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Blues In The Closet (Bud Powell Album)
''Blues in the Closet'' is a studio album by the Jazz piano, jazz pianist Bud Powell. Released in 1958 by Verve Records, Verve, it contains a session that Powell recorded at Fine Sound Studios in New York in September 1956. The album was released as a CD replica by Verve (Japan) in 2006 (POCJ-2744). The sessions (with alternate takes) are also available on ''The Complete Bud Powell on Verve'' (1994) CD box set. History This session is the last that Powell recorded for Verve, and re-unites him with Ray Brown (musician), Ray Brown for the first time (in the studio at least) since the first Verve sessions back in 1949-50. Fittingly, it ends with "52nd Street Theme", the traditional closing number in the heyday of bebop in the nineteen-forties. Track listing 12" LP (MGV 8218) # "When I Fall in Love" (Victor Young, Edward Heyman) – 1:42 # "My Heart Stood Still" (Richard Rodgers, Lorenz Hart) – 3:33 # "Blues in the Closet" (aka "Collard Greens and Black Eyed Peas") (Harry Bab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bud Powell
Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) was an American jazz pianist and composer. Along with Charlie Parker, Thelonious Monk, Kenny Clarke and Dizzy Gillespie, Powell was a leading figure in the development of modern jazz. His virtuosity led many to call him the Charlie Parker of the piano. Powell was also a composer, and many jazz critics credit his works and his playing as having "greatly extended the range of jazz harmony".Grove Life and career Early life He was born in Harlem, New York, United States. Powell's father was a stride pianist.Gitler, p. 112. Powell started classical piano lessons at the age of five. His teacher, hired by his father, was a West Indian man named Rawlins. At 10 years of age, Powell showed interest in the swing music that could be heard all over the neighborhood. He first appeared in public at a rent party,Crawford, p. 12. where he mimicked Fats Waller's playing style. The first jazz composition that he mastered was Ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Babasin
Yervant Harry Babasin, Jr. (19 March 1921 – 21 May 1988) was an American jazz bassist. His nickname was "The Bear". Biography Babasin was born in Dallas, Texas to an American mother and an Armenian father. He attended North Texas State University, one of many noted jazz alumni from the school. Among them were Jimmy Giuffre, with whom Babasin played in Bill Ware's orchestra around 1940, and Herb Ellis, who played with Babasin in the Charlie Fisk Orchestra starting in 1942. Fisk actually fired his rhythm section after hearing Ellis and Babasin play, and after he was admitted, Babasin quit school to go on tour with Fisk. He also toured in the 1940s with Jimmy Joy, Bob Strong, Billie Rogers, Gene Krupa, Charlie Barnet, Boyd Raeburn, Benny Goodman, Woody Herman, Frank DeVol, and Jerry Gray. He also appeared in ''A Song Is Born'', one of many jazz stars to play roles in the film. On the set of the film, he met Brazilian guitarist Laurindo Almeida, and the two began jamming together; a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Didn't Know What Time It Was
"I Didn't Know What Time It Was" is a popular song composed by Richard Rodgers with lyrics by Lorenz Hart for the 1939 musical '' Too Many Girls''. Introduced by Richard Kollmar and Marcy Westcott in the stage musical, early hit versions were recorded by Benny Goodman (vocal by Louise Tobin) and by Jimmy Dorsey (vocal by Bob Eberly). It was then performed by Trudy Erwin (dubbing for Lucille Ball) and Richard Carlson in the 1940 film adaptation produced by RKO. The song was later interpolated into the score of the 1957 film '' Pal Joey,'' sung by Frank Sinatra. Recordings * Artie Shaw - Shadows / I Didn't Know What Time It Was (1939) * Charlie Parker – ''Charlie Parker with Strings'' (1949) * Peggy Lee – '' Black Coffee'' (1953) * Louis Jordan (1954) * Ella Fitzgerald - ''Ella Fitzgerald Sings the Rodgers and Hart Songbook'' (1956) * Stan Getz and Gerry Mulligan – ''Gerry Mulligan Meets Stan Getz'' (1957) * Billie Holiday – ''Songs for Distingué Lovers'' (1957) * Benny G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Now's The Time (composition)
"Now's the Time" is a composition by Charlie Parker. He led the first recording of it, on November 26, 1945. Background and composition "Although Parker was capable of writing intricate bebop melody lines, he sometimes stepped back from his more progressive leanings and drew on his Kansas City jazz roots in crafting simpler, bluesier compositions – of which 'Now's the Time' is a case in point." It is a riff-based blues, with typical bebop phrase endings at the end of bars 5 and 6.Priestley, Brian (2005) ''Chasin' the Bird''. Equinox. pp. 50, 209. Original recording "Now's the Time" was first recorded on November 26, 1945, by Charlie Parker's Reboppers: Parker (alto sax), Miles Davis (trumpet), Dizzy Gillespie or Sadik Hakim (piano), Curley Russell (bass), and Max Roach (drums)."Charlie Parker – Complete Savoy & Dial Sessions" (CD liner notes). Definitive Records. DRCD 44402. Multiple takes were made; ''The Penguin Guide to Jazz'' suggests that "Parker's solo on the third take ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Weston
