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Blow Your Face Out
''Blow Your Face Out'' is the second live album by American rock band The J. Geils Band, released in 1976. Recording The album was recorded at two concerts held in November 1975. The first show was at the Boston Garden in the band's hometown ( Boston, Massachusetts) on November 15, and recorded by Record Plant East Remote with David Hewitt. The second was recorded by Metro Audio Detroit four nights later at Cobo Hall in Detroit, Michigan, the same city where the band's other two live albums '' "Live" Full House'' (1972) and '' Showtime!'' (1982) were also recorded. Track listing All songs written by Seth Justman and Peter Wolf, except where noted. Side One # "Southside Shuffle" – 4:16 # "Back to Get Ya" – 4:38 # "Shoot Your Shot" (Junior Walker, James Graves, Lawrence Horn) – 3:56 # " Musta Got Lost" – 6:34 Side Two # "Where Did Our Love Go" (Brian Holland, Lamont Dozier, Eddie Holland Jr.) – 4:00 # "Truck Drivin' Man" (Terry Fell) – 1:52 # "Love-Itis" (Harvey S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The J
J is the tenth letter of the Latin alphabet. J may also refer to: * Palatal approximant in the International Phonetic Alphabet * J, Cyrillic letter Je Astronomy * J, a provisional designation prefix for some objects discovered between May 1 and 15 of a year Computing * J (programming language), successor to APL * J# programming language for the Microsoft .NET Framework * J operator, a programming construct * J (operating system), an operating system for ICL's System 4 series of computers Genetics and medicine * Haplogroup J (mtDNA) * Haplogroup J (Y-DNA) * ATC code J ''Antiinfectives for systemic use'', a section of the Anatomical Therapeutic Chemical Classification System Mathematics * J, symbol used to denote the Bessel function * ''j'', used as the symbol for the imaginary unit (\sqrt) in fields where ''i'' is used for a different purpose (such as electrical current) * ''j'' and ''j2'' (or \bar) are also used for the complex cube roots of unity * ''j'', a numb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Junior Walker
Autry DeWalt Mixon Jr. (June 14, 1931 – November 23, 1995), known professionally as Junior Walker, was an American multi-instrumentalist (primarily saxophonist and vocalist) who recorded for Motown during the 1960s. He also performed as a session and live-performing saxophonist with the band Foreigner during the 1980s. Early life Walker was born Autry DeWalt Mixon Jr. on June 14, 1931, in Blytheville, Arkansas, but grew up in South Bend, Indiana. He began playing saxophone while in high school, and his saxophone style was the anchor for the sound of the bands he later played in. Career His career started when he developed his own band in the mid-1950s as the Jumping Jacks. His longtime friend and drummer Billy Nicks (1935–2017) formed his own group, the Rhythm Rockers. Periodically, Nicks would sit in on Jumping Jack's shows, and Walker would sit in on the Rhythm Rockers shows. Nicks obtained a permanent gig at a local TV station in South Bend, Indiana, and asked Walker t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dyke And The Blazers
Dyke and the Blazers was an American funk band led by Arlester Christian. The band was formed in 1965, and recorded up until Christian's death in 1971. Among their most successful records were the original version of "Funky Broadway" (1966) and " Let a Woman Be a Woman" (1969). Career Arlester Christian (June 13, 1943 – March 13, 1971), nicknamed "Dyke", was born (according to most sources) in Buffalo, New York. He attended Burgard High School. In 1960, he started playing bass in a Buffalo band, Carl LaRue and his Crew, who played local bars and clubs and released a single, "Please Don't Drive Me Away", on the KKC label in March 1962. In 1964, LaRue was invited by Phoenix, Arizona-based disc jockey, Eddie O'Jay, to take his band to that city, to provide the backing for the vocal group that he managed there, The O'Jays. By 1965, however, the O'Jays and their manager had moved elsewhere, and LaRue's band fell apart. LaRue returned to Buffalo, but Christian and two other members ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Showstoppers
