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Bombay Calling
''Bombay Calling'' is a 2006 feature documentary film directed by Ben Addelman and Samir Mallal. Produced by the National Film Board of Canada which follows the journey of Kaz Lalani the pioneer of Call Centre Outsourcing. ''Bombay Calling'' chronicles the lives of young call center workers in Bombay (Mumbai) India. Synopsis ''Bombay Calling'' delves into the lives of a group of young Indians working outsourced jobs at a call center in Bombay. Without focusing too much on the politics, it profiles several characters as they train for and attempt to sell phone services to clients in the UK. The film shows both sides of the impact of globalization on India - the economic benefits, but also the break with tradition and loss of innocence the characters face. By the end of the film, the telemarketing venture has failed but the characters are resilient. For this reason, the film has been compared to Startup.com. Awards It won the Grand Jury Prize at the Indian Film Festival of ...
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National Film Board Of Canada
The National Film Board of Canada (NFB; french: Office national du film du Canada (ONF)) is Canada's public film and digital media producer and distributor. An agency of the Government of Canada, the NFB produces and distributes documentary films, animation, web documentaries, and alternative dramas. In total, the NFB has produced over 13,000 productions since its inception, which have won over 5,000 awards. The NFB reports to the Parliament of Canada through the Minister of Canadian Heritage. It has bilingual production programs and branches in English and French, including multicultural-related documentaries. History Canadian Government Motion Picture Bureau The Exhibits and Publicity Bureau was founded on 19 September 1918, and was reorganized into the Canadian Government Motion Picture Bureau in 1923. The organization's budget stagnated and declined during the Great Depression. Frank Badgley, who served as the bureau's director from 1927 to 1941, stated that the bure ...
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David Mamet
David Alan Mamet (; born November 30, 1947) is an American playwright, filmmaker, and author. He won a Pulitzer Prize and received Tony Award, Tony nominations for his plays ''Glengarry Glen Ross'' (1984) and ''Speed-the-Plow'' (1988). He first gained critical acclaim for a trio of off-Broadway 1970s plays: ''The Duck Variations'', ''Sexual Perversity in Chicago'', and ''American Buffalo (play), American Buffalo''. His plays ''Race (play), Race'' and ''The Penitent (play), The Penitent'', respectively, opened on Broadway theater, Broadway in 2009 and previewed off-Broadway in 2017. Feature films that Mamet both wrote and directed include ''House of Games'' (1987), ''Homicide (1991 film), Homicide'' (1991), ''The Spanish Prisoner'' (1997), and his biggest commercial success, ''Heist (2001 film), Heist'' (2001). His screenwriting credits include ''The Postman Always Rings Twice (1981 film), The Postman Always Rings Twice'' (1981), ''The Verdict'' (1982), ''The Untouchables (film), ...
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2006 Documentary Films
6 (six) is the natural number following 5 and preceding 7. It is a composite number and the smallest perfect number. In mathematics Six is the smallest positive integer which is neither a square number nor a prime number; it is the second smallest composite number, behind 4; its proper divisors are , and . Since 6 equals the sum of its proper divisors, it is a perfect number; 6 is the smallest of the perfect numbers. It is also the smallest Granville number, or \mathcal-perfect number. As a perfect number: *6 is related to the Mersenne prime 3, since . (The next perfect number is 28.) *6 is the only even perfect number that is not the sum of successive odd cubes. *6 is the root of the 6-aliquot tree, and is itself the aliquot sum of only one other number; the square number, . Six is the only number that is both the sum and the product of three consecutive positive numbers. Unrelated to 6's being a perfect number, a Golomb ruler of length 6 is a "perfect ruler". Six is a con ...
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Films Directed By Samir Mallal
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ...
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Films Directed By Ben Addelman
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ...
