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Born To Be Blue (Grant Green Album)
''Born to Be Blue'' is an album by American jazz guitarist Grant Green featuring performances recorded in 1962 but not released until 1985 on the Blue Note label.Grant Green discography accessed September 16, 2010 Green is accompanied by tenor saxophonist , pianist , bassist Sam Jones and drummer . Recep ...
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Grant Green
Grant Green (June 6, 1935 – January 31, 1979) was an American jazz guitarist and composer. Recording prolifically for Blue Note Records as both leader and sideman, Green performed in the hard bop, soul jazz, bebop, and Latin-tinged idioms throughout his career. Critics Michael Erlewine and Ron Wynn write, "A severely underrated player during his lifetime, Grant Green is one of the great unsung heroes of jazz guitar ... Green's playing is immediately recognizable – perhaps more than any other guitarist." Critic Dave Hunter described his sound as "lithe, loose, slightly bluesy and righteously groovy". He often performed in an organ trio, a small group featuring a Hammond organ and drummer. Apart from fellow guitarist Charlie Christian, Green's primary influences were saxophonists, particularly Charlie Parker, and his approach was therefore almost exclusively linear rather than chordal. He thus rarely played rhythm guitar except as a sideman on albums led by other musicia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Groove (music)
In music, groove is the sense of an effect ("feel") of changing pattern in a propulsive rhythm or sense of " swing". In jazz, it can be felt as a quality of persistently repeated rhythmic units, created by the interaction of the music played by a band's rhythm section (e.g. drums, electric bass or double bass, guitar, and keyboards). Groove is a significant feature of popular music, and can be found in many genres, including salsa, rock, soul, funk, and fusion. From a broader ethnomusicological perspective, groove has been described as "an unspecifiable but ordered sense of something that is sustained in a distinctive, regular and attractive way, working to draw the listener in." Musicologists and other scholars have analyzed the concept of "groove" since around the 1990s. They have argued that a "groove" is an "understanding of rhythmic patterning" or "feel" and "an intuitive sense" of "a cycle in motion" that emerges from "carefully aligned concurrent rhythmic patterns" t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Robin
Leo Robin (April 6, 1900 – December 29, 1984) was an American composer, lyricist and songwriter. He is probably best known for collaborating with Ralph Rainger on the 1938 Oscar-winning song "Thanks for the Memory," sung by Bob Hope and Shirley Ross in the film ''The Big Broadcast of 1938'', and with Jule Styne on "Diamonds Are a Girl's Best Friend," a song whose witty, Cole Porter style of lyric came to be identified with its famous interpreter Marilyn Monroe. Biography Robin was born in Pittsburgh, Pennsylvania, United States. His father was Max Robin, a salesman. Leo's mother was Fannie Finkelpearl Robin. He studied at the University of Pittsburgh School of Law and at Carnegie Tech's drama school. He later worked as a reporter and as a publicist. Robin's first hits came in 1926 with the Broadway production ''By the Way'', with hits in several other musicals immediately following, such as ''Bubbling Over'' (1926), ''Hit the Deck, Judy'' (1927), and ''Hello Yourself'' (1928 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Rainger
Ralph Rainger ( Reichenthal; October 7, 1901 – October 23, 1942) was an American composer of popular music principally for films. Biography Born Ralph Reichenthal in New York City, United States, Rainger initially embarked on a legal career, having obtained his law degree at Brown University in 1926. He had, however, studied piano from a young age and attended the Institute of Musical Art in New York. Public performances include radio broadcasts from New York and WOR (New Jersey) as early as 1922. These were as soloist, accompanist to singers, and as duo-pianist with Adam Carroll or "Edgar Fairchild" (the name Milton Suskind used for commercial work).“Round the Radio Circuit.” New York Telegram and Evening Mail, 2 July 1924. He also prepared piano rolls between 1922 and 1928 for Ampico, Standard, and DeLuxe. Some of these used the "Reichenthal" surname, others the "Rainger" name he was gradually adopting commercially. Other early musical activities include arranging for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
If I Should Lose You
"If I Should Lose You" is a song composed by Ralph Rainger, with lyrics by Leo Robin. It was introduced in the 1936 film '' Rose of the Rancho''. Notable recordings *Geri Allen – '' Twenty One'' (1994) *Chet Atkins – '' Stay Tuned'' (1985) * Georgia Brown − ''Georgia Brown'' (1963). * Betty Carter − '' Feed the Fire'' (1993) * June Christy − '' Day Dreams'' (1995), ''Cool Christy'' (2002) * Chick Corea and Stefano Bollani – '' Orvieto'' (2010) *Fabien Degryse − ''Fingerswinging'' (2011) *Dena DeRose − ''I Can See Clearly Now'' (2000) *Jane Ira Bloom – '' Slalom'' (1988) *Lou Donaldson – ''Sweet Poppa Lou'' (1981) * Aretha Franklin – '' Unforgettable: A Tribute to Dinah Washington'' (1964) *The Four Freshmen − ''Voices in Latin'' (1958). *Grant Green – '' Born to be Blue'' (1962) *Al Haig − '' Al Haig Trio'' (1954) *Jan Harbeck Quartet - ''In the Still of the Night'' (2008) *Dick Haymes − '' The Complete Capitol Collection'' (2006), '' Moondreams'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Wells (songwriter)
