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Black, Brown And Beige (1958 Album)
''Black, Brown and Beige'' is a 1958 jazz album by Duke Ellington and his orchestra, featuring Mahalia Jackson. The album is a recording of a revised version of Ellington's ''Black, Brown and Beige'' suite. After a disappointing critical response to its first performance in 1943, Ellington divided the three-part suite into six shorter sections, leaving in "Come Sunday" and "Work Song", and it is this version that is recorded here. Track listing All tracks by Duke Ellington #"Part I" – 8:17 #"Part II" – 6:14 #"Part III" (a.k.a. Light) – 6:26 #"Part IV" (a.k.a. Come Sunday) – 7:58 #"Part V" (a.k.a. Come Sunday) – 3:46 #"Part VI" (23rd Psalm) – 3:01 #:''Bonus tracks on re-releases'' #"Track 360" (a.k.a. Trains) (alternative take) – 2:02 #"Blues in Orbit" (a.k.a. Tender) (alternative take) – 2:36 #"Part I" (alternative take) – 6:49 #"Part II" (alternative take) – 6:38 #"Part III" (alternative take) – 3:08 #"Part IV" (alternative take) – 2:23 #"Part V" (al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William "Cat" Anderson
William Alonzo "Cat" Anderson (September 12, 1916 – April 29, 1981) was an American jazz trumpeter known for his long period as a member of Duke Ellington's orchestra and for his wide range, especially his ability to play in the altissimo register. Biography Born in Greenville, South Carolina, Anderson lost both parents when he was four years old, and was sent to live at the Jenkins Orphanage in Charleston, where he learned to play trumpet. Classmates gave him the nickname "Cat" (which he used all his life) based on his fighting style. He toured and made his first recording with the Carolina Cotton Pickers, a small group based at the orphanage. After leaving the Cotton Pickers, Anderson played with guitarist Hartley Toots, Claude Hopkins' big band, Doc Wheeler's Sunset Orchestra (1938–1942), with whom he also recorded, Lucky Millinder, the Erskine Hawkins Orchestra, Sabby Lewis's Orchestra, and Lionel Hampton, with whom he recorded the classic "Flying Home No. 2". ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Graham (musician)
William Henry Graham (September 8, 1918 – December 29, 1975) was an American jazz saxophonist. Biography Graham was born in Kansas City, Missouri in September 1918 and grew up in Denver, Colorado, where he led his own ensemble which included Paul Quinichette among its members. He studied at Tuskegee University and then Lincoln University of Missouri after a stint in the Army during World War II. He worked with Count Basie, Lucky Millinder, Herbie Fields, and Erskine Hawkins early in his career. From 1946 to 1953, he worked with Dizzy Gillespie as a baritone saxophonist; among his compositions for Gillespie was the tune "Oh-Sho-Be-Do-Be". Following his employment with Gillespie he led his own band in New York City, in addition to touring Europe with Sarah Vaughan in 1953. From 1955 to 1957, he was back with Basie, including on the 1956 release '' April in Paris'' and the Newport Jazz Festival. He also found work with Duke Ellington (1958) and Mercer Ellington (1958–59), and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language via the Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Hamilton
Jimmy Hamilton (May 25, 1917 – September 20, 1994) was an American jazz clarinetist and saxophonist, who was a member of the Duke Ellington Orchestra. Biography Hamilton was born in Dillon, South Carolina, United States, and grew up in Philadelphia. Having learned to play piano and brass instruments, in the 1930s he started playing the latter in local bands before switching to clarinet and saxophone. During this time he studied with clarinet teacher Leon Russianoff. In 1939, he played with Lucky Millinder, Jimmy Mundy, and Bill Doggett, going on to join the Teddy Wilson sextet in 1940. After two years with Wilson, he played with Eddie Heywood and Yank Porter. In 1943, he replaced Barney Bigard in the Duke Ellington orchestra and stayed with Ellington until 1968. His style was different on his two instruments: on tenor saxophone he had an R&B sound, while on clarinet he was much more precise and technical. He wrote some of his own material in his time with Ellington. Aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valve Trombone
