Blue Room (1926 Song)
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Blue Room (1926 Song)
"Blue Room" is a show tune from the 1926 Rodgers and Hart musical ''The Girl Friend'', where it was introduced by Eva Puck and Sammy White. It is also a jazz standard. Early recordings *It was recorded by The Revelers on June 8, 1926, and originally released by Victor as catalog number 20082B, with the flip side "Valencia"; it was re-released by Victor as catalog number 24707, with the flip side " Dancing in the Dark". *In June 1927, while the Hamilton Sisters and Fordyce were on tour in England, they recorded two versions of this song: one with The Savoy Orpheans, and the other with Bert Ambrose and His Orchestra. *Another recording was made on October 17, 1933, by the Dorsey Brothers Orchestra, and released by Brunswick Records as catalog number 6722, with the flip side "Fidgety Feet". *Another recording was made on July 16, 1934, by Isham Jones and his orchestra, and released by Victor Records as catalog number 24701A, with the flip side "Georgia Jubilee". *Another recording was ...
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Showtune
A show tune is a song originally written as part of the score of a work of musical theatre or musical film, especially if the piece in question has become a standard, more or less detached in most people's minds from the original context. Though show tunes vary in style, they do tend to share common characteristics—they usually fit the context of a story being told in the original musical, they are useful in enhancing and heightening choice moments. A particularly common form of show tune is the "I Want" song, which composer Stephen Schwartz noted as being particularly likely to have a lifespan outside the show that spawned it. Show tunes were a major venue for popular music before the rock and roll and television era; most of the hits of such songwriters as Jerome Kern, Cole Porter, and George Gershwin came from their shows. (Even into the television and rock era, a few stage musicals managed to turn their show tunes into major pop music hits, sometimes aided by film ...
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Vocalion Records
Vocalion Records is an American record company and label. History The label was founded in 1916 by the Aeolian Company, a maker of pianos and organs, as Aeolian-Vocalion; the company also sold phonographs under the Vocalion name. "Aeolian" was later dropped from the label's name. In late 1924, the label was acquired by Brunswick Records. During the 1920s, Vocalion also began the 1000 race series, records recorded by and marketed to African Americans. Jim Jackson recorded "Jim Jackson's Kansas City Blues" for Vocalion in 1927. It sold exceptionally well, and the song became a blues standard for musicians from Memphis and Mississippi. The label issued Robert Johnson's "Cross Road Blues" The name Vocalion was resurrected in the late 1950s by American Decca as a budget label for back-catalog reissues. This incarnation of Vocalion ceased operations in 1973; however, its replacement as MCA's budget imprint, Coral Records Coral Records was a subsidiary of Decca Records that was fo ...
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Perry Como
Pierino Ronald "Perry" Como (; May 18, 1912 – May 12, 2001) was an Italian-American singer, actor and television personality. During a career spanning more than half a century, he recorded exclusively for RCA Victor for 44 years, after signing with the label in 1943. He recorded primarily vocal pop and was renowned for recordings in the intimate, easy-listening genre pioneered by multi-media star Bing Crosby. "Mr. C.", as he was nicknamed, sold millions of records and pioneered a weekly musical variety television show. His weekly television shows and seasonal specials were broadcast throughout the world. In the official RCA Records Billboard (magazine), ''Billboard'' magazine memorial, his life was summed up in these few words: "50 years of music and a life well lived. An example to all." Como received five Emmy Award, Emmys from 1955 to 1959, and a Christopher Award in 1956. He also shared a Peabody Award with good friend Jackie Gleason in 1956. He received a Kennedy Cente ...
