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Bonaventura Bottone
Bonaventura Bottone (born 19 September 1950 in London) is an operatic tenor who has performed at many of the world's leading opera houses. He trained at the Royal Academy of Music in London. The Academy awarded him a Fellowship in 1998. He is described by the New Grove Dictionary of Opera as "''a superb actor with a strong, lyrical voice''" who "''excels in comic roles''". Early career Bonaventura Bottone made his professional debut as Count Almaviva in ''The Barber of Seville'' with Welsh National Opera in 1973. He subsequently sang Arturo in ''Lucia di Lammermoor'' in Belfast, a Servant in Richard Strauss's '' Capriccio'' with Glyndebourne Festival Opera and Bardolfo in Verdi's ''Falstaff'' for Glyndebourne Touring Opera in 1976. He appeared at the Wexford Festival for three consecutive seasons (1977–1979) in Smetana's ''The Two Widows'', Luigi and Federico Ricci's ''Crispino e la comare'' and Montemezzi's ''L'amore dei tre re''. English National Opera Bonaventu ...
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Opera House
An opera house is a theatre building used for performances of opera. It usually includes a stage, an orchestra pit, audience seating, and backstage facilities for costumes and building sets. While some venues are constructed specifically for operas, other opera houses are part of larger performing arts centers. Indeed, the term ''opera house'' is often used as a term of prestige for any large performing-arts center. History Italy is a country where opera has been popular through the centuries among ordinary people as well as wealthy patrons and it continues to have many working opera houses such as Teatro Massimo in Palermo (the biggest in Italy), Teatro di San Carlo in Naples (the world's oldest working opera house) and Teatro La Scala in Milan. In contrast, there was no opera house in London when Henry Purcell was composing and the first opera house in Germany, the Oper am Gänsemarkt, was built in Hamburg in 1678, followed by the Oper am Brühl in Leipzig in 1693, and t ...
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L'amore Dei Tre Re
(''The Love of the Three Kings'') is an opera in three acts by Italo Montemezzi. Its Italian-language libretto was written by playwright Sem Benelli who based it on his play of the same title. Performance history ''L'amore de tre re'' premiered at La Scala in Milan on 10 April 1913. It received mixed reviews, but quickly became an international success, especially in the United States, where it became a staple of the repertory for several decades. The opera was given its American premiere in New York at the Metropolitan Opera on 14 March 1918 with Enrico Caruso, Claudia Muzio and Pasquale Amato. After the Second World War, the frequency of performances declined dramatically, and it was not performed in the US for nearly 30 years. It is still performed only rarely. Roles Synopsis :Time: The Dark Ages :Place: Italy Archibaldo, the blind king, conquered the kingdom of Altura forty years before the opera begins. After forty years, the Alturan people openly object to the reign o ...
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La Belle Helene
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a te ...
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Orphée Aux Enfers
''Orpheus in the Underworld'' and ''Orpheus in Hell'' are English names for (), a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy. It was first performed as a two-act "opéra bouffon" at the Théâtre des Bouffes-Parisiens, Paris, on 21 October 1858, and was extensively revised and expanded in a four-act "opéra féerie" version, presented at the Théâtre de la Gaîté, Paris, on 7 February 1874. The opera is a lampoon of the ancient legend of Orpheus and Eurydice. In this version Orpheus is not the son of Apollo but a rustic violin teacher. He is glad to be rid of his wife, Eurydice, when she is abducted by the god of the underworld, Pluto. Orpheus has to be bullied by Public Opinion into trying to rescue Eurydice. The reprehensible conduct of the gods of Olympus in the opera was widely seen as a veiled satire of the court and government of Napoleon III, Emperor of the French. Some critics expressed outrage at the librettists' di ...
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Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, the son of a synagogue cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic pieces for the musical the ...
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The Mikado
''The Mikado; or, The Town of Titipu'' is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen Gilbert and Sullivan, operatic collaborations. It opened on 14 March 1885, in London, where it ran at the Savoy Theatre for 672 performances, the second-longest run for any work of musical theatre and one of the longest runs of any theatre piece up to that time.The longest-running piece of musical theatre was the operetta ''Les Cloches de Corneville'', which held the title until ''Dorothy (opera), Dorothy'' opened in 1886, which pushed ''The Mikado'' down to third place. By the end of 1885, it was estimated that, in Europe and America, at least 150 companies were producing the opera.H. L. Mencken, Mencken, H. L.]Article on ''The Mikado'', ''Baltimore Evening Sun'', 29 November 1910 ''The Mikado'' is the most internationally successful Savoy opera and has been especially popular with amateur and school productions. The work has ...