Paul Weston (born Paul Wetstein; March 12, 1912 – September 20, 1996) was an American pianist, arranger, composer, and conductor who worked in music and television from the 1930s to the 1970s, pioneering mood music and becoming known as "the Father of Mood Music". His compositions include popular music songs such as "I Should Care", " Day by Day", and "Shrimp Boats". He also wrote classical pieces, including "Crescent City Suite" and religious music, authoring several hymns and masses. Born in Springfield, Massachusetts, Weston had a keen interest in music from an early age and learned to play the piano. He was educated at Springfield High School, then attended Dartmouth College and Columbia University. At Dartmouth he formed his own band and toured with the college band. He joined Columbia's dance band, The Blue Lions, but was temporarily unable to perform following a rail accident, and did some arrangements while he recovered. He sold his first arrangements to Joe Haymes i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Axel Stordahl
Axel Stordahl (August 8, 1913 – August 30, 1963) was an American arranger who was active from the late 1930s through the 1950s. He is perhaps best known for his work with Frank Sinatra in the 1940s at Columbia Records. With his sophisticated orchestrations, Stordahl is credited with helping to bring pop arranging into the modern age. Early years Stordahl was born in Staten Island, New York, United States, to Norwegian immigrant parents. He began his career as a trumpeter in jazz bands that played around Long Island and the Catskills during the late 1920s and early 1930s. He also began arranging around this time, and in 1933 he joined Bert Bloch's orchestra in both capacities. Over the next couple of years, Stordahl sang on the side in a vocal trio dubbed the Three Esquires. Big bands In 1936, he joined Tommy Dorsey's new orchestra and soon became the band's main arranger. The same year appeared their first big hit, "I'm Getting Sentimental Over You". The tune quickly beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sammy Cahn
Samuel Cohen (June 18, 1913 – January 15, 1993), known professionally as Sammy Cahn, was an American lyricist, songwriter, and musician. He is best known for his romantic lyrics to films and Broadway songs, as well as stand-alone songs premiered by recording companies in the Greater Los Angeles Area. He and his collaborators had a series of hit recordings with Frank Sinatra during the singer's tenure at Capitol Records, but also enjoyed hits with Dean Martin, Doris Day and many others. He played the piano and violin, and won an Oscar four times for his songs, including the popular hit " Three Coins in the Fountain". Among his most enduring songs is "Let It Snow! Let It Snow! Let It Snow!", cowritten with Jule Styne in 1945. Life and career Cahn was born Samuel Cohen in the Lower East Side of New York City, the only son (he had four sisters) of Abraham and Elka Reiss Cohen, who were Jewish immigrants from Galicia, then ruled by Austria-Hungary. His sisters, Sadye, Pearl, Flor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Should Care
"I Should Care" is a popular song with music by Axel Stordahl and Paul Weston and lyrics by Sammy Cahn, published in 1944. Cahn said that the title came to him by the time they played the first 4 bars. It first appeared in the MGM film '' Thrill of a Romance''. The original recording by Ralph Flanagan and His Orchestra, with vocalists: Harry Prime and The Singing Winds was made at Manhattan Center, New York City, on July 18, 1952. It was released by RCA Victor Records as catalog number 20-4885 (in USA) and by EMI on the His Master's Voice labels as catalog number B 10389. The song has become a popular standard, and a jazz standard, with recordings by many artists. Notable recordings * Frank Sinatra – 1945 recording with orchestra directed by Axel Stordahl ( 78 single B-side of "When Your Lover Has Gone") * Peggy Lee – 1945 transcription recording with Dave Barbour and His Orchestra *Harry James – 1946 recording live at Meadowbrook Gardens, CA (''One Night Stand With Harry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woody 'n You
"Woody 'n' You", is a 1942 jazz standard written by Dizzy Gillespie as an homage to Woody Herman. It was one of three arrangements Gillespie made for Herman's big band, although it was not used at the time; the other two were "Swing Shift" and "Down Under". It was introduced on record in 1944 by Coleman Hawkins initiated by Budd Johnson, Hawkins' musical director of his 12-man orchestra that included the bebop pioneers Oscar Pettiford, Max Roach and Gillespie. Structure The 32-bar composition is in AABA form. The A section "consists of three two-measure sequences on ii-V chords, ending on the tonic (D)": Gm7(5) – C7(9) – Fm7(5) – B7(9) – Em7(5) – A7(9) – Dmaj9 Covers * Miles Davis recorded the song three times, ''Miles Davis Volume 1'', '' Relaxin' with the Miles Davis Quintet'', and the rare '' Amsterdam Concert''. * Hampton Hawes played it in 1956 in his ''All Night Session! Vol. 2 ''All Night Session! Vol. 2'' is the second album by pianist Hampton Hawes from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
