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Bombo (musical)
''Bombo'' is a Broadway musical with a book and lyrics by Harold R. Atteridge and music by Sigmund Romberg. Produced by Lee Shubert and J. J. Shubert, the Broadway production, staged by J. C. Huffman, opened on October 6, 1921 at the Jolson's 59th Street Theatre, where it ran for 219 performances. The cast included Al Jolson and Janet Adair. The musical has a thin story designed to showcase Jolson, who was at the height of his popularity. Songs were added by several composers during the run of the show so that, by the end of the run, there were more songs by composers other than Romberg than by him. The success of the musical on Broadway led to a national tour. Plot Gus (played by Jolson in blackface) is a man living in Genoa, Italy in 1921 who finds himself transported back in time to Spain in 1492. Adopting the name "Bombo", Gus meets the explorer Christopher Columbus and becomes a slave whom Columbus brings along on his first voyage to the New World. Songs * Any Place Will ...
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Sigmund Romberg
Sigmund Romberg (July 29, 1887 – November 9, 1951) was a Hungarian-born American composer. He is best known for his musicals and operettas, particularly ''The Student Prince'' (1924), ''The Desert Song'' (1926) and ''The New Moon'' (1928). Early in his career, Romberg was employed by the Shubert brothers to write music for their musicals and revues, including several vehicles for Al Jolson. For the Shuberts, he also adapted several European operettas for American audiences, including the successful '' Maytime'' (1917) and '' Blossom Time'' (1921). His three hit operettas of the mid-1920s, named above, are in the style of Viennese operetta, but his other works from that time mostly employ the style of American musicals of their eras. He also composed film scores. Biography Romberg was born in Hungary as Siegmund Rosenberg to a Jewish
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Dirty Hands, Dirty Face
"Dirty Hands, Dirty Face" (or "Dirty Hands! Dirty Face!") is a song from the 1921 musical ''Bombo''. The lyrics were written by Grant Clarke and Edgar Leslie; with music by James V. Monaco. Al Jolson is often credited as a lyricist; it was common for popular performers to take a cut of the popularity of a song by being listed as a lyricist. The song is about the love that a father has for his son. Jolson version Jolson performs the song in the 1927 film ''The Jazz Singer'' in character as Jack Robin (formerly Jakie Rabinowitz). The film concerns the attempt of Jolson's character to become a vaudeville performer against opposition from his religious Jewish family. It was the film's second musical number, and occurs 18 minutes into the film in a scene at Coffee Dan's nightclub in San Francisco. Jolson subsequently recorded the song in March 1928. Gerald R. Butters in his 2002 book ''Black Manhood on the Silent Screen'' wrote that "the symbolic link with blackface (dirtiness) is obvi ...
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Musicals By Sigmund Romberg
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre w ...
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Broadway Musicals
Broadway theatre,Although ''theater'' is generally the spelling for this common noun in the United States (see American and British English spelling differences), 130 of the 144 extant and extinct Broadway venues use (used) the spelling ''Theatre'' as the proper noun in their names (12 others used neither), with many performers and trade groups for live dramatic presentations also using the spelling ''theatre''. or Broadway, are the theatrical performances presented in the 41 professional theatres, each with 500 or more seats, located in the Theater District and the Lincoln Center along Broadway, in Midtown Manhattan, New York City. Broadway and London's West End theatre, West End together represent the highest commercial level of live theater in the English-speaking world. While the thoroughfare is eponymous with the district and its collection of 41 theaters, and it is also closely identified with Times Square, only three of the theaters are located on Broadway itself (nam ...
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1921 Musicals
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
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Milton Ager
Milton Ager (October 6, 1893 – May 6, 1979) was an American composer, regarded as one of the top songwriters of the 1920s and 1930s. His most lasting compositions include "Ain't She Sweet?” and “Happy Days Are Here Again”. Biography Ager was born to Jewish couple Fannie Nathan and Simon Ager, who worked as a livestock dealer. in Chicago, Illinois, the sixth of nine children. He taught himself to play the piano, and attended McKinley High School, but left after only three years and embarked on a career in music. Jack Burton, "The Honor Roll of Popular Songwriters: Milton Ager", ''Billboard'', November 18, 1950, p.37
Retrieved 8 January 2021
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Jack Yellen
Jack Selig Yellen (Jacek Jeleń; July 6, 1892 – April 17, 1991) was an American lyricist and screenwriter. He is best remembered for writing the lyrics to the songs "Happy Days Are Here Again", which was used by Franklin Roosevelt as the theme song for his successful 1932 presidential campaign, and "Ain't She Sweet", a Tin Pan Alley standard. Early life and education Born to a Jewish family in Poland, Yellen emigrated with his family to the United States when he was five years old. The oldest of seven children, he was raised in Buffalo, New York and began writing songs in high school. He graduated with honors from the University of Michigan in 1913 where he was a member of the Pi Lambda Phi fraternity. After graduating he became a reporter for the ''Buffalo Courier'', continuing to write songs on the side. Career Yellen's first collaborator on a song was George L. Cobb, with whom he wrote a number of Dixie songs including " Alabama Jubilee", " Are You From Dixie?", and "All Abo ...
