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Bo-Diddley Beat
The Bo Diddley beat is a syncopated musical rhythm that is widely used in rock and roll and pop music. The beat is named after rhythm and blues musician Bo Diddley, who introduced and popularized the beat with his self-titled debut single, " Bo Diddley", in 1955. Music educator and author Michael Campbell describes the Bo Diddley beat as: History and composition The Bo Diddley beat is a variation of the 3-2 clave, one of the most common bell patterns found in Afro-Cuban music that has been traced to sub-Saharan African music traditions. It is also akin to the rhythmic pattern known as " shave and a haircut, two bits", that has been linked to Yoruba drumming from West Africa. A folk tradition called " hambone", a style used by street performers who play out the beat by slapping and patting their arms, legs, chest, and cheeks while chanting rhymes has also been suggested. According to musician and author Ned Sublette, "In the context of the time, and especially those ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sub-Saharan African Music Traditions
In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. The beats and sounds of the drum are used in communication as well as in cultural expression. African dances are largely participatory: there are traditionally no barriers between dancers and onlookers except with regard to spiritual, religious and initiation dances. Even ritual dances often have a time when spectators participate. Dances help people work, mature, praise or criticize members of the community, celebrate festivals and funerals, compete, recite history, proverbs and poetry and encounter gods. They inculcate social patterns and values. Many dances are performed by only males or females. Dances are often segregated by gender, reinforcing g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rolling Stone
''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, San Francisco, California, in 1967 by Jann Wenner, and the music critic Ralph J. Gleason. It was first known for its coverage of rock music and political reporting by Hunter S. Thompson. In the 1990s, the magazine broadened and shifted its focus to a younger readership interested in youth-oriented television shows, film actors, and popular music. It has since returned to its traditional mix of content, including music, entertainment, and politics. The first magazine was released in 1967 and featured John Lennon on the cover and was published every two weeks. It is known for provocative photography and its cover photos, featuring musicians, politicians, athletes, and actors. In addition to its print version in the United States, it publishes content through Rollingstone.com and numerous international editions. Penske Media Corporation is the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Set
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral music s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Green
Jerome Green (c.1934 – c.1973) was an American percussionist and occasional lyricist and vocalist, known for playing maracas and acting as Bo Diddley's foil in his performances and on his recordings in the 1950s and early 1960s. Biography Green grew up in Chicago, and was a neighbor of Ellas McDaniel, later known as Bo Diddley, who was older by a few years. According to some sources, Green played tuba, but, when Bo Diddley performed on street corners and outside theaters from about 1950, he used Green to collect money from bystanders. Needing to add percussion to boost his sound, but not wanting to have to carry a drum kit between venues, he recruited Green to play maracas, which he made out of toilet floats filled with black-eyed peas. Bo Diddley said: "I taught Jerome how to play those maracas... They gave.. the unique sound, that jungle-type rhythm feel..". Referring to himself, Green, and bassist Roosevelt Jackson, he commented: "We used to be three dudes going down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin Music (genre)
Latin music (Portuguese and es, música latina) is a term used by the music industry as a catch-all category for various styles of music from Ibero-America (including Spain and Portugal) and the Latino United States inspired by Latin American, Spanish and Portuguese music genres, as well as music that is sung in either Spanish and/or Portuguese. Terminology and categorization Because the majority of Latino immigrants living in New York City in the 1950s were of Puerto Rican or Cuban descent, "Latin music" had been stereotyped as music simply originating from the Spanish Caribbean. The popularization of bossa nova and Herb Alpert's Mexican-influenced sounds in the 1960s did little to change the perceived image of Latin music. Since then, the music industry classifies all music sung in Spanish or Portuguese as Latin music, including musics from Spain and Portugal. Following protests from Latinos in New York, a category for Latin music was created by National Recording Ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caribbean Music
