Bonjour Biqui, Bonjour!
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Bonjour Biqui, Bonjour!
''Bonjour Biqui, Bonjour!'' is an 1893 song for voice and piano with words and music by Erik Satie. At a mere four bars - less than half a minute in performance, and that due to its slow tempo - it is the shortest of his complete compositions. Its significance lies in its rare, enigmatic glimpse into the composer's romance with the painter Suzanne Valadon, the only one he is known to have had. The song is dedicated to her. Description Satie composed this musical curio on April 2, 1893, as part of an Easter Sunday gift for Valadon, whom he affectionately nicknamed "Biqui". On a single sheet of music paper, and alternating the use of regular and watered-down ink, he concocted a rather jarring little ditty with just three chords and five notes in the vocal line. The song does not have an actual title. Its pride of place at the top of the score is instead taken by the playing direction ''très lent'' ("very slow"), and the greeting "Bonjour Biqui, Bonjour!" constitutes the entire "lyr ...
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Erik Satie
Eric Alfred Leslie Satie (, ; ; 17 May 18661 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the Paris Conservatoire, but was an undistinguished student and obtained no diploma. In the 1880s he worked as a pianist in café-cabaret in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and '' Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a spell in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the creation of the ballet '' Par ...
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Suzanne Valadon
Suzanne Valadon (23 September 18657 April 1938) was a French painter who was born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France. In 1894, Valadon became the first woman painter admitted to the Société Nationale des Beaux-Arts. She was also the mother of painter Maurice Utrillo. Valadon spent nearly 40 years of her life as an artist. The subjects of her drawings and paintings, such as '' Joy of Life'' (1911), included mostly female nudes, portraits of women, still lifes, and landscapes. She never attended the academy and was never confined within a tradition. She was a model for many renowned artists. Among them, Valadon appeared in such paintings as '' Dance at Bougival'' (1883) and '' Dance in the City'' by Pierre-Auguste Renoir (1883), and ''Suzanne Valadon'' (1885) by Henri de Toulouse-Lautrec. Early life Valadon grew up in poverty with her mother, an unmarried laundress in Montmartre. She did not know her father. Known to be quite independent ...
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Suzanne Valadon - Portrait D'Erik Satie
Suzanne may refer to: People * Suzanne (given name), a feminine given name (including a list of people with the name) * S. U. Zanne, pen name of August Vandekerkhove (1838–1923), Belgian writer and inventor * Suzanne, pen name of Renée Méndez Capote (1901–1989), Cuban writer * Suzanne (television personality) (born 1986), Japanese variety ''tarento'', actress, and singer * Suzanne Lynch (born 1951), New Zealand singer who performed as "Suzanne" Places * Suzanne, Ardennes, France, a commune * Suzanne, Somme, France, a commune Films * ''Suzanne'' (1932 film), a French film * ''Suzanne'' (1980 film), a Canadian film * ''Suzanne'' (2013 film), a French film * ''Suzanne, Suzanne'', a 1982 documentary film Music * "Suzanne" (Leonard Cohen song), a 1966 poem and 1967 song, covered by numerous artists * "Suzanne" (Creeper song), a 2016 song by English band Creeper * "Suzanne" (VOF de Kunst song), 1983 * "Suzanne" (Journey song), a song from ''Raised on Radio'' by Journey * ...
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Henri De Toulouse-Lautrec
Comte Henri Marie Raymond de Toulouse-Lautrec-Monfa (24 November 1864 – 9 September 1901) was a French painter, printmaker, draughtsman, caricaturist and illustrator whose immersion in the colourful and theatrical life of Paris in the late 19th century allowed him to produce a collection of enticing, elegant, and provocative images of the sometimes decadent affairs of those times. Born into the aristocracy, Toulouse-Lautrec broke both his legs around the time of his adolescence and, due to the rare condition Pycnodysostosis, was very short as an adult due to his undersized legs. In addition to his alcoholism, he developed an affinity for brothels and prostitutes that directed the subject matter for many of his works recording many details of the late-19th-century bohemian lifestyle in Paris. Toulouse-Lautrec is among the painters described as being Post-Impressionists, with Paul Cézanne, Vincent van Gogh, Paul Gauguin, and Georges Seurat also commonly considered as ...
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Robert Orledge
Robert Orledge (born 5 January 1948) is a British musicologist, and a professor emeritus of the University of Liverpool , mottoeng = These days of peace foster learning , established = 1881 – University College Liverpool1884 – affiliated to the federal Victoria Universityhttp://www.legislation.gov.uk/ukla/2004/4 University of Manchester Act 200 .... He specialises in French music of the early twentieth century. References External linksRobert Orledge Website {{DEFAULTSORT:Orledge, Robert 1948 births Living people English musicologists Academics of the University of Liverpool Fauré scholars ...
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Vexations
''Vexations'' is a musical work by Erik Satie. Apparently conceived for keyboard (although the single page of manuscript does not specify an instrument), it consists of a short theme in the bass whose four presentations are heard alternatingly unaccompanied and played with chords above. The theme and its accompanying chords are written using enharmonic notation. The piece is undated, but scholars usually assign a date around 1893–1894 on the basis of musical and biographical evidence. The piece bears the inscription "In order to play the motif 840 times in succession, it would be advisable to prepare oneself beforehand, and in the deepest silence, by serious immobilities" (''Pour se jouer 840 fois de suite ce motif, il sera bon de se préparer au préalable, et dans le plus grand silence, par des immobilités sérieuses''). From the 1960s onward, this text has mostly been interpreted as an instruction that the page of music should be played 840 times, although this may not hav ...