The Showstoppers (alternatively the Show Stoppers) was a four-piece African-American vocal soul group formed in Philadelphia about 1967. They are best remembered for their 1967 hit, "Ain't Nothin' But a Houseparty", which was the debut release on three record labels: Showtime Records, Heritage Records, and Beacon Records.Nigel Hunter, "London", ''Billboard'' (May 11, 1968) p.50 History The Showstoppers was formed about 1967 by brothers, Elec Edward "Alex" Burke and Vladimir H. "Laddie" Burke who were the two oldest of the five younger brothers of Atlantic Record's star Solomon Burke, who joined with fellow Germantown High School students, brothers Earl and Timmy Smith. The Burke brothers had been in show business since at least 1957 as part of a four-member group with two of their two younger brothers. "Ain't Nothin' But a House Party" (1967) After rehearsing under the guidance of Solomon Burke, they modeled themselves initially on the Vibrations.Frank W. Hoffmann, ''Rhythm an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lookin' For A Love
"Lookin' for a Love" is a song written by J. W. Alexander (musician), J. W. Alexander and Zelda Samuels and was the debut hit of the family group the Valentinos, which featured Bobby Womack. The song was a hit for the Valentinos, climbing to number eight on the Hot R&B/Hip-Hop Songs, R&B chart and crossing over to number 72 on the Billboard Hot 100, ''Billboard'' Hot 100 in 1962, released on Sam Cooke's SAR Records, SAR label. The song became a much bigger hit when Womack issued a solo version in 1974; this version reached number one on the Hot R&B/Hip-Hop Songs, R&B chart and number ten on the Billboard Hot 100, ''Billboard'' Hot 100. As well, an interim version of "Lookin' for a Love" by the J. Geils Band in 1971 was a top-40 hit for them, peaking at number 39. Background The melody originally came from a gospel hymn titled, "Couldn't Hear Nobody Pray," recorded and released in 1961 when they were still known as the Womack Brothers. Sam Cooke produced that session as well ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harvey Scales
Harvey Scales (September 27, 1940 – February 11, 2019) was an American R&B and soul singer, songwriter, and producer. Scales had been active in the music industry since the 1960s, and composed songs for groups such as The Dells, The Dramatics, and The O'Jays. He is particularly notable for his co-authorship of the songs "Love-Itis" and "Disco Lady". Once called Milwaukee's "Godfather of Soul" by a local reporter, Scales credited James Brown and the sound of "funk" for influencing his music career. History Scales was born in Osceola, Arkansas, and grew up in Milwaukee, Wisconsin, where he attended Roosevelt Middle School and North Division High School. He was well known in Milwaukee, before his big break as a national songwriter. He was known as "Twistin' Harvey", in the early 1960s. In 1961, he and his longtime friend Albert James Vance (1943–2003) formed the group, Harvey Scales & The 7 Sounds, which released several singles. Ed HoganBiography of Harvey Scales Allmusic. Retr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love-Itis
Love-Itis is a song written by Harvey Scales and Albert Vance (with Rudy Jacobs also initially acknowledged as a co-writer), originally recorded by Harvey Scales and The Seven Sounds. The song was later recorded and popularized by The Sonics, Mandala and the J. Geils Band, among others. History The song was originally released in 1967 by Harvey Scales and The Seven Sounds, on Magic Touch Records, owned by Lenny LaCour. At the time, the songwriting credit was shared between Harvey Scales and guitarist Rudy Jacobs, with the song published by LaCour's L. LaCour Music Inc. The song was later re-released in 1967 on Atlantic Records A version of the song was recorded in 1967 by The Sonics, but not officially released at that time. The version was included in a Jerden Records 1996 compilation of Sonics material, '' Fire and Ice II: The 'Lost' Tapes'' In 1968, the song was popularized by Mandala, as a single release from the band's only album, '' Soul Crusade'', in an arrangement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terry Fell
Terry Fell (May 13, 1921 – April 4, 2007) was an American country musician. Biography Childhood and adolescence Fell was born in Dora, Alabama on May 13, 1921, and got his first guitar at the age of nine. Later, he learned mandolin and took singing lessons. When he was 13 years old, his father died; three years later, he moved alone to California, where he spent some time in a camp of the Civilian Conservation Corps. After he briefly lived in Alabama again, Fell and his mother moved to the US West Coast. There, he began playing in 1943 as bassist for Merl Lindsay. Musical career Fell started his record career in 1945 as a member of Billy Hughes' band, Pals of The Pecos. His first record was with Hughes on the Fargo label. He began his solo career with Memo, then Courtney, 4 Star, and Gilt-Edge Records, although none of his releases became hits there. During his first session for RCA in Hollywood (1954), he recorded a song that would become a hit. Although the A-side, "Do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Truck Drivin' Man
