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Bournonville School
The Bournonville method is a ballet technique and training system devised by the Danish ballet master August Bournonville. Overview August Bournonville trained with his father Antoine Bournonville and other notable French ballet masters. He was heavily influenced by the early French school of ballet, which he preserved in his teaching and choreography, when the traditional French methods began to disappear from European ballet. What is considered today to be the "Bournonville style" is essentially the unfiltered 19th century technique of the French school of classical dance. The technique features very basic use of arms, usually keeping them in preparatoire position. Perpetual use of simple diagonal epaulements. Vocabulary for men is essentially varied forms of beats. Pirouettes are taken with a low developpe into seconde, then from seconde, for outside turns, and with a low developpe into 4th for inside turns. Also common are the dramatic use of fifth position bras en ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet Technique
Ballet technique is the foundational principles of body movement and form used in ballet. It is an important aspect of ballet performance because ballet (especially classical ballet) puts great emphasis on the method and execution of movement., pp. 6-7 & 21. The techniques found in classical ballet are a framework for many other styles of dance, including jazz and contemporary ballet. Aspects of ballet technique include alignment, which refers to keeping the head, shoulders, and hips vertically aligned. Turnout refers to completing movements with legs rotated outward; this promotes clean footwork, graceful ''port de bras'' (movement of the arms), and correct body positions, lines and angles. Other aspects of ballet technique include posture, toe pointing, keeping shoulders down, and pulling up, which combines proper posture and lifting of the muscles to increase turnout and enhance alignment and thus improve the quality of turns. Ballet technique is also used to exhibit '' ballon'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August Bournonville
August Bournonville (21 August 1805 – 30 November 1879) was a Danish ballet master and choreographer. He was the son of Antoine Bournonville, a dancer and choreographer trained under the French choreographer, Jean Georges Noverre, and the nephew of Julie Alix de la Fay, née Bournonville, of the Royal Swedish Ballet. Bournonville was born in Copenhagen, Denmark, where his father had settled. He trained with his father Antoine Bournonville as well he studied under the Italian choreographer Vincenzo Galeotti at the Royal Danish Ballet, Copenhagen, and in Paris, France, under French dancer Auguste Vestris. He initiated a unique style in ballet known as the Bournonville School. Following studies in Paris as a young man, Bournonville became solo dancer at the Royal Ballet in Copenhagen. From 1830 to 1848 he was choreographer for the Royal Danish Ballet, for which he created more than 50 ballets admired for their exuberance, lightness and beauty. He created a style which, althoug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Bournonville
Antoine Bournonville (19 May 1760 – 11 January 1843) was a French ballet dancer a choreographer, active in the Royal Swedish Ballet and the Royal Danish Ballet and eventually ballet master in the latter. He is considered to have played a great role in the development of the ballet in Scandinavia. He was the father of August Bournonville. Early life Bournonville was the son of the actors Louis-Amable Bournonville and Jeanne Evrard, born as the twin of his brother Guillame. He became the student of Noverre in 1769, at the age of nine, and toured in Vienna, Paris and London before he was employed in the Royal Swedish Ballet at the Royal Swedish Opera in Stockholm with his sister Julie Alix de la Fay in 1782. Career Sweden Bournonville was premier dancer and ballet instructor at the Royal Swedish Opera in Stockholm until 1792. During his time in Sweden, he was described as beautiful as Apollo: "His appearance was that of a true Apollo. On top of that he had a form of virtu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glossary Of Ballet
Because ballet became formalized in France, a significant part of ballet terminology is in the French language. A À la seconde () (Literally "to second") If a step is done "à la seconde," it is done to the side. 'Second position'. It can also be a balance extending one foot off the ground in ‘Second Position’. À la quatrième () One of the directions of body, facing the audience (''en face''), arms in second position, with one leg extended either to fourth position in front (''quatrième devant'') or fourth position behind (''quatrième derrière''). À terre () Touching the floor; on the floor. Adagio Italian, or French ''adage'', meaning 'slowly, at ease.' # Slow movements performed with fluidity and grace. # One of the typical exercises of a traditional ballet class, done both at barre and in center, featuring slow, controlled movements. # The section of a ''grand pas'' (e.g., '' grand pas de deux''), often referred to as ''grand adage'', that features dance partne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pirouette