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Gilbert And Sullivan
Gilbert and Sullivan was a Victorian era, Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900), who jointly created fourteen comic operas between 1871 and 1896, of which ''H.M.S. Pinafore'', ''The Pirates of Penzance'' and ''The Mikado'' are among the best known.Davis, Peter G''Smooth Sailing'' ''New York'' magazine, 21 January 2002, accessed 6 November 2007 Gilbert, who wrote the libretti for these operas, created fanciful "topsy-turvy" worlds where each absurdity is taken to its logical conclusion; fairies rub elbows with British lords, flirting is a capital offence, gondoliers ascend to the monarchy, and pirates emerge as noblemen who have gone astray.Mike Leigh, Leigh, Mike"True anarchists" ''The Guardian'', 4 November 2007, accessed 6 November 2007 Sullivan, six years Gilbert's junior, composed the music, contributing memorable melodies that could convey both humour and pathos. Their operas have enj ...
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Street Scene (opera)
''Street Scene'' is an American opera by Kurt Weill (music), Langston Hughes (lyrics), and Elmer Rice (book). Written in 1946 and premiered in Philadelphia that year, ''Street Scene'' is based on the Pulitzer Prize-winning 1929 play of the same name by Rice. It was Weill who referred to the piece as an "American opera", intending it as a groundbreaking synthesis of European traditional opera and American musical theater. He received the inaugural Tony Award for Best Original Score for his work, after the Broadway premiere in 1947. Considered far more an opera than a musical, ''Street Scene'' is regularly produced by professional opera companies and has never been revived on Broadway. Musically and culturally, even dramatically, the work inhabits the mid-ground between Weill's ''Threepenny Opera'' (1928) and Leonard Bernstein's ''West Side Story'' (1957). The score contains operatic arias and ensembles, some of them, such as Anna Maurrant's "Somehow I Never Could Believe" and Fran ...
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Kurt Weill
Kurt Julian Weill (March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, ''The Threepenny Opera'', which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose,Kurt Weill
Cjschuler.net. Retrieved on August 22, 2011.
''''. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen on August 27, 1943.



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Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duchy of Mantua, Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by ...
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Madama Butterfly
''Madama Butterfly'' (; ''Madame Butterfly'') is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. It is based on the short story "Madame Butterfly" (1898) by John Luther Long, which in turn was based on stories told to Long by his sister Jennie Correll and on the semi-autobiographical 1887 French novel '' Madame Chrysanthème'' by Pierre Loti.Chadwick Jenna"The Original Story: John Luther Long and David Belasco" on columbia.edu Long's version was dramatized by David Belasco as the one-act play '' Madame Butterfly: A Tragedy of Japan'', which, after premiering in New York in 1900, moved to London, where Puccini saw it in the summer of that year. The original version of the opera, in two acts, had its premiere on 17 February 1904 at La Scala in Milan. It was poorly received, despite having such notable singers as soprano Rosina Storchio, tenor Giovanni Zenatello and baritone Giuseppe De Luca in lead roles ...
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Il Tabarro
''Il tabarro'' (''The Cloak'') is an opera in one act by Giacomo Puccini to an Italian libretto by Giuseppe Adami, based on 's play ''La houppelande''. It is the first of the trio of operas known as ''Il trittico''. The first performance was given on December 14, 1918 at the Metropolitan Opera in New York City. Roles Synopsis :Place: A barge on the Seine in Paris. :Time: 1910. It is close to sunset in Paris, and the stevedores work unloading Michele's barge. Giorgetta, Michele's wife, asks her husband if she can bring wine to the workers. He agrees but does not join them because she refuses his kiss. The stevedores start dancing to the music of a nearby organ grinder and one of them steps on Giorgetta's foot. Luigi, a stevedore, dances with her, and it is evident that there is something between them. Upon hearing of Michele's return the stevedores' gathering breaks up. Work is getting scarce and Giorgetta and Michele discuss which of the stevedores should be dismissed; she pr ...
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