Robert Wells (born Robert Levinson, October 15, 1922 – September 23, 1998) was an American songwriter, composer, screenwriter, script writer and television producer. During his early career, he collaborated with singer and songwriter Mel Tormé, writing several hit songs, most notably "The Christmas Song" in 1945. Later, he became a prolific writer and producer for television, for such shows as ''The Dinah Shore Chevy Show'', as well as for numerous variety specials, such as ''If They Could See Me Now'', starring Shirley MacLaine. He was nominated for several Academy Awards and won six Emmy Awards, Emmys and a Peabody Award. Early life and career Robert Wells was born to a American Jews, Jewish family in 1922 in Raymond, Washington, the son of Edna Irene (Bradford) and Nathan Levinson. He attended a local business college and later the University of Southern California, where he majored in speech and drama. He served in the United States Army Air Forces during World War I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mel Tormé
Melvin Howard Tormé (September 13, 1925 – June 5, 1999), nicknamed "The Velvet Fog", was an American musician, singer, composer, arranger, drummer, actor, and author. He composed the music for "The Christmas Song" ("Chestnuts Roasting on an Open Fire") and co-wrote the lyrics with Bob Wells. Early life Melvin Howard Tormé was born in Chicago, Illinois, to William David Torme, a Jewish immigrant from Poland, and Betty Torme (née Sopkin), a New York City native. He graduated from Hyde Park High School. A child prodigy, he first performed professionally at age four with the Coon-Sanders Orchestra, singing "You're Driving Me Crazy" at Chicago's Blackhawk restaurant. He played drums in the drum-and-bugle corps at Shakespeare Elementary School. From 1933 to 1941, he acted in the radio programs ''The Romance of Helen Trent'' and ''Jack Armstrong, the All-American Boy''. He wrote his first song at 13. Three years later his first published song, "Lament to Love", became a hit for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Born To Be Blue (Mel Tormé Song)
"Born to Be Blue" is a 1946 traditional pop torch song written by Mel Tormé and Robert Wells. It was first recorded by Tormé and Sonny Burke in 1946. It was revived by both singers and instrumentalists starting in the mid-1950s, and is considered a jazz standard. Cover versions See also *List of jazz standards A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union ... References 1940s jazz standards 1946 songs {{1940s-jazz-composition-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Morey
Lawrence L. Morey (March 26, 1905 – May 8, 1971) was an American lyricist and screenwriter. He co-wrote some of the most successful songs in Disney films of the 1930s and 1940s, including "Heigh-Ho", "Some Day My Prince Will Come", and "Whistle While You Work", and was also responsible for adapting Felix Salten's book ''Bambi, A Life in the Woods'' into the 1942 Disney film ''Bambi''. Career He was born in Los Angeles, California. Larry was born with a skeletal limb abnormality. His left arm was not fully formed and caused his mother to reject him at birth, saying "he would never amount to anything." She abandoned him to the care of his father, George T. Morey, a traveling musical ventriloquist. When he was only six years old, his father left him in a boarding house in Los Angeles and went on the road performing throughout California. Larry attended UCLA, then went to work for Warner Brothers and Paramount, for whom he wrote the lyrics to "The World Owes Me a Living", compose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Churchill
Frank Edwin Churchill (October 20, 1901 – May 14, 1942) was an American film composer and songwriter. He wrote most of the music for films directed by Walt Disney, such as ''Snow White and the Seven Dwarfs'', ''Dumbo'', ''Bambi'', '' The Adventures of Ichabod and Mr. Toad'', and ''Peter Pan''. Life and career Churchill was born on October 20, 1901 in Rumford, Maine, the son of Clara E. (Curtis) and Andrew J. Churchill. Churchill began his career playing piano in cinemas at the age of 15 in Ventura, California. After dropping out of medical studies at UCLA to pursue a career in music, he became an accompanist at the Los Angeles radio station KNX (AM) in 1924. He joined Disney studios in 1930, and scored many animated shorts - his song for ''The Three Little Pigs'', "Who's Afraid of the Big Bad Wolf", was a huge commercial success. In 1937, he was chosen to score Disney's first full-length animated feature, ''Snow White and the Seven Dwarfs'' with Paul Smith and Leigh Harli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Someday My Prince Will Come
"Someday My Prince Will Come" is a song from Walt Disney's 1937 animated movie ''Snow White and the Seven Dwarfs''. It was written by Larry Morey (lyrics) & Frank Churchill (music), and performed by Adriana Caselotti (Snow White's voice in the movie). It was also featured in the 1979 stage adaptation of the 1937 animated musical movie. In AFI's 100 Years...100 Songs, it was ranked the 19th greatest film song of all time. Production Conception Adriana Caselotti was cast in the 1937 film ''Snow White and the Seven Dwarfs'' after interrupting a phone conversation her father – a voice coach – was having on the phone with a talent scout. The scout was casting the upcoming film and noted that a previous candidate had sounded like a 30-year-old so was let go; Caselotti picked up the extension and recommended herself. Only 18 at the time, Disney thought she sounded like a 14-year-old, which is what he wanted, and he offered her the part. She worked on the film for a nominal f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bebop
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