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Words And Music (1948 Film)
''Words and Music'' is a 1948 American biographical musical film loosely based on the creative partnership of the composer Richard Rodgers and lyricist Lorenz Hart. The film stars Mickey Rooney as Hart and Tom Drake as Rodgers, along with Janet Leigh, Betty Garrett, Ann Sothern and numerous musical stars. It was the second in a series of MGM biopics about Broadway composers; it was preceded by ''Till the Clouds Roll By'' (Jerome Kern, 1946) and followed by '' Three Little Words'' ( Kalmar and Ruby, 1950) and '' Deep in My Heart'' (Sigmund Romberg, 1954). The film is best remembered for featuring the final screen pairing of Rooney and Judy Garland, and for the lavish showcasing of the Rodgers and Hart catalogue of songs. The script, as in many similar films of the era, was heavily fictionalized. It sanitized Hart's complex psychological problems and self-destructive behavior, which led to the break-up of the writing partnership and contributed to Hart's early death. In keeping wit ...
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MGM Records
MGM Records was a record label founded by the Metro-Goldwyn-Mayer film studio in 1946 for the purpose of releasing soundtrack recordings (later LP albums) of their musical films. It transitioned into a pop music label that continued into the 1970s. The company also released soundtrack albums of the music for some of their non-musical films as well, and on rare occasions, cast albums of off-Broadway musicals such as ''The Fantasticks'' and the 1954 revival of ''The Threepenny Opera''. In one instance, MGM Records released the highly successful soundtrack album of a film made by another studio, Columbia Pictures's ''Born Free'' (1966). Background There was also a short-lived Metro-Goldwyn-Mayer Records of 1928, which produced recordings of music featured in MGM movies, not sold to the general public but made to be played in movie theater lobbies. These Metro-Goldwyn-Mayer records were manufactured under contract with the studio by Columbia Records. History Soundtrack albu ...
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Mark Warnow
Mark Warnow (April 10, 1900 – October 17, 1949) was a violinist and orchestra conductor, who performed on the radio in the 1930s and 1940s. He was the older brother of composer and bandleader Raymond Scott, born Harry Warnow, and is credited with steering his younger brother into a career in music. Early years Warnow was born in Monastyrishche, Kiev Governorate, Russian Empire to Jewish parents; he immigrated with them to the United States in 1907. (according to other sources, age 5). Warnow grew up in Brooklyn, New York. He attended Public School 100 and Eastern District High School, where he was a soloist as a violinist in the school's orchestra. Career When he was 17, Warnow became the Massel Opera's musical director. From that, he became the Ziegfeld Follies' musical director. That was followed by a stint as bandleader for the Music Box Revue. Radio Warnow enjoyed a lengthy and versatile career with the CBS Radio network. He was CBS music director in the early 1930s, ...
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Pretty Baby (Tony Jackson Song)
"Pretty Baby" is a song written by Tony Jackson during the Ragtime era. The song was remembered as being prominent in Jackson's repertory before he left New Orleans in 1912, but was not published until 1916. The background as to how the song came to be published has been confused over the years. However, it appears that composer Egbert Van Alstyne and lyricist Gus Kahn were writing partners. Whilst Van Alstyne was Chicago manager of music publishers Jerome H. Remick & Company, they heard Tony Jackson singing the song one evening at a Chicago nightspot. Van Alstyne and Kahn liked the melody, but felt the lyrics were unsuitable for mass consumption. This resulted in Jackson being paid $250 for the rights to the tune, and Kahn re-writing the lyrics, with Van Alstyne adding a verse, which he took from one of his earlier unsuccessful songs. Jackson's name was included on the sheet music. The song was quickly interpolated into the Broadway show ''A World of Pleasure'' (which ran from Oc ...
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Sometimes I'm Happy
"Sometimes I'm Happy" is a popular song. The music was written by Vincent Youmans, the lyrics by Irving Caesar. The song was originally published in 1923 under the title "Come On And Pet Me," with lyrics by Oscar Hammerstein II and William Cary Duncan. Background It was originally intended for the Broadway musical ''Mary Jane McKane,'' but was cut before the show opened. The music was subsequently used, with new lyrics and title, in the short-lived 1925 musical ''A Night Out,'' and in the musical '' Hit the Deck,'' starring Stanley Holloway and opening in April 1927. The song was performed in '' Hit the Deck'' by Charles King and Louise Groody, who also made a recording for Victor Records, catalog number 20609. The best-selling versions were by King and Groody and by Roger Wolfe Kahn (with vocal by Franklyn Baur), also issued by Victor (catalog number 20599). Two other versions, a duet by Baur and Gladys Rice on Columbia Records (catalog number 998-D) and a vocal by Vaugh ...
