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Bonifacio Bembo
''Portrait of Francesco Sforza''. ca. 1460. Tempera on panel, 40 x 31 cm. Pinacoteca di Brera, Milan. Bonifacio Bembo, also called Bonfazio Bembo, or simply just Bembo, was a north Italian Renaissance artist born in Brescia in 1420. He was the son of Giovanni Bembo, an active painter during his time. As a painter, Bonifacio mainly worked in Cremona. He was patronized by the Sforza family and was commissioned to paint portraits of Francesco Sforza and his wife Bianca Maria Visconti. Scholars have credited him as the artist who produced a tarot card deck for the Visconti-Sforza families, now held in the Cary Collection of Playing Cards at Yale University. In the past century, art historians have begun to question the authenticity of his works, believing his only two secure works to be the portraits of Francesco and Bianca Maria Sforza. He is believed to have died sometime before 1482. Biography Bonifacio Bembo was born in Brescia, Italy in 1420 to an Italian family of painter ...
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Francesco Sforza
Francesco I Sforza (; 23 July 1401 – 8 March 1466) was an Italian condottiero who founded the Sforza dynasty in the duchy of Milan, ruling as its (fourth) duke from 1450 until his death. In the 1420s, he participated in the War of L'Aquila and in the 1430s fought for the Papal States and Milan against Venice. Once war between Milan and Venice ended in 1441 under mediation by Sforza, he successfully invaded southern Italy alongside René of Anjou, pretender to the throne of Naples, and after that returned to Milan. He was instrumental in the Treaty of Lodi (1454) which ensured peace in the Italian realms for a time by ensuring a strategic balance of power. He died in 1466 and was succeeded as duke by his son, Galeazzo Maria Sforza. While Sforza was recognized as duke of Milan, his son Ludovico would be the first to have formal investiture under the Holy Roman Empire by Maximilian I in 1494. Biography Early life Francesco Sforza was born in San Miniato, Tuscany, one of ...
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Bonifacio Bembo
''Portrait of Francesco Sforza''. ca. 1460. Tempera on panel, 40 x 31 cm. Pinacoteca di Brera, Milan. Bonifacio Bembo, also called Bonfazio Bembo, or simply just Bembo, was a north Italian Renaissance artist born in Brescia in 1420. He was the son of Giovanni Bembo, an active painter during his time. As a painter, Bonifacio mainly worked in Cremona. He was patronized by the Sforza family and was commissioned to paint portraits of Francesco Sforza and his wife Bianca Maria Visconti. Scholars have credited him as the artist who produced a tarot card deck for the Visconti-Sforza families, now held in the Cary Collection of Playing Cards at Yale University. In the past century, art historians have begun to question the authenticity of his works, believing his only two secure works to be the portraits of Francesco and Bianca Maria Sforza. He is believed to have died sometime before 1482. Biography Bonifacio Bembo was born in Brescia, Italy in 1420 to an Italian family of painter ...
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Bergamo
Bergamo (; lmo, Bèrghem ; from the proto- Germanic elements *''berg +*heim'', the "mountain home") is a city in the alpine Lombardy region of northern Italy, approximately northeast of Milan, and about from Switzerland, the alpine lakes Como and Iseo and 70 km (43 mi) from Garda and Maggiore. The Bergamo Alps (''Alpi Orobie'') begin immediately north of the city. With a population of around 120,000, Bergamo is the fourth-largest city in Lombardy. Bergamo is the seat of the Province of Bergamo, which counts over 1,103,000 residents (2020). The metropolitan area of Bergamo extends beyond the administrative city limits, spanning over a densely urbanized area with slightly less than 500,000 inhabitants. The Bergamo metropolitan area is itself part of the broader Milan metropolitan area, home to over 8 million people. The city of Bergamo is composed of an old walled core, known as ''Città Alta'' ("Upper Town"), nestled within a system of hills, and the modern expan ...
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Accademia Carrara
The Accademia Carrara, (), officially Accademia Carrara di Belle Arti di Bergamo, is an art gallery and an academy of fine arts in Bergamo, in Lombardy in northern Italy. The art gallery was established in about 1780 by , a Bergamasco collector or ' of the arts. The academy of fine arts was added to it in 1794. The school was recognised by the Ministero dell'Istruzione, dell'Università e della Ricerca, the Italian ministry of education, in 1988. History The art gallery was established in the early 1780s by , a Bergamasco collector or ' of the arts; by 1785 it was open to some visitors. An academy of fine arts was added to it in 1793 or 1794, initially under the direction of the Milanese painter Carlo Dionigi Sadis. Carrara made his will in 1795, leaving his entire estate to the gallery and art school he had founded; these were to be managed by a five-member commission, of which the first five were chosen by him. He died the next year. In 1810, a new building in the neo ...
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Colleoni Family
The House of Colleoni was a Guelf-allied noble family in medieval Bergamo. Their Ghibelline opponents were the Suardi family, of which the Colleoni themselves were a branch. History When the Visconti of Milan seized Bergamo, they exiled the Colleoni and other Guelfs. On October 23, 1404, Paolo Colleoni seized Trezzo Castle by wile and held it by force until he was assassinated by his cousins, probably acting on behalf of the Duke of Milan. Paolo's son Bartolomeo became a famous mercenary and Captain-General of the Republic of Venice. He purchased and refurbished the Malpaga Castle in Cavernago as a new base for his family. The Colleoni Chapel in Bergamo was built in his honor and houses his remains and those of his beloved daughter Medea. Bartolomeo's grandson Count Alessandro Martinengo Colleoni commissioned Lorenzo Lotto's 1516 Martinengo Altarpiece for the Dominican church of Santi Bartolomei e Stefano in Bergamo. The family's name is derived from the Latin ''coleus' ...