Caribbean music genres are very diverse. They are each synthesis of African, European, Arab, Asian, and Indigenous influences, largely created by descendants of African slaves (see Afro-Caribbean music), along with contributions from other communities (such as Indo-Caribbean music). Some of the styles to gain wide popularity outside the Caribbean include, bachata, merengue, palo, mambo, denbo, baithak gana, bouyon, cadence-lypso, calypso, soca, chutney, chutney-soca, compas, dancehall, jing ping, parang, pichakaree, punta, ragga, reggae, dembow, reggaeton, salsa, soca, and zouk. Caribbean music is also related to Central American and South American music. The history of Caribbean music originates from the history of the Caribbean itself. That history is one of the native land invaded by outsiders; violence, slavery, and even genocide factor in. Following Christopher Columbus' 1492 landing, Spain claimed the entire region as its own. That didn't sit well with either the nat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maracas
A maraca (), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas (from Guaranà ), also known as tamaracas, were rattles of divination, an oracle of the Brazilian Tupinamba people, found also with other Indigenous ethnic groups, such as the Guarani, Orinoco and in Florida. Rattles made from ''Lagenaria'' gourds are being shaken by the natural grip, while the round ''Crescentia'' calabash fruits are fitted to a handle. Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which their shamans (''payes'') made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the (scarlet ibis). Every man had his maraca. It was used at their dances and to heal the sick. Andean curandero A ''curandero'' (, healer; f. , also spelled , , f. ) is a traditional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke University Press
Duke University Press is an academic publisher and university press affiliated with Duke University. It was founded in 1921 by William T. Laprade as The Trinity College Press. (Duke University was initially called Trinity College). In 1926 Duke University Press was formally established. Ernest Seeman became the first director of DUP, followed by Henry Dwyer (1929-1944), W.T. LaPrade (1944-1951), Ashbel Brice (1951-1981), Richard Rowson (1981-1990), Larry Malley (1990-1993), Stanley Fish and Steve Cohn (1994-1998), Steve Cohn (1998-2019). Writer Dean Smith is the current director of the press. It publishes approximately 150 books annually and more than 55 academic journals, as well as five electronic collections. The company publishes primarily in the humanities and social sciences but is also particularly well known for its mathematics journals. The book publishing program includes lists in African studies, African American studies, American studies, anthropology, art and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ned Sublette
Ned Sublette (born 1951 in Lubbock, Texas) is an American composer, musician, record producer, musicologist, historian, and author. Sublette studied Spanish Classical Guitar with Hector Garcia at the University of New Mexico and with Emilio Pujol in Spain. He studied composition with Kenneth Gaburo at the University of California, San Diego. He grew up in Portales, New Mexico, moved to New York City in 1976, and has worked with John Cage, LaMonte Young, Glenn Branca, and Peter Gordon. Music performance As a performer, Sublette is probably best known for fusing country-western and afro-Caribbean styles including salsa, cumbia and rumba, as reflected on the 1999 album "Cowboy Rumba", as well as his 2012 second album ''Kiss You Down South''. He is also a leading scholar of Cuban music. His label Qbadisc releases Cuban music in the United States and he has released music by Latin musicians including Ritmo Oriental and Issac Delgado and has co-produced Public Radio International' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hal Leonard
HAL may refer to: Aviation * Halali Airport (IATA airport code: HAL) Halali, Oshikoto, Namibia * Hawaiian Airlines (ICAO airline code: HAL) * HAL Airport, Bangalore, India * Hindustan Aeronautics Limited an Indian aerospace manufacturer of fighter aircraft and helicopters Businesses * HAL Allergy, a Dutch pharmaceutical company * HAL Computer Systems, a defunct computer manufacturer * HAL Laboratory, a Japanese video game developer * Halliburton's New York Stock Exchange ticker symbol * Hamburg America Line, a shipping company * Hindustan Aeronautics Limited, an Indian aerospace manufacturer of fighter aircraft and helicopters * Hindustan Antibiotics Limited, an Indian public sector pharmaceutical manufacturer * Holland America Line, a cruise ship operator * HAL FM, or CHNS-FM, a classic rock station in Halifax, Nova Scotia Computing * Hardware abstraction layer, a layer of software that hides hardware differences from higher level programs * HAL (software), an implementation o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juba Dance
The Juba dance or hambone, originally known as Pattin' Juba (Giouba, Haiti: Djouba), is an African-American style of dance that involves stomping as well as slapping and patting the arms, legs, chest, and cheeks (clapping). "Pattin' Juba" would be used to keep time for other dances during a walkaround. A Juba dance performance could include: *counter-clockwise turning, often with one leg raised *stomping and slapping *steps such as "the Jubal Jew", " Yaller Cat", "Pigeon Wing" and "Blow That Candle Out". The dance traditionally ends with a step called " the Long Dog Scratch". Modern variations on the dance include Bo Diddley's "Bo Diddley Beat" and the step-shows of African American Greek organizations. History of the dance The Juba dance was originally brought by Kongo slaves to Charleston, South Carolina. It became an African-American plantation dance that was performed by slaves during their gatherings when no rhythm instruments were allowed due to fear of secret codes h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