"Truck Drivin' Man" is a popular country music, country song written and recorded by Terry Fell in 1954. One of his band members, Buck Owens, sang harmony with him on the recording. In 1965, Owens recorded the song himself, omitting the fourth verse - "When I get my call up to glory, They will take me away from this land, I'll head this truck up to Heaven, 'Cause I'm a truck drivin' man." Others who have recorded the song include Red Steagall, Ricky Nelson, Boxcar Willie, Charley Pride, Bill Anderson (singer), Bill Anderson, Conway Twitty, Jimmy Martin, Dave Dudley, Red Simpson, Jim & Jesse, Charlie Walker (musician), Charlie Walker, The Flying Burrito Brothers, George Hamilton IV, Glen Campbell, New Riders of the Purple Sage, Willie Nelson, Commander Cody and His Lost Planet Airmen, Anthony Field, Plainsong (band), Plainsong, David Allan Coe, Leon Russell, Toby Keith, Aaron Tippin, Robert Walker (musician), Robert Walker, Blow Your Face Out, the J. Geils Band, and Canadian musici ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Holland Jr
Eddie or Eddy may refer to: Science and technology *Eddy (fluid dynamics), the swirling of a fluid and the reverse current created when the fluid flows past an obstacle *Eddie (text editor), a text editor originally for BeOS and now ported to Linux and Mac OS X Arts and entertainment * ''Eddie'' (film), a 1996 film about basketball starring Whoopi Goldberg ** ''Eddie'' (soundtrack), the soundtrack to the film * ''Eddy'' (film), a 2015 Italian film * "Eddie" (Louie), a 2011 episode of the show ''Louie'' *Eddie (shipboard computer), in ''The Hitchhiker's Guide to the Galaxy'' *Eddy (Ed, Edd n Eddy), a character on ''Ed, Edd n Eddy'' *Eddie (mascot), the mascot for the British heavy metal band Iron Maiden *Eddie, an American Cinema Editors award for best editing *Eddie (book series), a book series by Viveca Lärn *Half of the musical duo Flo & Eddie *"Eddie", a song from the ''Rocky Horror Picture Show'' * "Eddie" (song), a 2022 song by the Red Hot Chili Peppers Places United States ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamont Dozier
Lamont Herbert Dozier (; June 16, 1941 – August 8, 2022) was an American singer, songwriter, and record producer from Detroit, Michigan. He co-wrote and produced 14 US ''Billboard'' number-one hits and four number ones in the UK. Career Dozier was a member of Holland–Dozier–Holland, the songwriting and production team responsible for much of the Motown sound and numerous hit records by artists such as Martha and the Vandellas, The Supremes, The Four Tops, and The Isley Brothers. Along with Brian Holland, Dozier served as the team's musical arranger and producer, while Eddie Holland concentrated mainly on lyrics and vocal production. Along with the Holland Brothers, Dozier followed his work for Motown Records as founder and owner of Invictus Records and Hot Wax Records, producing top-charting hits for acts Freda Payne, Honey Cone, Chairmen of the Board, and 100 Proof Aged in Soul. Early years Dozier recorded a few unsuccessful records for various Detroit labels before ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Holland
Brian Holland (born February 15, 1941) is an American songwriter and record producer, best known as a member of Holland–Dozier–Holland, the songwriting and production team that was responsible for much of the Motown sound, and numerous hit records by artists such as Martha and the Vandellas, The Supremes, The Four Tops, and The Isley Brothers. Holland, along with Lamont Dozier, served as the team's musical arranger and producer. He has written or co-written 145 hits in US and 78 in the UK. Holland was born in Detroit, Michigan, United States. For a short time, he partnered with Robert Bateman, and together they were known as "Brianbert", collaborating on such hits as " Please Mr. Postman" for The Marvelettes. Holland has also had an on-and-off career as a performer. He released a solo single in 1958 under the name of "Briant Holland". He and longtime friend and future songwriting partner Freddie Gorman were in a short-lived group called the Fidalatones, and he was later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |