew Planche (1728–1805) a talented French Huguenot potter. Planche did not ...
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David Garrick
David Garrick (19 February 1717 – 20 January 1779) was an English actor, playwright, theatre manager and producer who influenced nearly all aspects of European theatrical practice throughout the 18th century, and was a pupil and friend of Samuel Johnson. He appeared in a number of amateur theatricals, and with his appearance in the title role of Shakespeare's '' Richard III'', audiences and managers began to take notice. Impressed by his portrayals of Richard III and a number of other roles, Charles Fleetwood engaged Garrick for a season at the Theatre Royal, Drury Lane in the West End. He remained with the Drury Lane company for the next five years and purchased a share of the theatre with James Lacy. This purchase inaugurated 29 years of Garrick's management of the Drury Lane, during which time it rose to prominence as one of the leading theatres in Europe. At his death, three years after his retirement from Drury Lane and the stage, he was given a lavish public funeral ...
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Kitty Clive
Catherine Clive (née Raftor; 5 November 1711 – 6 December 1785) Catherine ‘Kitty’ Clive (1711-1785, active 1728-1769) was a first songster and star comedienne of British playhouse entertainment. Clive led and created new forms of English musical theatre. She was celebrated both in high-style parts – singing, for instance, Handel’s music for her in ''Messiah'', ''Samson'', and ''The Way of the World'' – and in low-style ballad opera roles. Her likeness was printed and traded in unprecedented volume. She championed women’s rights throughout her career. An image crisis in the late 1740s forced Clive to quit serious song and instead lampoon herself on stage. Though this self-ridicule won Clive public favour back, and she reigned as first comedienne until her retirement in 1769, the strategy’s very success caused her musical legacy to be slighted and forgotten. A definitive biography of Clive by Berta Joncus appeared in 2019.
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Michael Rysbrack
Johannes Michel or John Michael Rysbrack, original name Jan Michiel Rijsbrack, often referred to simply as Michael Rysbrack (24 June 1694 – 8 January 1770), was an 18th-century Flemish sculptor, who spent most of his career in England where he was one of the foremost sculptors of monuments, architectural decorations and portraits in the first half of the 18th century. His style combined the Flemish Baroque with Classical influences. He operated an important workshop whose output left an important imprint on the practice of sculpture in England.Robert Williams and Katharine Eustace, ''Rysbrack family [Rysbraeck
' at Grove Art Online Accessed 25 March 2021


Family background and early life

Rysbrack was born on 24 June 1694 in
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John Bacon (sculptor, Born 1740)
John Bacon (24 November 1740 – 7 August 1799) was a British sculptor who worked in the late 18th century. Bacon has been reckoned the founder of the British School of sculpture. He won numerous awards, held the esteem of George III, and examples of his works adorn St Paul's Cathedral and Westminster Abbey in London, Christ Church, Oxford, Pembroke College, Oxford, Bath Abbey and Bristol Cathedral. Biography John Bacon was born in Southwark on 24 November 1740, the son of Thomas Bacon, a clothworker whose family had formerly held a considerable estate in Somersetshire. At the age of fourteen, John was apprenticed to Mr Crispe's porcelain manufactory at Lambeth, where he was at first employed in painting small ornamental pieces of china. He was swiftly promoted to modeller and used the additional income to support his parents, then in straitened circumstances. Observing the models sent by different eminent sculptors to be fired at the adjoining pottery kiln dete ...
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Joseph Nollekens
Joseph Nollekens R.A. (11 August 1737 – 23 April 1823) was a sculptor from London generally considered to be the finest British sculptor of the late 18th century. Life Nollekens was born on 11 August 1737 at 28 Dean Street, Soho, London, the son of the Flemish painter Josef Frans Nollekens (1702–1748) who had moved from Antwerp to London in 1733. He studied first under another Flemish immigrant in London, the sculptor Peter Scheemakers, before studying and working as an antiques dealer, restorer and copier in Rome from 1760 or 1762. The sculptures he made in Rome included a marble of ''Timocles Before Alexander'', for which he was awarded fifty guineas by the Society of Arts, and busts of Laurence Sterne and David Garrick, who were visiting the city. On his return to London in 1770 he set up as a maker of busts and monuments at 9, Mortimer Street, where he built up a large practice. Although he preferred working on mythological subjects, it was through his portrait bu ...
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Royal Academy
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a decad ...
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Rococo
Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence the other arts, particularly sculpture, furniture, silverware, glassware, painting, music, and theatre. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to its widespread use in ...
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George Michael Moser
George Michael Moser (17 January 1706 – 24 January 1783) was a renowned artist and enameller of the 18th century, father of celebrated floral painter Mary Moser, and, with his daughter, among the founder members of the Royal Academy in 1768. Biography He was the son of Michael Moser, an eminent Swiss engineer and worker in metal. Moser was born in Schaffhausen, Switzerland and trained initially as a coppersmith in Geneva. He later learnt additional skills as a chaser, goldsmith and engraver. He moved to London during the 1720s and married Mary Guynier. Surviving metal works by him include elaborate gold snuffboxes and watch-cases (including movements by noted watchmakers George Philip Strigel and John Ellicott, among others), and silver candlesticks in the Rococo style. He subsequently rose to be head of his profession as a gold-chaser, medallist, and enameller, and was particularly distinguished for the compositions in enamel with which he ornamented the backs of wa ...
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