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Boogie Chillen'
"Boogie Chillen'" or "Boogie Chillun" is a blues song first recorded by John Lee Hooker in 1948. It is a solo performance featuring Hooker's vocal, electric guitar, and rhythmic foot stomps. The lyrics are partly autobiographical and alternate between spoken and sung verses. The song was his debut record release and in 1949, it became the first "down-home" electric blues song to reach number one in the R&B records chart. Hooker's song was part of a trend in the late 1940s to a new style of urban electric blues based on earlier Delta blues idioms. Although it is called a boogie, it resembles early North Mississippi Hill country blues rather than the boogie-woogie piano-derived style of the 1930s and 1940s. Hooker gave credit to his stepfather, Will Moore, who taught him the rhythm of "Boogie Chillen'" ("chillen'" is a phonetic approximation of Hooker's pronunciation of "children") when he was a teenager. Some of the song's lyrics are derived from earlier blues songs. Hooker' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Lee Hooker
John Lee Hooker (August 22, 1912 or 1917 – June 21, 2001) was an American blues singer, songwriter, and guitarist. The son of a sharecropper, he rose to prominence performing an electric guitar-style adaptation of Delta blues. Hooker often incorporated other elements, including talking blues and early North Mississippi hill country blues. He developed his own driving-rhythm boogie style, distinct from the 1930s–1940s piano-derived boogie-woogie. Hooker was ranked 35 in ''Rolling Stone''s 2015 list of 100 greatest guitarists. Some of his best known songs include "Boogie Chillen'" (1948), "Crawling King Snake" (1949), "Dimples" (1956), " Boom Boom" (1962), and "One Bourbon, One Scotch, One Beer" (1966). Several of his later albums, including '' The Healer'' (1989), '' Mr. Lucky'' (1991), ''Chill Out'' (1995), and '' Don't Look Back'' (1997), were album chart successes in the U.S. and UK. ''The Healer'' (for the song "I'm In The Mood") and ''Chill Out'' (for the album) both e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Bottom, Detroit
Black Bottom was a predominantly black neighborhood in Detroit, Michigan, United States. The term has sometimes been used to apply to the entire neighborhood including Paradise Valley, but many consider the two neighborhoods to be separate. Together, Black Bottom and Paradise Valley were bounded by Brush Street to the west, the Grand Trunk railroad tracks to the east, south to the Detroit River, and bisected by Gratiot Avenue. The area north of Grand Boulevard was defined as Paradise Valley. Although the name "Black Bottom" is often erroneously believed to be a reference to the African-American community that developed in the twentieth century, the neighborhood was actually named by early French colonial settlers for the dark, fertile topsoil found in the area (known as river bottomlands). Binelli, p. 20. "The name was not as racist as it sounds: the area was originally named by the French for its dark, fertile topsoil." During World War I, Black Bottom was home to many East ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capo (musical Device)
A capo (short for ''capodastro'', ''capo tasto'' or ''capotasto'' , Italian for "head of fretboard") , ''capo'' or ''capodastro''; french: capodastre; german: Kapodaster; pt, capotraste; sh, kapodaster; el, καποτάστο, kapotásto. is a device a musician uses on the neck of a stringed (typically fretted) instrument to transpose and shorten the playable length of the strings—hence raising the pitch. It is a common tool for players of guitars, mandolins, mandolas, banjos, ukuleles and bouzoukis. The word derives from the Italian ''capotasto'', which means the nut of a stringed instrument. The earliest known use of ''capotasto'' is by Giovanni Battista Doni who, in his ''Annotazioni'' of 1640, uses it to describe the nut of a viola da gamba. The first patented capo was designed by James Ashborn of Wolcottville, Connecticut year 1850. Musicians commonly use a capo to raise the pitch of a fretted instrument so they can play in a different key using the same finger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Open G Tuning
Among alternative tunings for the guitar, an open G tuning is an open tuning that features the G-major chord; its open notes are selected from the notes of a G-major chord, such as the G-major triad (G,B,D). For example, a popular open-G tuning is :D–G–D–G–B–D (low to high). An open-G tuning allows a G-major chord to be strummed on all six strings with neither fretting of the left hand nor a capo. Like other open tunings, it allows the eleven major chords besides G major each to be strummed by barring at most one finger on exactly one fret. Open tunings are common in blues and folk music, and they are used in the playing of slide and bottleneck guitars. Repetitive open-G tunings are used by Russian guitars, Dobro guitars, and banjos. They repeat three open-string notes. The repetitive open-G tuning :D–''G''–B–D–''G''–B–D : is used by the Russian guitar, which has seven-string guitar, seven strings tuned mostly in triads, in contrast to other guitar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyrhythmic
Polyrhythm is the simultaneous use of two or more rhythms that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic layers may be the basis of an entire piece of music (cross-rhythm), or a momentary section. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single Part (music), part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm. Concurrently in this context means within the same rhythmic cycle. The underlying pulse, whether explicit or implicit can be considered one of the concurrent rhythms. For example, the Clave (rhythm)#Son clave, son clave is poly-rhythmic because its 3 section suggests a different meter from the pulse of the entire pattern. In western art music In some European art music, polyrhythm periodically contradicts the prevailing meter. For example, in Wolfgang Amadeus Mozart, Mozart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Shaar Murray
Charles Shaar Murray (born Charles Maximillian Murray; 27 June 1951) is an English music journalist and broadcaster. He has worked on the '' New Musical Express'' and many other magazines and newspapers, and has been interviewed for a number of television documentaries and reports on music. Biography Murray grew up in Reading, Berkshire, England, where he attended Reading Grammar School and learnt to play the harmonica and guitar. His first experience in journalism came in 1970, when he was one of a number of schoolchildren who responded to an invitation to edit the April issue of the satirical magazine '' Oz''. He thus contributed to the notorious Schoolkids OZ issue and was involved in the consequent obscenity trial. He then wrote for '' IT (International Times)'', before moving to the ''New Musical Express'' in 1972 for which he wrote until around 1986. He subsequently worked for a number of publications including ''Q magazine'', ''Mojo'', ''MacUser'', ''New Statesman'', ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cow Cow Davenport
Charles Edward "Cow Cow" Davenport (April 23, 1894 – December 3, 1955) was an American boogie-woogie and piano blues player as well as a vaudeville entertainer. He also played the organ and sang. Davenport, who also made recordings under the pseudonyms of Bat The Humming Bird, George Hamilton and The Georgia Grinder, is a member of the Alabama Music Hall of Fame. Career He was born in Anniston, Alabama, Anniston, Alabama, United States, one of eight children. Davenport started to play the piano at age 12. His father objected strongly to his musical aspirations and sent him to a theological seminary, where he was expelled for playing ragtime. Davenport's career began in the 1920s when he joined the K.G. Barkoot Traveling Carnival. His initial profile came as accompanist to List of blues musicians, blues musicians Dora Carr and Ivy Smith. Davenport and Carr performed as a vaudeville act as "Davenport & Co", and he performed with Smith as the "Chicago Steppers".Olderen, Martin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ted Gioia
Ted Gioia (born October 21, 1957) is an American jazz critic and music historian. He is author of eleven books, including ''Music: A Subversive History'', '' The Jazz Standards: A Guide to the Repertoire'', ''The History of Jazz'' and ''Delta Blues''. He is also a jazz musician and one of the founders of Stanford University's jazz studies program. Early years Gioia grew up in an Italian-Mexican household in Hawthorne, California, and later earned degrees from Stanford University and Oxford University, as well as an MBA from the Stanford Graduate School of Business. He served for a period as an adviser to Fortune 500 companies while with the Boston Consulting Group and McKinsey & Company. When Gioia worked amidst Silicon Valley's venture capital community on Sand Hill Road, he was known as the "guy with the piano in his office." Gioia is also owner of one of the largest collections of research materials on jazz and ethnic music in the Western United States. Gioia is the brother of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Lee Hooker Two
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mississippi Joe Callicott
"Mississippi" Joe Callicott (October 10, 1899 – May 1969) was an American Delta blues singer and guitarist. Callicott was born in Nesbit, Mississippi, United States. In 1929 he played second guitar in Garfield Akers' duet recording, "Cottonfield Blues", and in 1930 he recorded "Fare Thee Well Blues" and "Traveling Mama Blues" for the Brunswick label.Dixon, Godrich and Rye: Blues and Gospel Records 1890-1943, 4th Ed, OUP, p. 133 His "Love Me Baby Blues" has been covered by various artists, for example by Ry Cooder under the title "France Chance". Some of his 1967 recordings (recorded by the music historian, George Mitchell) were released on LP by Arhoolie Records in 1969, and some were re-released in 2003, on the Fat Possum record label. He served as a mentor Mentorship is the influence, guidance, or direction given by a mentor. A mentor is someone who teaches or gives help and advice to a less experienced and often younger person. In an organizational settin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garfield Akers
Garfield Akers (possibly born James Garfield Echols, probably 1908 – c. 1959) was an American blues singer and guitarist. He had sometimes performed under the pseudonym "Garfield Partee." Info on him is uncertain, and knowledge of his life is based almost entirely on reports of a few contemporary witnesses. Akers' extant recordings consist of four sides, which are nonetheless historically significant. His most well-known song was his debut single "Cottonfield Blues", a duet with friend and longtime collaborator Joe Callicott on second guitar, based on a song performed by Texas blues musician Henry Thomas a few years earlier. Biography Early life Akers came to Hernando, Mississippi, a small town near Memphis, Tennessee, from Brights as a young teenager, already playing guitar at the time. In Hernando he met Frank Stokes, who is now often considered the "father of Memphis blues"; together with him he performed as a songster (a form of itinerant musician), comedian and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Palmer (writer)
Robert Franklin Palmer Jr. (June 19, 1945 – November 20, 1997) was an American writer, musicologist, clarinetist, saxophonist, and blues producer. He is best known for his books, including ''Deep Blues''; his music journalism for ''The New York Times'' and ''Rolling Stone'' magazine; his work producing blues recordings and the soundtrack of the film ''Deep Blues''; and his clarinet playing in the 1960s band the Insect Trust. A collection of his writings, ''Blues & Chaos: The Music Writing of Robert Palmer'', edited by Anthony DeCurtis, was published by Simon & Schuster on November 10, 2009. Early career Palmer was born in Little Rock, Arkansas, the son of a musician and school teacher, Robert Palmer Sr. A civil rights and peace activist with the Student Nonviolent Coordinating Committee in the 1960s, the younger Palmer graduated from Little Rock University (later called the University of Arkansas at Little Rock) in 1964. Soon afterwards he and fellow musicians Nancy Jeff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
