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Boismortier
Joseph Bodin de Boismortier (23 December 1689 – 28 October 1755) was a French baroque composer of instrumental music, cantatas, opéra-ballets, and vocal music. Boismortier was one of the first composers to have no patrons: having obtained a royal licence for engraving music in 1724, he made enormous sums of money by publishing his music for sale to the public. Biography The Boismortier family moved from the composer's birthplace in Thionville (in Lorraine) to the town of Metz where he received his musical education from Joseph Valette de Montigny, a well-known composer of motets. The Boismortier family then followed Montigny and moved to Perpignan in 1713 where Boismortier found employment in the Royal Tobacco Control. Boismortier married Marie Valette, the daughter of a rich goldsmith and a relative of his teacher Montigny. In 1724 Boismortier and his wife moved to Paris where he began a prodigious composition career, writing for many instruments and voices. He was proli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boismortier Par Ranc
Joseph Bodin de Boismortier (23 December 1689 – 28 October 1755) was a French baroque composer of instrumental music, cantatas, opéra-ballets, and vocal music. Boismortier was one of the first composers to have no patrons: having obtained a royal licence for engraving music in 1724, he made enormous sums of money by publishing his music for sale to the public. Biography The Boismortier family moved from the composer's birthplace in Thionville (in Lorraine) to the town of Metz where he received his musical education from Joseph Valette de Montigny, a well-known composer of motets. The Boismortier family then followed Montigny and moved to Perpignan in 1713 where Boismortier found employment in the Royal Tobacco Control. Boismortier married Marie Valette, the daughter of a rich goldsmith and a relative of his teacher Montigny. In 1724 Boismortier and his wife moved to Paris where he began a prodigious composition career, writing for many instruments and voices. He was pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suzanne Bodin De Boismortier
Suzanne Bodin de Boismortier (13 November 1722 in Perpignan – 25 June 1799 in Paris) was an 18th-century French femme de lettres. She was the daughter of composer Joseph Bodin de Boismortier Joseph Bodin de Boismortier (23 December 1689 – 28 October 1755) was a French baroque composer of instrumental music, cantatas, opéra-ballets, and vocal music. Boismortier was one of the first composers to have no patrons: having obtained a ro ... and Marie Valette, daughter of a Catalan goldsmith. The details of her life are unknown, except that she acquired a certain reputation by publishing several plays and two novels: ''Mémoires historiques de la Comtesse de Mariemberg'' (Amsterdam, 1751) an''Histoire de Jacques Feru et de la valeureuse demoiselle Agathe Mignard''(The Hague, 1766). The authorship of ''Histoires morales suivies d'une correspondance épistolaire entre deux dames'' (Paris, 1768) has also been attributed to Suzanne Bodin de Boismortier.''Histoires morales suivies d' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Quichotte Chez La Duchesse
''Don Quichotte chez la Duchesse'' (''Don Quixote at the Duchess'') is a "comic ballet" ('' comédie lyrique'') by the French baroque composer Joseph Bodin de Boismortier. Although it is described as a ballet, it is sung throughout with a libretto by Charles Simon Favart. Performance history It was first performed on 12 February 1743 at the Académie Royale de Musique et de Dance in Paris. Roles *Don Quichotte, ''haute-contre'' Jean-Antoine Bérard *Sancho Pança, ''taille'' (baritenor) Louis-Antoine Cuvilliers *Altisidore, soprano Marie Fel *Peasant girl, soprano Mlle Bourbonnois *Woman, soprano *Duke, bass *Merlin, ''basse-taille'' ( bass-baritone) Person *Montésinos, ''basse-taille'' Albert *Japanese man, ''basse-taille'' Person *Japanese woman, soprano Marie Fel *Enchanted lovers, sopranos Mlles Clairon and Gondré *Ballerinas, Marie Anne de Cupis de Camargo and Mimi Dallemand *Male dancers, David Dumoulin, Louis Dupré and Jean-Barthélemy Lany Synopsis The opera is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bassline, bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bassoon
The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity. It is a non-transposing instrument and typically its music is written in the bass and tenor clefs, and sometimes in the treble. There are two forms of modern bassoon: the Buffet (or French) and Heckel (or German) systems. It is typically played while sitting using a seat strap, but can be played while standing if the player has a harness to hold the instrument. Sound is produced by rolling both lips over the reed and blowing direct air pressure to cause the reed to vibrate. Its fingering system can be quite complex when compared to those of other instruments. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band, and chamber music literature, and is occasionally heard in pop, r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thionville
Thionville (; ; german: Diedenhofen ) is a city in the northeastern French department of Moselle. The city is located on the left bank of the river Moselle, opposite its suburb Yutz. History Thionville was settled as early as the time of the Merovingians. After the fall of the Western Roman Empire, the region was inhabited by the Germanic Alamanni. It was known in the Latin of that era as ''Theudonevilla'' or ''Totonisvilla''. King Pepin the Short had a royal palace constructed here. The Synod of Thionville was held here beginning on February 2, 835. It reinstated Emperor Louis the Pious and reversed his former conviction on crimes — none of which he actually committed — and deposed the Archbishop of Rheims, Ebbo. The Synod was composed of 43 bishops. On February 28, 835, in Mainz, Ebbo admitted that Louis had not committed the crimes of which he had been indicted and for which he had been deposed as Holy Roman Emperor. From the 10th century onward, the area ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Blavet
Michel Blavet (March 13, 1700 – October 28, 1768) was a French composer and flute virtuoso. Although Blavet taught himself to play almost every instrument, he specialized in the bassoon and the flute which he held to the left, the opposite of how most flutists hold theirs today. Quantz wrote of Blavet: "His amiable disposition and engaging manner gives rise to a lasting friendship between us and I am much indebted to him for his numerous acts of kindness." Life Born on March 13, 1700 in Besançon as the son of wood turner Jean-Baptiste Blavet, (though one source says he was baptised, rather than born on March 13) a profession which he followed for some time, he accidentally became the possessor of a flute and soon became the finest player in France. Blavet was famous for maintaining impeccable intonation, even when he played in difficult keys, and for the beauty of his tone. Voltaire expressed his admiration for his playing and Marpurg spoke of him as a virtuoso of the highest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie Lyrique
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastorale Héroïque
Pastorale héroïque was a type of ballet héroïque, a form of the opéra-ballet genre of French Baroque opera. The first work to bear the name was Jean-Baptiste Lully's final completed opera ''Acis et Galatée'' (1686), although musical works on pastoral themes had already appeared on the French stage. The pastorale héroïque usually drew on classical subject matter associated with pastoral poetry. Like the tragédie en musique, it had an allegorical prologue; however, its structure consisted of three acts, rather than the five of the tragédie en musique. Later examples were written by Jean-Philippe Rameau; these include ''Zaïs'' (1748) and '' Naïs'' (1749), and ''Acante et Céphise'' (1751). Bibliography *Powers, D M ''The 'Pastorale Héroïque': Origins and Development of a Genre of French Opera in the 17th and 18th Centuries'' (dissertation, University of Chicago, 1988) Sources *Sadie, Stanley ed. (1992), 'Pastorale-héroïque' in ''The New Grove Dictionary of Opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