A valve is a device or natural object that regulates, directs or controls the flow of a fluid (gases, liquids, fluidized solids, or slurries) by opening, closing, or partially obstructing various passageways. Valves are technically fittings, but are usually discussed as a separate category. In an open valve, fluid flows in a direction from higher pressure to lower pressure. The word is derived from the Latin ''valva'', the moving part of a door, in turn from ''volvere'', to turn, roll. The simplest, and very ancient, valve is simply a freely hinged flap which swings down to obstruct fluid (gas or liquid) flow in one direction, but is pushed up by the flow itself when the flow is moving in the opposite direction. This is called a check valve, as it prevents or "checks" the flow in one direction. Modern control valves may regulate pressure or flow downstream and operate on sophisticated automation systems. Valves have many uses, including controlling water for irrigation, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Sanders (musician)
John Derek Sanders OBE, FRCO (23 November 1933 – 23 December 2003) was an English organist, conductor, choir trainer and composer. He was organist of Gloucester Cathedral from 1967 to 1994, and director of the Three Choirs Festival from 1968 to 1994. Education Born in Wanstead, Essex he attended Felsted School on a music scholarship, where he had his first organ lessons. In 1950 he began two years study at the Royal College of Music leading to his ARCM diploma. Here he was taught by Sir John Dykes Bower, the then organist at St Paul's Cathedral. This was followed by a Bachelor of Music degree at the University of Cambridge where Sanders was an organ scholar at Gonville and Caius College and was influenced by Patrick Hadley. During this time he also gained his Fellowship of the Royal College of Organists. Early career National Service in the Royal Artillery followed his graduation, but even here Sanders found opportunities for orchestral conducting. On the completion of h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Britt Woodman
Britt Woodman (June 4, 1920 – October 13, 2000) was an American jazz trombonist. Career Woodman was a childhood friend of Charles Mingus, but first worked with Phil Moore and Les Hite. After service in World War II he played with Boyd Raeburn before joining with Lionel Hampton in 1946. During the 1950s he worked with Ellington. As a member of Ellington's band he can be heard on '' Such Sweet Thunder'' (1957), ''Ella Fitzgerald Sings the Duke Ellington Song Book'' (also 1957), '' Black, Brown, and Beige'' (1958) and '' Ellington Indigos'' (1958). In 1960 he left Ellington to work in a pit orchestra. Later he worked with Mingus and can be heard on the album ''Mingus Mingus Mingus Mingus Mingus'' (1963). In the 1970s, he led his own octet and worked with pianist Toshiko Akiyoshi. In 1989, he was in the personnel for the album ''Epitaph'' dedicated to the previously unrecorded music of Charles Mingus. He died in Hawthorne, California at the age of 80, having suffered severe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quentin Jackson
Quentin "Butter" JacksonFeather, Leonard & Gitler, Ira ''The Biographical Encyclopedia of Jazz'' , US, 2007 (January 13, 1909 – October 2, 1976) was an American jazz trombonist. Career In the early stage of his career, Jackson worked with Cab Calloway for ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (music), strings (some can have five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow (music), bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Nance
Ray Willis Nance (December 10, 1913 – January 28, 1976) was an American jazz trumpeter, violinist and singer. He is best remembered for his long association with Duke Ellington and his orchestra. Early years Nance was the leader of his own band in Chicago from 1932 to 1937. Then, he worked with Earl Hines from 1937 to 1939; and from 1939 to 1940 he worked with Horace Henderson. Ellington tenure Ellington hired Nance to replace trumpeter Cootie Williams, who had joined Benny Goodman, in 1940. Nance's first recorded performance with Ellington was at the Duke Ellington at Fargo, 1940 Live, Fargo, North Dakota ballroom dance. Shortly after joining the band, Nance was given the trumpet solo on the earliest recorded version of "Take the "A" Train", which became the Ellington theme. Nance's "A Train" solo is one of the most copied and admired trumpet solos in jazz history. Indeed, when Cootie Williams returned to the band more than twenty years later, he would play Nance's sol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