In dance and gymnastics, a turn is a rotation of the body about the vertical axis. It is usually a complete rotation of the body, although quarter (90°) and half (180°) turns are possible for some types of turns. Multiple, consecutive turns are typically named according to the number of 360° rotations (e.g., ''double'' or ''triple'' turn). There are many types of turns, which are differentiated by a number of factors. The performer may be supported by one or both legs or be airborne during a turn. When supported by one leg, that leg is known as the ''supporting'' leg and the other as the ''free'', ''raised'', or ''working'' leg. During airborne turns, the first leg to leave the floor is the ''leading'' leg. Trunk, arm and head positions can vary, and in turns with one supporting leg, the free leg may be straight or bent. Turns can begin in various ways as well. For example, ballet turns may begin by rising to '' relevé'' (supported on the ball of the foot) or by stepping direc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bras En Bas
A broadband remote access server (BRAS, B-RAS or BBRAS) routes traffic to and from broadband remote access devices such as digital subscriber line access multiplexers (DSLAM) on an Internet service provider's (ISP) network. BRAS can also be referred to as a broadband network gateway or border network gateway (BNG).{{cite web, title=TR-101 Migration to Ethernet-Based DSL Aggregation, url=https://www.broadband-forum.org/technical/download/TR-101_Issue-2.pdf, website=Broadband Forum, accessdate=12 April 2018 The BRAS sits at the edge of an ISP's core network, and aggregates user sessions from the access network. It is at the BRAS that an ISP can inject policy management and IP quality of service (QoS). The specific tasks include: * Aggregates the circuits from one or more link access devices such as DSLAMs * Provides layer 2 connectivity through either transparent bridging or PPP sessions over Ethernet or ATM sessions * Enforces QoS policies * Provides layer 3 connectivity and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pointe Derriere
Pointe technique ( ) is the part of classical ballet technique that concerns ''pointe work'', in which a ballet dancer supports all body weight on the tips of fully extended feet within pointe shoes. A dancer is said to be ''en pointe'' () when the dancer's body is supported in this manner, and a fully extended vertical foot is said to be ''en pointe'' when touching the floor, even when not bearing weight. Pointe technique resulted from a desire for female dancers to appear weightless and sylph-like. Although both men and women are capable of pointe work, it is most often performed by women. Extensive training and practice are required to develop the strength and technique needed for pointe work. Typically, dance teachers consider factors such as age, experience, strength and alignment when deciding whether to allow a dancer to begin pointe work. Technique Pointe technique encompasses both the mechanical and artistic aspects of pointe work. In particular, it is concerned wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erik Bruhn
Erik Belton Evers Bruhn (3 October 1928 – 1 April 1986) was a Danish danseur, choreographer, artistic director, actor, and author. Early life Erik Bruhn was born in Copenhagen, Denmark, the fourth child and first son of Ellen (née Evers), owner of a hairdressing salon, and third child of Ernst Bruhn. His parents married shortly before his birth. Bruhn began training with the Royal Danish Ballet when he was nine years old, and made his unofficial début on the stage of Copenhagen's Royal Opera House in 1946, dancing the role of Adonis in Harald Lander's ballet ''Thorvaldsen.'' Career He was taken permanently into the company in 1947 at the age of eighteen. Bruhn took the first of his frequent sabbaticals from the Danish company in 1947, dancing for six months with the short-lived Metropolitan Ballet in England, where he formed his first major partnership, with the Bulgarian ballerina Sonia Arova. He returned to the Royal Danish Ballet in the spring of 1948 and was promoted t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolaj Hübbe
Nikolaj Hübbe (born 30 October 1967) is artistic director of the Royal Danish Ballet. Career Since becoming artistic director of the Royal Danish Ballet, Hübbe has successfully staged new productions of Bournonville's ''Napoli'' (2009) and ''A Folk Tale'' (2011) as well as Marius Petipa's ''La Bayadère'' (2012). Farewell performance Hübbe's farewell at City Ballet was held at the New York State Theater, Lincoln Center, on 10 February 2008. Footnotes Reviews NY Timesby Alastair Macaulay Alastair Macaulay is an English writer and dance critic. He was the chief dance critic for '' The New York Times'' from 2007 until he retired in 2018. He was previously chief dance critic at '' The Times'' and Literary Supplement and chief theater ..., 12 February 2008NY Sun by Joel Lobenthal, 12 February 2008 Interview Reuters, 5 October 2007, ''New Danish ballet chief at home with heritage'' External links Archival footage of Nikolaj Hubbe and Darci Kistler performing Apollo in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johan Kobborg
Johan Kobborg (born 5 June 1972) is a Danish ballet dancer, choreographer, director and visual artist. He is most noted as a ballet dancer, having been a principal dancer with both the Royal Danish Ballet and the Royal Ballet in London, as well as making guest appearances with other ballet companies. Following his departure from the Royal Ballet in 2013, he was the artistic director of the Romanian National Ballet Company until 2016. Early life Johan Kobborg was born in Odense, Denmark into an artistic family; his mother is a former showgirl and actress and his brother is an actor. From a young age, he trained as a tenor, but left singing to take up dancing. Training Kobborg began his professional training at the late age of , attending the Royal Danish Ballet School, where he was tutored in the Bournonville method of classical dance. He graduated in 1991. Professional career After his graduation, Kobborg joined the Royal Danish Ballet and was promoted to the rank of principal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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