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Eddy Duchin
Edwin Frank Duchin (April 1, 1909 – February 9, 1951), commonly known as Eddy Duchin or alternatively Eddie Duchin, was an American jazz pianist and bandleader during the 1930s and 1940s. Early career Duchin was born on April 1, 1909 in Cambridge, Massachusetts, United States, to Bessarabian Jewish immigrants Tillie (née Baron; 1885 – March 21, 1962) and Frank Duchin (June 2, 1885 – May 15, 1957). After graduating from Beverly High School, he attended the Massachusetts College of Pharmacy and was originally a pharmacist before turning full-time to music and beginning his new career with Leo Reisman's orchestra at the Central Park Casino in New York, an elegant nightclub where he became popular in his own right, causing strife between him and Reisman. By 1932, Reisman's contract with the Central Park Casino was being terminated, leaving violinist Leo Kahn as the interim leader of the orchestra. After 6 weeks, Duchin had assumed Kahn's place as the orchestra's leader. He b ...
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Am I Blue?
"Am I Blue?" is a 1929 song copyrighted by Harry Akst (music) and Grant Clarke (lyrics), then featured in four films that year, most notably with Ethel Waters in the movie '' On with the Show''. It has appeared in 42 movies, most recently ''Funny Lady'', '' The Cotton Club'' and Downton Abbey: A New Era, and has become a standard covered by numerous artists. Eddie Cochran version Eddie Cochran recorded his version of "Am I Blue" sometime between May and August 1957. It was released on the B-side of Liberty Records single 55087. The A-side was " Drive In Show" which rose to number 82 on the Billboard charts. Personnel used in the recording session: * Eddie Cochran – guitars, ukulele, vocals * Perry Botkin – rhythm guitar * Connie "Guybo" Smith – double bass * The Johnny Mann Chorus – backing vocals Cher version American singer-actress Cher recorded and released "Am I Blue" in 1973. It was released on single and the album ''Bittersweet White Light.'' Chart performan ...
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Columbia Records
Columbia Records is an American record label owned by Sony Music, Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese Conglomerate (company), conglomerate Sony. It was founded on January 15, 1889, evolving from the Graphophone#Commercialization, American Graphophone Company, the successor to the Volta Laboratory and Bureau#Commercialization of phonograph patents, Volta Graphophone Company. Columbia is the oldest surviving brand name in the recorded sound business, and the second major company to produce records. From 1961 to 1991, its recordings were released outside North America under the name CBS Records International, CBS Records to avoid confusion with EMI's Columbia Graphophone Company. Columbia is one of Sony Music's four flagship record labels, alongside former longtime rival RCA Records, as well as Arista Records and Epic Records. Artists who have recorded for Columbia include AC/DC, Adele, Aerosmith, Julie And ...
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The Famous 1938 Carnegie Hall Jazz Concert
''The Famous 1938 Carnegie Hall Jazz Concert'' by Benny Goodman, Columbia Records catalogue item SL-160, is a two- disc LP of swing and jazz music recorded at Carnegie Hall in New York City on January 16, 1938. First issued in 1950, the landmark recording captured the premiere performance given by a big band in the famed concert venue. The event has been described as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music." The title, mastered from preserved acetates, was among jazz's first double albums, first live recordings, and first to sell over a million copies. One of the earliest records of Benny Goodman music issued on the new ''long-playing'' format, the concert recording was also sold in a set of nine 45 rpm records in 1950 by Columbia. The subsequent discovery of the aluminum studio masters made from the original recording resulted in several high-quality CD reissues beginning in 1998. Backg ...
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