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Blue Moses
''Blue Moses'' is an album by American jazz pianist and composer Randy Weston featuring performances recorded in 1972 and released on the CTI label.CTI Records discography
Retrieved February 20, 2012.


Reception

states: "Recorded in 1972, ''Blue Moses'', the most commercially successful album in pianist/composer Randy Weston's catalog remains one of his most controversial due to his conflicted feelings about the final product, which he feels is too polished and too far from his original intent for the project. Indeed, appearing on Creed Taylor's CTI imprint was an almost certain g ...
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Randy Weston
Randolph Edward "Randy" Weston (April 6, 1926 – September 1, 2018) was an American jazz pianist and composer whose creativity was inspired by his ancestral African connection. Weston's piano style owed much to Duke Ellington and Thelonious Monk, whom he cited in a 2018 video as among pianists he counted as influences, as well as Count Basie, Nat King Cole and Earl Hines."Randy Weston talks about his new solo double CD Sound"
YouTube video, March 27, 2018.
Beginning in the 1950s, Weston worked often with trombonist and arranger . Described as "America's African Musical Ambassador", Weston once said: "What I do I d ...
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Garnett Brown
Garnett Brown (January 31, 1936 – October 9, 2021) was a jazz trombonist who worked with The Crusaders, Herbie Hancock, Lionel Hampton, Earth Wind and Fire and others. Born in Memphis, Tennessee, he graduated from the University of Arkansas at Pine Bluff and later studied film scoring and electronic music at UCLA. In 1974 he won the '' Down Beat'' Reader's poll for trombonist, and appears on the classic 1976 recording '' Bobby Bland and B.B. King Together Again...Live''. He did some work in film and television composition due to his training in the field. In 1989 he was the conductor and orchestrator for ''Harlem Nights''. Coincident with Kenny Burrell joining UCLA as Director of Jazz Studies in 1996, Brown co-led UCLA Jazz Ensemble I with John Clayton. Married Anna Brown with two children Ariana Brown and Miranda Brown-Muir and three grandchildren Luca Muir, Francesca Muir and Alessandra Muir. At the time of his death, he was retired and had been diagnosed with deme ...
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Bass Flute
The bass flute is a member of the flute family. It is in the key of C, pitched one octave below the concert flute. Despite its name, its playing range makes it the tenor member of the flute family. Because of the length of its tube (approximately ), it is usually made with a J-shaped head joint, which brings the embouchure hole within reach of the player. Its soft dynamic range means in large ensembles it is easily obscured unless amplified or lightly scored; however its unique timbre in the low register can be very effective, especially in solo works, small ensembles, and flute choirs. The "bass flute in F" produced by Kotato & Fukushima is a contra-alto flute. Alternative terminology Prior to the mid-20th century, the term "bass flute" was sometimes used, especially in Great Britain, to refer to the alto flute; for example, the part for "bass flute in G" in Holst's '' The Planets'', and many works by Britten. In 1910, Abelardo Albisi invented a bass flute known as the albis ...
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Alto Flute
The alto flute is an instrument in the Western concert flute family, the second-highest member below the standard C flute after the uncommon flûte d'amour. It is the third most common member of its family after the standard C flute and the piccolo. It is characterized by its rich, mellow tone in the lower portion of its range. Unlike the flute and piccolo, it is a transposing instrument in G (a perfect fourth below written C), although it uses the same fingerings as the C flute. The bore of the alto flute is considerably larger in diameter and longer than a C flute and requires more breath from the player. This gives it a greater dynamic presence in the bottom octave and a half of its range. It was the favourite flute variety of Theobald Boehm, who perfected its design, and is pitched in the key of G (sounding a perfect fourth lower than written). Its range is from G3 (the G below middle C) to G6 (4 ledger lines above the treble clef staff) plus an altissimo registe ...
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Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ...
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Hubert Laws
Hubert Laws (born November 10, 1939) is an American flutist and saxophonist with a career spanning over 40 years in jazz, classical, and other music genres. Laws is one of the few classical artists who has also mastered jazz, pop, and rhythm-and-blues genres, moving effortlessly from one repertory to another. Biography Hubert Laws, Jr. was born November 10, 1939, in the Studewood section of Houston, Texas, the second of eight children to Hubert Laws, Sr. and Miola Luverta Donahue. Many of his siblings also entered the music industry, including saxophonist Ronnie and vocalists Eloise, Debra, and Johnnie Laws. He began playing flute in high school after volunteering to substitute for the school orchestra's regular flutist. He became adept at jazz improvisation by playing in the Houston-area jazz group the Swingsters, which eventually evolved into the Modern Jazz Sextet, the Night Hawks, and The Crusaders. At the age of 15, he was a member of the early Jazz Crusaders while in ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recogniz ...
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Grover Washington, Jr
Grover Washington Jr. (December 12, 1943 – December 17, 1999) was an American jazz-funk and soul-jazz saxophonist. Along with Wes Montgomery and George Benson, he is considered by many to be one of the founders of the smooth jazz genre. He wrote some of his material and later became an arranger and producer. Throughout the 1970s and 1980s, Washington made some of the genre's most memorable hits, including "Mister Magic", "Reed Seed", "Black Frost", "Winelight", "Inner City Blues", "Let it Flow (For 'Dr. J')" and "The Best is Yet to Come". In addition, he performed very frequently with other artists, including Bill Withers on " Just the Two of Us", Patti LaBelle on "The Best Is Yet to Come" and Phyllis Hyman on "A Sacred Kind of Love". He is also remembered for his take on the Dave Brubeck classic " Take Five", and for his 1996 version of "Soulful Strut". Early life Washington was born in Buffalo, New York, United States, on December 12, 1943. His mother was a church ch ...
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French Horn
The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a horn player or hornist. Pitch is controlled through the combination of the following factors: speed of air through the instrument (controlled by the player's lungs and thoracic diaphragm); diameter and tension of lip aperture (by the player's lip muscles—the embouchure) in the mouthpiece; plus, in a modern horn, the operation of valves by the left hand, which route the air into extra sections of tubing. Most horns have lever-operated rotary valves, but some, especially older horns, use piston valves (similar to a trumpet's) and the Vienna horn uses double-piston v ...
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James Buffington
James Lawrence Buffington (born May 15, 1922, Jersey Shore, Pennsylvania; died July 20, 1981, Englewood, New Jersey) was an Americans, American jazz, studio, and classical French horn, hornist. Buffington was a busy studio and jazz player on the French horn. He was an autodidact as a child, though his father played piano and trumpet. He graduated from the Eastman School of Music and began playing in New York City in the 1950s, with Oscar Pettiford among others. He played with Mel Powell in 1954 and Teddy Charles in 1956. He is perhaps best known for his work with Miles Davis on some of his Gil Evans sessions for Columbia Records. He has done extensive work as a session musician, and has recorded with Moondog, Carly Simon, James Brown, Urbie Green, Jimmy Cleveland, Ernie Royal, Britt Woodman, Don Butterfield, Donald Byrd, John Coltrane, Dizzy Gillespie, J. J. Johnson, Quincy Jones, Thad Jones and Mel Lewis, Michel Legrand, Lee Morgan, Paul Desmond, Eddie Sauter, Oliver Nelson, ...
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Bass Trombone
The bass trombone (german: Bassposaune, it, trombone basso) is the bass instrument in the trombone family of brass instruments. Modern instruments are pitched in the same B♭ as the tenor trombone but with a larger bore, bell and mouthpiece to facilitate low register playing, and usually two valves to fill in the missing range immediately above the pedal tones. History The earliest bass trombones were the bass sackbuts, usually pitched in G, F, or E♭ below the B♭ tenor. They had a smaller bore and less flared bell than modern instruments, and a longer slide with an attached handle to allow slide positions otherwise beyond the reach of a fully outstretched arm. The earliest known surviving specimen is an instrument in G built in Germany in 1593. This instrument matches descriptions and illustrations by Praetorius from his 1614–20 '' Syntagma Musicum''. These bass sackbuts were sometimes called , , and (Old German, , referring to intervals below B♭), though sometim ...
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Baritone Horn
The baritone horn, or sometimes just called baritone, is a low-pitched brass instrument in the saxhorn family.Robert Donington, "The Instruments of Music", (pp. 113ff ''The Family of Bugles'') 2nd ed., Methuen, London, 1962 It is a piston-valve brass instrument with a bore that is mostly conical (like the higher pitched flugelhorn and alto (tenor) horn) but it has a narrower bore compared to the similarly pitched euphonium. It uses a wide-rimmed cup mouthpiece like that of its peers, the trombone and euphonium. Like the trombone and the euphonium, the baritone horn can be considered either a transposing or non-transposing instrument. In the UK, the baritone horn is part of the standardised instrumentation of brass bands. In concert band music, there is often a part marked ''baritone'', but these parts are most commonly intended for, and played on, the euphonium. A baritone can also play music written for a trombone due to similar pitches. Construction and general cha ...
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