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Toot, Toot, Tootsie (Goo' Bye!)
Toot, Toot, Tootsie (Goo' Bye!) is a 1922 song with music and lyrics by Gus Kahn, Ernie Erdman and Danny Russo, per the credits on the original sheet music cover. Some other sources also credit Ted Fio Rito and Robert King for the song, but make no mention of Dan Russo. It debuted in the Broadway musical ''Bombo'', where it was a major hit. It was first recorded by Al Jolson with Frank Crumit's orchestra for Columbia Records on September 9, 1922. It was further popularised by Eddie Cantor, nicknamed "Banjo Eyes". This song has become associated with the age and image of the flapper during the Roaring Twenties. Whilst the Jolson version was the most popular, other high selling versions in 1923 were those by Ernest Hare & Billy Jones, Vincent Lopez, and Benson Orchestra of Chicago. "Toot, Toot, Tootsie" appeared in the films ''The Jazz Singer'' (1927), ''Rose of Washington Square'' (1939), ''The Jolson Story'' (1946), '' I'll See You In My Dreams'' (1951), and ''Remains to Be ...
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Lew Brown
Lew Brown (born Louis Brownstein; December 10, 1893 – February 5, 1958) was a lyricist for popular songs in the United States. During World War I and the Roaring Twenties, he wrote lyrics for several of the top Tin Pan Alley composers, especially Albert Von Tilzer. Brown was one third of a successful songwriting and music publishing team with Buddy DeSylva and Ray Henderson from 1925 until 1931. Brown also wrote or co-wrote many Broadway shows and Hollywood films. Among his most-popular songs are "Button Up Your Overcoat", " Don't Sit Under the Apple Tree", "Life Is Just a Bowl of Cherries", " That Old Feeling", and "The Birth of the Blues". Early life and family Brown was born December 10, 1893, in Odessa, Russian Empire, part of today's Ukraine, the son of Etta (Hirsch) and Jacob Brownstein. His family was Jewish. When he was five, his family immigrated to the United States and settled in New York City. He attended DeWitt Clinton High School but, at the suggestion of a tea ...
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Nacio Herb Brown
Ignacio Herbert "Nacio Herb" Brown (February 22, 1896 – September 28, 1964) was an American songwriter, writer of popular songs, movie scores and Broadway theatre music in the 1920s through the early 1950s. Amongst his most enduring work is the score for the 1952 musical film ''Singin' in the Rain''. Life and career Ignacio Herbert Brown was born in Deming, New Mexico, United States, to Ignacio and Cora Brown.1900 United States Federal Census He had an older sister, Charlotte. In 1901, his family moved to Los Angeles, where he attended Manual Arts High School. His music education started with instruction from his mother, Cora Alice (Hopkins) Brown. Brown first operated a tailoring business (1916), and then became a financially successful realtor, but he always wrote and played. After his first hit "Coral Sea" (1920) and a first big hit, "When Buddha Smiles" (1921), he eventually became a full-time composer. He joined American Society of Composers, Authors and Publishers, T ...
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Walter Donaldson
Walter Donaldson (February 15, 1893 – July 15, 1947) was an American prolific popular songwriter and publishing company founder, composing many hit songs of the 1910s to 1940s, that have become standards and form part of the Great American Songbook. History Walter Donaldson was born in Brooklyn, New York State, United States, the son of a piano teacher. While still in school he wrote original music for school productions, and had his first professional songs published in 1915. In 1918, he had his first major hit with "The Daughter of Rosie O'Grady". During World War I, Donaldson entertained troops at Camp Upton, New York. His time there inspired him to write " How Ya Gonna Keep 'em Down on the Farm (After They've Seen Paree)?" After serving in the United States Army in World War I, Donaldson was hired as a songwriter by Irving Berlin Music Company. He stayed with Berlin until 1928, producing many hit songs, then in 1928 established his own publishing company. His company was ...
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Con Conrad
Con Conrad (born Conrad K. Dober, June 18, 1891 – September 28, 1938) was an American songwriter and producer. Biography Conrad was born in Manhattan, New York, and published his first song, "Down in Dear Old New Orleans", in 1912. Conrad produced the Broadway show ''The Honeymoon Express'', starring Al Jolson, in 1913. By 1918, Conrad was writing and publishing with Henry Waterson (1873–1933). He co-composed "Margie" in 1920 with J. Russel Robinson and lyricist Benny Davis, which became his first major hit. He went on to compose hits that became standards, including: * " Palesteena" with co-composer and co-lyricist J. Russel Robinson (1920) * "Singin' the Blues" with co-composer J. Russel Robinson and lyricists Sam M. Lewis and Joe Young (1920) * "You've Got to See Mama Ev'ry Night" with co-composer and co-lyricist Billy Rose (1923) * "Come on Spark Plug" with co-composer and co-lyricist Billy Rose (1923) * "Barney Google" with co-composer and co-lyricist Billy Rose ( ...
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