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National Film Board Of Canada Documentaries
National may refer to: Common uses * Nation or country ** Nationality – a ''national'' is a person who is subject to a nation, regardless of whether the person has full rights as a citizen Places in the United States * National, Maryland, census-designated place * National, Nevada, ghost town * National, Utah, ghost town * National, West Virginia, unincorporated community Commerce * National (brand), a brand name of electronic goods from Panasonic * National Benzole (or simply known as National), former petrol station chain in the UK, merged with BP * National Car Rental, an American rental car company * National Energy Systems, a former name of Eco Marine Power * National Entertainment Commission, a former name of the Media Rating Council * National Motor Vehicle Company, Indianapolis, Indiana, USA 1900-1924 * National Supermarkets, a defunct American grocery store chain * National String Instrument Corporation, a guitar company formed to manufacture the first resonator g ...
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Canadian Documentary Films
Canadians (french: Canadiens) are people identified with the country of Canada. This connection may be residential, legal, historical or cultural. For most Canadians, many (or all) of these connections exist and are collectively the source of their being ''Canadian''. Canada is a multilingual and multicultural society home to people of groups of many different ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. Following the initial period of French and then the much larger British colonization, different waves (or peaks) of immigration and settlement of non-indigenous peoples took place over the course of nearly two centuries and continue today. Elements of Indigenous, French, British, and more recent immigrant customs, languages, and religions have combined to form the culture of Canada, and thus a Canadian identity. Canada has also been strongly influenced by its linguistic, geographic, and ec ...
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Quebec Films
The history of cinema in Quebec started on June 27, 1896 when the Frenchman Louis Minier inaugurated the first movie projection in North America in a Montreal theatre room. However, it would have to wait until the 1960s before a genuine Quebec cinema industry would emerge. Approximately 620 feature-length films have been produced, or partially produced by the Quebec film industry since 1943. Due to language and cultural differences between the predominantly francophone population of Quebec and the predominantly anglophone population of the rest of Canada, Quebec's film industry is commonly regarded as a distinct entity from its English Canadian counterpart. In addition to participating in Canada's national Genie Awards, the Quebec film industry also maintains its own awards ceremony, the Prix Iris (formerly known as Jutra). In addition, the popularity of homegrown French language films among Quebec audiences, as opposed to English Canadians' preference for Hollywood films, mean ...
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2006 Films
The following is an overview of events in 2006, including the highest-grossing films, award ceremonies and festivals, a list of films released and notable deaths. Evaluation of the year Legendary film critic Philip French of ''The Guardian'' described 2006 as "an outstanding year for British cinema". He went on to emphasize, "Six of our well-established directors have made highly individual films of real distinction: Michael Winterbottom's ''A Cock and Bull Story'', Ken Loach's Palme d'Or winner '' The Wind That Shakes the Barley'', Christopher Nolan's ''The Prestige'', Stephen Frears's ''The Queen'', Paul Greengrass's '' United 93'' and Nicholas Hytner's ''The History Boys''. Two young directors made confident debuts, both offering a jaundiced view of contemporary Britain: Andrea Arnold's Red Road and Paul Andrew Williams's London to Brighton. In addition the gifted Mexican Alfonso Cuaron came here to make the dystopian thriller '' Children of Men''." He also stated, "In the (Un ...
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Nalini By Day, Nancy By Night
''Nalini by Day, Nancy by Night'' is a 2005 documentary film by filmmaker Sonali Gulati. This film explores business process outsourcing in India. Told from the perspective of an Indian living in the United States, the film provides a glimpse into India's call centers, where telemarketers acquire American names and accents to service the telephone-support industry of the U.S. The film incorporates animation as a way to build in personal narrative in a doodle-like manner. It also includes live action footage which takes the form of cinema verité and innovatively edited interviews, and archival footage that provides contextual analysis to the socio-political history of globalization and capitalism. The film is a commentary on identity in the new millennium that intersects diaspora with global outsourcing. It was first shown at the 2005 Margaret Mead Film Festival. Awards *Director's Choice Award, Black Maria Film & Video Festival 2006 *2nd Prize NextFrame Film Festival *1st P ...
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