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Danses Gothiques
The ''Danses gothiques'' (''Gothic Dances'') is an 1893 piano composition by Erik Satie, one of the works of his "Rosicrucian" or "mystic" period. It was published posthumously in 1929. A performance lasts around 12 minutes. Background The ''Danses gothiques'' was composed in the middle of Satie's six-month love affair (January to June, 1893) with the painter Suzanne Valadon, when he was torn between his religious preoccupations of the period and more earthly matters. It was the only intimate relationship he is known to have had, and he was clearly the more emotionally vulnerable of the two. The free-spirited Valadon, whom Satie affectionately called "Biqui", took a room near his at 6 Rue Cortot in Montmartre to facilitate the romance; and she painted a now-famous portrait of him, one of her earliest efforts in oils. But she rejected his proposal of marriage and continued to see other men. Chief among them was the stockbroker Paul Moussis, with whom she had an intermittent but l ...
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Ornella Volta
Ornella Volta (1 January 1927 – 16 August 2020) was an Italian-born French musicologist, essayist, and translator. Biography A cinematographic journalist and writer, Ornella married her spouse, Pablo Volta in 1957, and the couple moved to Paris. She was a friend of Federico Fellini, with whom she collaborated for the 1970 film ''I clowns''. She carried out research for the film on the circus and produced the French language version of the dialogue. She also served as assistant director of the 1955 film '' The Belle of Rome'', directed by Luigi Comencini. In the 1960s, she published multiple books, such as ''Vampires parmi nous'', ''Le Vampire'', and ''Frankenstein & Company''. She also collaborated with magazines such as ''Vogue'', ''Quindici'', and ''Il Delatore''. Volta devoted nearly 50 years of her life to researching and writing about the life and works of composer Erik Satie. In 1981 she established the Fondation Erik Satie at her home in Paris, and in 1983 she became the ...
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Suzanne Valadon - Self-Portrait - Google Art Project
Suzanne may refer to: People * Suzanne (given name), a feminine given name (including a list of people with the name) * S. U. Zanne, pen name of August Vandekerkhove (1838–1923), Belgian writer and inventor * Suzanne, pen name of Renée Méndez Capote (1901–1989), Cuban writer * Suzanne (television personality) (born 1986), Japanese variety ''tarento'', actress, and singer * Suzanne Lynch (born 1951), New Zealand singer who performed as "Suzanne" Places * Suzanne, Ardennes, France, a commune * Suzanne, Somme, France, a commune Films * ''Suzanne'' (1932 film), a French film * ''Suzanne'' (1980 film), a Canadian film * ''Suzanne'' (2013 film), a French film * ''Suzanne, Suzanne'', a 1982 documentary film Music * "Suzanne" (Leonard Cohen song), a 1966 poem and 1967 song, covered by numerous artists * "Suzanne" (Creeper song), a 2016 song by English band Creeper * "Suzanne" (VOF de Kunst song), 1983 * "Suzanne" (Journey song), a song from ''Raised on Radio'' by Journey * ...
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Atonality
Atonality in its broadest sense is music that lacks a tonal center, or key. ''Atonality'', in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. More narrowly, the term ''atonality'' describes music that does not conform to the system of tonal hierarchies that characterized European classical music between the seventeenth and nineteenth centuries. "The repertory of atonal music is characterized by the occurrence of pitches in novel combinations, as well as by the occurrence of familiar pitch combinations in unfamiliar environments". The term is also occasionally used to describe music that is neither tonal nor serial, especially the pre-twelve-tone music of the Second Viennese School, principally Alban Berg, Arnold Schoenberg, and Anton Webern. However, "as a categoric ...
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Rosicrucianism
Rosicrucianism is a spiritual and cultural movement that arose in Europe in the early 17th century after the publication of several texts purported to announce the existence of a hitherto unknown esoteric order to the world and made seeking its knowledge attractive to many. Yates, Frances A. (1972), ''The Rosicrucian Enlightenment'', London The mysterious doctrine of the order is "built on esoteric truths of the ancient past", which "concealed from the average man, provide insight into nature, the physical universe, and the spiritual realm." The manifestos do not elaborate extensively on the matter, but clearly combine references to Kabbalah, Hermeticism, alchemy, and Christian mysticism. The Rosicrucian manifestos heralded a "universal reformation of mankind", through a science allegedly kept secret for decades until the intellectual climate might receive it. Controversies arose on whether they were a hoax, whether the "Order of the Rosy Cross" existed as described in the manif ...
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Prosody (music)
In music, prosody is the way the composer sets the text of a vocal composition in the assignment of syllables to notes in the melody to which the text is sung, or to set the music with regard to the ambiance of the lyrics. However, the relationship between syllables and melodic notes is just one dimension of musical prosody. According to Pat Pattison, prosody is "The appropriate relationship between elements, whatever they may be." In this sense, every element in a song can and should create prosody, because prosody is "support for what is being said." In this sense, even the number of lines in a verse or a verse's rhyme scheme can be used to create or enhance prosody. For example, a songwriter might align downbeats or accents with stressed syllables or important words, or create musical accompaniment to the meter of the lyrics. Also, prosody can mean how the music supports the connotation, or emotive nature, of a song. Any musical work with a singer, regardless of the genre, ...
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