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Blue Moses (film)
''Blue Moses'' is an album by American jazz pianist and composer Randy Weston featuring performances recorded in 1972 and released on the CTI label.CTI Records discography Retrieved February 20, 2012. Reception states: "Recorded in 1972, ''Blue Moses'', the most commercially successful album in pianist/composer Randy Weston's catalog remains one of his most controversial due to his conflicted feelings about the final product, which he feels is too polished and too far from his original intent for the project. Indeed, appearing on ' ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Randy Weston
Randolph Edward "Randy" Weston (April 6, 1926 – September 1, 2018) was an American jazz pianist and composer whose creativity was inspired by his ancestral African connection. Weston's piano style owed much to Duke Ellington and Thelonious Monk, whom he cited in a 2018 video as among pianists he counted as influences, as well as Count Basie, Nat King Cole and Earl Hines."Randy Weston talks about his new solo double CD Sound" YouTube video, March 27, 2018. Beginning in the 1950s, Weston worked often with trombonist and arranger Melba Liston. Described as "America's African Musical Ambassador", Weston once said: "What I do I do because it's about teaching and informing everyone about our most natural cultural phenomenon. It's really about Africa a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warren Covington
Warren Covington (August 7, 1921 – August 24, 1999) was an American big band trombonist. He was active as a session musician, arranger, and bandleader throughout his career. Biography Covington, who was born in Philadelphia, played early on with Isham Jones (1939), then with Les Brown in 1945-46 and Gene Krupa later in 1946. Following this he became a staff musician for CBS radio. With Ralph Flanagan in 1949 and again in 1955-56. He played briefly with Tommy Dorsey in 1950. In 1956, he replaced Eddie Grady as leader of the Commanders, a Decca recording and touring band which lasted until the middle of 1957. Covington recorded two albums and one single with this band. After Tommy Dorsey died suddenly in November 1956, the Dorsey band continued under the direction of Jimmy Dorsey. However, the Tommy Dorsey estate soon took back Tommy's arrangements and approached Covington to form a new Tommy Dorsey band, which he led, touring and recording for Decca, into 1961. Among his hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ron Carter
Ronald Levin Carter (born May 4, 1937) is an American jazz double bassist. His appearances on 2,221 recording sessions make him the most-recorded jazz bassist in history. He has won three Grammy awards, and is also a cellist who has recorded numerous times on that instrument. Some of his studio albums as a leader include: ''Blues Farm'' (1973), '' All Blues'' (1973), '' Spanish Blue'' (1974), ''Anything Goes'' (1975), '' Yellow & Green'' (1976), ''Pastels'' (1976), ''Piccolo'' (1977), '' Third Plane'' (1977), ''Peg Leg'' (1978), '' A Song for You'' (1978), ''Etudes'' (1982), ''The Golden Striker'' (2003), ''Dear Miles'' (2006), and ''Ron Carter's Great Big Band'' (2011). Early life Carter was born in Ferndale, Michigan. He started to play cello at the age of 10, and switched to bass while in high school. He earned a B.A. in music from the Eastman School of Music (1959) and a master's degree in music from the Manhattan School of Music (1961). Carter's first jobs as a jazz music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Horn
The cor anglais (, or original ; plural: ''cors anglais''), or English horn in North America, is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially an alto oboe in F. The cor anglais is a transposing instrument pitched in F, a perfect fifth lower than the oboe (a C instrument). This means that music for the cor anglais is written a perfect fifth higher than the instrument sounds. The fingering and playing technique used for the cor anglais are essentially the same as those of the oboe, and oboists typically double on the cor anglais when required. The cor anglais normally lacks the lowest B key found on most oboes, and so its sounding range stretches from E3 (written B) below middle C to C6 two octaves above middle C. Description and timbre The pear-shaped bell (called Liebesfuß) of the cor anglais gives it a more covered timbre than the oboe, closer in tonal quality to the oboe d'am ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piccolo
The piccolo ( ; Italian for 'small') is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" the modern piccolo has similar fingerings as the standard transverse flute, but the sound it produces is an octave higher. This has given rise to the name ottavino (), by which the instrument is called in Italian and thus also in scores of Italian composers. Piccolos are often orchestrated to double the violins or the flutes, adding sparkle and brilliance to the overall sound because of the aforementioned one-octave transposition upwards. The piccolo is a standard member in orchestras, marching bands, and wind ensembles. History Since the Middle Ages, evidence indicates the use of octave transverse flutes as military instruments, as their penetrating sound was audible above battles. In cultured music, however, the first piccolos were used in some of Jean Philippe Rameau's works in the first half of the 18th century. Sti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Flute
