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Boston Public Library, McKim Building
The McKim Building is the main branch of the Boston Public Library at Copley Square in Boston, Massachusetts. The building, described upon its 1895 opening as a "palace for the people", contains the library's research collection, exhibition rooms, and administrative offices. The building includes lavish decorations, a children's room (the first in the nation), and a central courtyard surrounded by an arcaded gallery in the manner of a Renaissance cloister. The library regularly displays its rare works, often in exhibits that will combine works on paper, rare books, and works of art. Several galleries in the third floor of the McKim building are maintained for exhibits. History Boston Public Library was founded in 1852. The first Boston Public Library location opened in 1854 in two rooms in the Adams School on Mason Street. Because the Mason Street space was small and poorly lit, a new building opened at 55 Boylston Street in 1858. It cost $365,000 to build and held 70,000 volum ...
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Leon Battista Alberti
Leon Battista Alberti (; 14 February 1404 – 25 April 1472) was an Italian Renaissance humanist author, artist, architect, poet, priest, linguist, philosopher, and cryptographer; he epitomised the nature of those identified now as polymaths. He is considered the founder of Western cryptography, a claim he shares with Johannes Trithemius. Although he often is characterized exclusively as an architect, as James Beck has observed, "to single out one of Leon Battista's 'fields' over others as somehow functionally independent and self-sufficient is of no help at all to any effort to characterize Alberti's extensive explorations in the fine arts". Although Alberti is known mostly for being an artist, he was also a mathematician of many sorts and made great advances to this field during the fifteenth century. The two most important buildings he designed are the churches of San Sebastiano (1460) and Sant'Andrea (1472), both in Mantua. Alberti's life was described in Giorgio Vasari's ' ...
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Bela Pratt
Bela Lyon Pratt (December 11, 1867 – May 18, 1917) was an American sculptor from Connecticut. Life Pratt was born in Norwich, Connecticut, to Sarah (Whittlesey) and George Pratt, a Yale-educated lawyer. His maternal grandfather, Oramel Whittlesey, was a pianoforte maker and founder in 1835 of Music Vale Seminary in Salem, Connecticut, the first music school in the country authorized to confer degrees to teach music. At 16, Pratt began studying at the Yale University School of Fine Arts, where his teachers included John Henry Niemeyer (1839–1932) and John Ferguson Weir (1841–1926). After graduating from Yale, he enrolled at the Art Students League of New York where he took classes from William Merritt Chase (1849–1916), Kenyon Cox (1859–1919), Francis Edwin Elwell (1858–1922), and most important, Augustus Saint-Gaudens (1848–1907), who became his mentor. After a short stint in Saint-Gaudens' private studio, Pratt traveled to Paris, where he trained with sculptors H ...
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John Milton
John Milton (9 December 1608 – 8 November 1674) was an English poet and intellectual. His 1667 epic poem '' Paradise Lost'', written in blank verse and including over ten chapters, was written in a time of immense religious flux and political upheaval. It addressed the fall of man, including the temptation of Adam and Eve by the fallen angel Satan and God's expulsion of them from the Garden of Eden. ''Paradise Lost'' is widely considered one of the greatest works of literature ever written, and it elevated Milton's widely-held reputation as one of history's greatest poets. He also served as a civil servant for the Commonwealth of England under its Council of State and later under Oliver Cromwell. Writing in English, Latin, and Italian, Milton achieved global fame and recognition during his lifetime; his celebrated ''Areopagitica'' (1644), written in condemnation of pre-publication censorship, is among history's most influential and impassioned defences of freedom of spe ...
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Arcades (Milton)
''Arcades'' is a masque written by John Milton and performed on 4 May 1634. The piece was written to celebrate the character of Alice Spencer, the Countess Dowager of Derby, widow of Ferdinando Stanley, 5th Earl of Derby, during her 75th birthday. The masque distinguishes Spencer as having a greater far superior to other noble women by titling Spencer as queen of a metaphorical Arcadia that is far superior to any other realm. The piece served as a basis for Milton's later masque, ''Comus''. Background Spencer's family invited Milton to write a masque for a celebration to honour her on her 75th birthday, 4 May 1634. This arrangement was made possible through the intervention of Henry Lawes, the Earl's music tutor for his children, and friend to Milton's father. Milton wrote ''Arcades'' and the piece was performed at the Harefield estate. This masque established many themes and ideas later developed in his other masque, ''Comus''. Masque The masque begins by praising the countess ...
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Daniel Chester French
Daniel Chester French (April 20, 1850 – October 7, 1931) was an American sculptor of the late nineteenth and early twentieth centuries, best known for his 1874 sculpture ''The Minute Man'' in Concord, Massachusetts, and his 1920 monumental statue of Abraham Lincoln in the Lincoln Memorial in Washington, D.C. Family French was the son of Anne Richardson (1811–1856), daughter of William Merchant Richardson (1774–1838), chief justice of New Hampshire; and of Henry Flagg French (1813–1885). His siblings were Henriette Van Mater French Hollis (1839–1911), Sarah Flagg French Bartlett (1846–1883), and William M.R. French (1843–1914). He was the uncle of Senator Henry F. Hollis. Life and career French was born in Exeter, New Hampshire, to Henry Flagg French (1813–1885), a lawyer, judge, Assistant US Treasury Secretary, and author of a book that described the French drain, and his wife Anne Richardson. In 1867, French moved with his family to Concord, Massach ...
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Guastavino Tile
The Guastavino tile arch system is a version of Catalan vault introduced to the United States in 1885 by Spanish architect and builder Rafael Guastavino (1842–1908). It was patented in the United States by Guastavino in 1892. Description Guastavino vaulting is a technique for constructing robust, self-supporting arches and architectural vaults using interlocking terracotta tiles and layers of mortar to form a thin skin, with the tiles following the curve of the roof as opposed to horizontally (corbelling), or perpendicular to the curve (as in Roman vaulting). This is known as timbrel vaulting, because of supposed likeness to the skin of a timbrel or tambourine. It is also called Catalan vaulting (though Guastavino did not use this term) and "compression-only thin-tile vaulting". Guastavino tile is found in some of the most prominent Beaux-Arts structures in New York and Massachusetts, as well as in major buildings across the United States. In New York City, these incl ...
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Rafael Guastavino
Rafael Guastavino Moreno (; March 1, 1842 February 1, 1908) was a Spanish building engineer and builder who immigrated to the United States in 1881; his career for the next three decades was based in New York City. Based on the Catalan vault, he created the Guastavino tile, a "Tile Arch System", patented in the United States in 1885, which was used for constructing robust, self-supporting arches and architectural vaults using interlocking terracotta tiles and layers of mortar. His work appears in numerous prominent projects designed by major architectural firms in New York and other cities of the Northeast. Guastavino tile is found in some of New York's most prominent Beaux-Arts landmarks and in major buildings across the United States. It is also used in numerous architecturally important and famous buildings with vaulted spaces. Guastavino Fireproof Construction Company In 1881 Guastavino came to New York City from Valencia, with his youngest son, nine-year-old Rafael III ...
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Valencian People
Valencians ( va, valencians) are the native people of the Valencian Community, in eastern Spain. Legally, Valencians are the inhabitants of the community. Since 2006, the Valencian people are officially recognised in the Valencian Statute of Autonomy as a ''nationality'' "within the unity of the Spanish nation".Art. 1 of the Valencian Statute of Antonomy: "''El poble valencià, històricament organitzat com a Regne de València, es constituïx en Comunitat Autònoma, dins de la unitat de la nació espanyola, com a expressió de la seua identitat diferenciada com a nacionalitat històrica i en l'exercici del dret d'autogovern que la Constitució Espanyola reconeix a tota nacionalitat, amb la denominació del País Valencià.''" The official languages of Valencia are Valencian and Spanish.Art. 6.2 of thValencian Statute of Autonomy The Valencian Community is politically divided in three provinces, from south to north: Alicante, Valencia and Castellon. Its capital is the city of Va ...
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Catalan Vault
The Catalan vault ( ca, volta catalana), also called thin-tile vault, Catalan turn, Catalan arch, boveda ceiling (Spanish ''bóveda'' 'vault'), or timbrel vault, is a type of low brickwork arch forming a vaulted ceiling that often supports a floor above. It is constructed by laying a first layer of light bricks lengthwise "in space", without centering or formwork, and has a much gentler curve than most other methods of construction. Of Roman origin, it is a traditional form in regions around the Mediterranean including Catalonia (where it is widely used), and has spread around the world in more recent times through the work of Catalan architects such as Antoni Gaudí and Josep Puig i Cadafalch, and the Valencian architect Rafael Guastavino. A study on the stability of the Catalan vault is kept at the archive of the Institute of Catalan Studies, where it is said to have been entrusted by Josep Puig i Cadafalch. Though it is popularly called the Catalan vault, this construction met ...
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Frederick William Macmonnies
Frederick William MacMonnies (September 28, 1863 – March 22, 1937) was the best known expatriate American sculptor of the Beaux-Arts school, as successful and lauded in France as he was in the United States. He was also a highly accomplished painter and portraitist. He was born in Brooklyn Heights, Brooklyn, New York and died in New York City. Three of MacMonnies' best-known sculptures are ''Nathan Hale'', ''Bacchante and Infant Faun'', and ''Diana''. Apprenticeship and education In 1880 MacMonnies began an apprenticeship under Augustus Saint-Gaudens, and was soon promoted to studio assistant, beginning his lifelong friendship with the acclaimed sculptor. MacMonnies studied at night with the National Academy of Design and The Art Students League of New York. In Saint-Gaudens' studio, he met Stanford White, who was turning to Saint-Gaudens for the prominent sculptures required for his architecture. In 1884 MacMonnies traveled to Paris to study sculpture at the École des Be ...
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Bacchante And Infant Faun
''Bacchante and Infant Faun'' is a bronze sculpture modeled by American artist Frederick William MacMonnies in Paris in 1893–1894. The original bronze cast, in the collection of the Metropolitan Museum of Art ("The Met"), was produced in 1894 and measures x x . Many reductions were cast in two different sizes due to its popularity, and versions were also created in marble. History The life-size nude, depicting the joyous, fluid movement of a woman (a "bacchante") celebrating while holding an infant, was exhibited at the 1894 Paris Salon to great acclaim. MacMonnies gifted this original casting to his friend, architect Charles Follen McKim, whose firm was building Boston's new public library in Copley Square. McKim offered ''Bacchante'' as a gift to the Boston Public Library (BPL) in 1896, to be placed in the fountain of the library's courtyard. It was intended as a memorial for his second wife, Julia Amory Appleton McKim, who had died in childbirth in 1887. Both the librar ...
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