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Morgan Library & Museum
The Morgan Library & Museum, formerly the Pierpont Morgan Library, is a museum and research library in the Murray Hill neighborhood of Manhattan in New York City. It is situated at 225 Madison Avenue, between 36th Street to the south and 37th Street to the north. The Morgan Library & Museum is composed of several structures. The main building was designed by Charles McKim of the firm of McKim, Mead and White, with an annex designed by Benjamin Wistar Morris. A 19th-century Italianate brownstone house at 231 Madison Avenue, built by Isaac Newton Phelps, is also part of the grounds. The museum and library also contains a glass entrance building designed by Renzo Piano and Beyer Blinder Belle. The main building and its interior is a New York City designated landmark and a National Historic Landmark, while the house at 231 Madison Avenue is a New York City landmark. The site was formerly occupied by residences of the Phelps family, one of which banker J. P. Morgan had purchased in ...
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Franco Dei Russi
Franco dei Russi (Mantua, 15th century) was an Italian painter, active in field of manuscript illumination. Biografia Franco dei Russi was a manuscript illustrator in the Early Renaissance above all active in Lombardy from 1450 to 1482. In 1450 he participated in the creation of the Bible of Borso d'Este, considered one of the great Italian projects of illuminated manuscripts. The work took six years (1455–61) by a group of artists guided by Taddeo Crivelli(FrencL'arte ferrarese all'epoca dei principi d'Este./ref> He also worked in Venice for the library of Federico da Montefeltro in Urbino (1474-1482). Note External links Short biography and bibliography, by the Vatican Library
{{DEFAULTSORT:Russi, Franco dei 15th-century deaths 15th-century births 15th-century Italian painters Painters from Mantua ...
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Antonio Cicognara
Antonio Cicognara (1480 – after 1500), was a 15th-century Italy, Italian painter. Biography Little more is known of him than that he was birth, born in Cremona and death, died in Ferrara.Antonio Cicognara
in the RKD
He is known for religion, religious works.


References

* 1480 births 1500s deaths 15th-century Italian painters Italian male painters 16th-century Italian painters Painters from Cremona Painters from Ferrara {{Italy-painter-15thC-stub ...
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Visconti-Sforza Tarot Deck
The Visconti-Sforza Tarot is used collectively to refer to incomplete sets of approximately 15 decks from the middle of the 15th century, now located in various museums, libraries, and private collections around the world. No complete deck has survived; rather, some collections boast a few face cards, while some consist of a single card. They are the oldest surviving tarot cards and date back to a period when tarot was still called Trionfi ("triumphs" i.e. trump) cards, and used for everyday playing. They were commissioned by Filippo Maria Visconti, Duke of Milan, and by his successor and son-in-law Francesco Sforza. They had a significant impact on the visual composition, card numbering and interpretation of modern decks. Overview The surviving cards are of particular historical interest because of the beauty and detail of the design, which was often executed in precious materials and often reproduce members of the Visconti and Sforza families in period garments and settings. ...
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Pitti Palace
The Palazzo Pitti (), in English sometimes called the Pitti Palace, is a vast, mainly Renaissance, palace in Florence, Italy. It is situated on the south side of the River Arno, a short distance from the Ponte Vecchio. The core of the present palazzo dates from 1458 and was originally the town residence of Luca Pitti, an ambitious Florentine banker. The palace was bought by the Medici family in 1549 and became the chief residence of the ruling families of the Grand Duchy of Tuscany. It grew as a great treasure house as later generations amassed paintings, plates, jewelry and luxurious possessions. In the late 18th century, the palazzo was used as a power base by Napoleon and later served for a brief period as the principal royal palace of the newly united Italy. The palace and its contents were donated to the Italian people by King Victor Emmanuel III in 1919. The palazzo is now the largest museum complex in Florence. The principal palazzo block, often in a building of this ...
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Collegio Castiglioni Brugnatelli
The Castiglioni College can be considered the oldest university college in Pavia. It was founded by Cardinal Branda da Castiglione in 1429. History In 1429 Cardinal Branda da Castiglione, who had studied at the University of Pavia, decided to found a college in the city that was initially to host 24 poor but deserving students: 18 Italians and six foreigners. The same cardinal also wrote the first statutes of the college, which were approved by Pope Martin V. Furthermore, Branda da Castiglione also managed to obtain privileges from both the pope and the emperor Sigismund, including an exemption from taxes for both the college and for his students. In addition to the goods essential to its existence, Cardinal da Castiglione endowed his foundation with a refectory, a garden, a rich library and a chapel, and also donated vast agricultural properties in the Pavian countryside to the college. Across many centuries of history the College went through several difficult periods. For ...
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Zanetto Bugatto
Zanetto Bugatto (1493 in Milan – ~1476 in Pavia or Milan), also known as Zanetto Bugatti, was one of the most well documented court portraitists of the 1400s. A key painter of the Lombardy region, Bugatto worked for 15 years for the first two Sforza Dukes of Milan, particularly Duke Galeazzo Maria Sforza and his Duchess Bona of Savoy. His work was influenced by northern artists such as Rogier van der Weyden, Andrea Mantegna, and Jean Fouquet, all of whom he met during his travels. Bugatto's work was described by Galeazzo's ambassador Leonardo Botta as being similar to Sicilian painter Antonello da Messina. It is not clear whether Bugatto painted works other than portraits which he typically made on panel and in fresco. He is notable for being one of the first Italian artists, along with Antonello da Messina, to focus on portraiture in the Netherlandish style to such an exclusive extent.Campbell, Lorne. "Rogier van der Weyden and his Workshop" Aspects of Art Lecture. Courtauld I ...
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