The bass flute is a member of the flute family. It is in the key of C, pitched one octave below the concert flute. Despite its name, its playing range makes it the tenor member of the flute family. Because of the length of its tube (approximately ), it is usually made with a J-shaped head joint, which brings the embouchure hole within reach of the player. Its soft dynamic range means in large ensembles it is easily obscured unless amplified or lightly scored; however its unique timbre in the low register can be very effective, especially in solo works, small ensembles, and flute choirs. The "bass flute in F" produced by Kotato & Fukushima is a contra-alto flute. Alternative terminology Prior to the mid-20th century, the term "bass flute" was sometimes used, especially in Great Britain, to refer to the alto flute; for example, the part for "bass flute in G" in Holst's ''The Planets'', and many works by Britten. In 1910, Abelardo Albisi invented a bass flute known as the albisiph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Flute
The alto flute is an instrument in the Western concert flute family, the second-highest member below the standard C flute after the uncommon flûte d'amour. It is the third most common member of its family after the standard C flute and the piccolo. It is characterized by its rich, mellow tone in the lower portion of its range. Unlike the flute and piccolo, it is a transposing instrument in G (a perfect fourth below written C), although it uses the same fingerings as the C flute. The bore of the alto flute is considerably larger in diameter and longer than a C flute and requires more breath from the player. This gives it a greater dynamic presence in the bottom octave and a half of its range. It was the favourite flute variety of Theobald Boehm, who perfected its design, and is pitched in the key of G (sounding a perfect fourth lower than written). Its range is from G3 (the G below middle C) to G6 (4 ledger lines above the treble clef staff) plus an altissimo register str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hubert Laws
Hubert Laws (born November 10, 1939) is an American flutist and saxophonist with a career spanning over 40 years in jazz, classical, and other music genres. Laws is one of the few classical artists who has also mastered jazz, pop, and rhythm-and-blues genres, moving effortlessly from one repertory to another. Biography Hubert Laws, Jr. was born November 10, 1939, in the Studewood section of Houston, Texas, the second of eight children to Hubert Laws, Sr. and Miola Luverta Donahue. Many of his siblings also entered the music industry, including saxophonist Ronnie and vocalists Eloise, Debra, and Johnnie Laws. He began playing flute in high school after volunteering to substitute for the school orchestra's regular flutist. He became adept at jazz improvisation by playing in the Houston-area jazz group the Swingsters, which eventually evolved into the Modern Jazz Sextet, the Night Hawks, and The Crusaders. At the age of 15, he was a member of the early Jazz Crusaders while in T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grover Washington, Jr
Grover Washington Jr. (December 12, 1943 – December 17, 1999) was an American jazz-funk and soul-jazz saxophonist. Along with Wes Montgomery and George Benson, he is considered by many to be one of the founders of the smooth jazz genre. He wrote some of his material and later became an arranger and producer. Throughout the 1970s and 1980s, Washington made some of the genre's most memorable hits, including "Mister Magic", "Reed Seed", "Black Frost", "Winelight", "Inner City Blues", "Let it Flow (For 'Dr. J')" and "The Best is Yet to Come". In addition, he performed very frequently with other artists, including Bill Withers on "Just the Two of Us", Patti LaBelle on "The Best Is Yet to Come" and Phyllis Hyman on "A Sacred Kind of Love". He is also remembered for his take on the Dave Brubeck classic "Take Five", and for his 1996 version of "Soulful Strut". Early life Washington was born in Buffalo, New York, United States, on December 12, 1943. His mother was a church choriste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Buffington
James Lawrence Buffington (born May 15, 1922, Jersey Shore, Pennsylvania; died July 20, 1981, Englewood, New Jersey) was an American jazz, studio, and classical hornist. Buffington was a busy studio and jazz player on the French horn. He was an autodidact as a child, though his father played piano and trumpet. He graduated from the Eastman School of Music and began playing in New York City in the 1950s, with Oscar Pettiford among others. He played with Mel Powell in 1954 and Teddy Charles in 1956. He is perhaps best known for his work with Miles Davis on some of his Gil Evans sessions for Columbia Records. He has done extensive work as a session musician, and has recorded with Moondog, Carly Simon, James Brown, Urbie Green, Jimmy Cleveland, Ernie Royal, Britt Woodman, Don Butterfield, Donald Byrd, John Coltrane, Dizzy Gillespie, J. J. Johnson, Quincy Jones, Thad Jones and Mel Lewis, Michel Legrand, Lee Morgan, Paul Desmond, Eddie Sauter, Oliver Nelson, Wes Montgomery, Jimmy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
