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Blacasset
Blacasset, Blacassetz, Blacssetz, or Blachessetz ( fl. 1233–1242Aubrey, 23.) was a Provençal troubadour of the noble family of the Blacas, lords of Aulps, in the Empire. He was probably a son of the troubadour Blacatz, as his ''vida'' alleges, though this has come into doubt.Egan, 23. He was also distantly related to Charles I of Naples and Raymond Berengar IV of Provence. According to his ''vida'', he was like his father in merit, good deeds, and munificence, and also reputed to be a good lover. "Blacasset" is a diminutive of his father's name ( la, Blacacius). A document of 1238 (two years after his father's death) mentions three sons of the elder Blacatz, two of which were named Blacacius. Blacasset was not a professional troubadour, but, like his father, an amateur. Eleven of his works survive, three ''sirventes'', four ''cansos'', and four ''coblas'', including one single-stanza ''canso'' with a melody in F major, '. This song was appended to a manuscript of the ''ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blacas
The House of Blacas is the name of two old French houses which successively owned the Lordship of Aups with its castle in Provence (whose name is still spelled in the ancient form ''Aulps'' in their surname). Blacas d'Aulps family The first Blacas, Pierre d'Aulps, is said to have participated in the First Crusade and to have stemmed from the House of Baux, whose arms are similar to those of Blacas, but with the tinctures reversed (this claimed filiation is still expressed by the two banners with the Baux arms in the coat of arms of the Dukes of Blacas). As early as the 12th century his grandson Blacacius de Blacas (died 1236), called "the great warrior," distinguished himself among the most valiant knights of the court of Ramon Berenguer IV, Count of Provence. He married Laure of Castellane, and excelled as both a soldier and a troubadour. He left three sons, two named after him and one named Boniface. Blacasset succeeded his father as a troubadour while Boniface succeeded in Au ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blacatz
Blacatz, known in French genealogy as Blacas de Blacas III (1165–1237), was the feudal lord of Aups and a troubadour. Sordello composed a lament (''planh'') on his death, inviting the kings of his time to share and eat the heart of Blacatz and thus acquire a portion of his courage. He was the father of the troubadour Blacasset. References *Renat Nelli Renat Nelli (), who was born in Carcassonne, Aude in 1906 and died in 1982, was one of the major Occitan writers of the 20th century. In Vichy France, Nelli joined the French Resistance and in 1945 was one of the co-founders of the Institut d'Es ..., ''Ecrivains anticonformistes du moyen-âge occitan''. Paris, 1977. {{DEFAULTSORT:Blacatz 1165 births 1236 deaths People from Var (department) 13th-century French troubadours 12th-century French troubadours ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vida (Occitan Literary Form)
''Vida'' () is the usual term for a brief prose biography, written in Old Occitan, of a troubadour or trobairitz. The word ''vida'' means "life" in Occitan languages; they are short prose biographies of the troubadours, and they are found in some chansonniers, along with the works of the author they describe. Vidas are notoriously unreliable: Mouzat, while complaining that some scholars still believe them, says they represent the authors as "ridiculous bohemians, and picaresque heroes"; Alfred Jeanroy calls them "the ancestors of modern novels". Most often, they are not based on independent sources, and their information is deduced from literal readings of details of the poems. Most of the ''vidas'' were composed in Italy, many by Uc de Saint Circ. Additionally, some individual poems are accompanied by ''razo A ''razo'' (, literally "cause", "reason") was a short piece of Occitan prose detailing the circumstances of a troubadour composition. A ''razo'' normally introduced an in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theobald I Of Navarre
Theobald I (french: Thibaut, es, Teobaldo; 30 May 1201 – 8 July 1253), also called the Troubadour and the Posthumous, was Count of Champagne (as Theobald IV) from birth and King of Navarre from 1234. He initiated the Barons' Crusade, was famous as a trouvère, and was the first Frenchman to rule Navarre. Rule of Champagne Regency of Champagne Born in Troyes, he was the son of Theobald III of Champagne and Blanche of Navarre, the youngest daughter of Sancho VI of Navarre. His father died less than a week before he was born, and Blanche ruled the county as regent until Theobald turned twenty-one in 1222. He was a notable trouvère, and many of his songs have survived, including some with music. The first half of Theobald's life was plagued by a number of difficulties. His uncle, Count Henry II, had left behind a great deal of debt, which was far from paid off when Theobald's father died. Further, Theobald's right to the succession was challenged by Henry's daughter Philippa an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
13th-century French Troubadours
The 13th century was the century which lasted from January 1, 1201 ( MCCI) through December 31, 1300 ( MCCC) in accordance with the Julian calendar. The Mongol Empire was founded by Genghis Khan, which stretched from Eastern Asia to Eastern Europe. The conquests of Hulagu Khan and other Mongol invasions changed the course of the Muslim world, most notably the Siege of Baghdad (1258), the destruction of the House of Wisdom and the weakening of the Mamluks and Rums which, according to historians, caused the decline of the Islamic Golden Age. Other Muslim powers such as the Mali Empire and Delhi Sultanate conquered large parts of West Africa and the Indian subcontinent, while Buddhism witnessed a decline through the conquest led by Bakhtiyar Khilji. The Southern Song dynasty would begin the century as a prosperous kingdom but would eventually be invaded and annexed into the Yuan dynasty of the Mongols. The Kamakura Shogunate of Japan would be invaded by the Mongols. Goryeo resiste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1242 Deaths
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernart Amoros
Bernart de Ventadorn (also Bernard de Ventadour or Bernat del Ventadorn; – ) was a French poet-composer troubadour of the classical age of troubadour poetry. Generally regarded as the most important troubadour in both poetry and music, his 18 extant melodies of 45 known poems in total is the most to survive from any 12th-century troubadour. He is remembered for his mastery as well as popularization of the ''trobar leu'' style, and for his prolific ''cançons'', which helped define the genre and establish the "classical" form of courtly love poetry, to be imitated and reproduced throughout the remaining century and a half of troubadour activity. Now thought of as "the Master Singer," he developed the '' cançons'' into a more formalized style which allowed for sudden turns. Bernart was known for being able to portray his women as divine agents in one moment and then, in a sudden twist, as Eve – the cause of man's initial sin. This dichotomy in his work is portrayed in a "gra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chansonnier
A chansonnier ( ca, cançoner, oc, cançonièr, Galician and pt, cancioneiro, it, canzoniere or ''canzoniéro'', es, cancionero) is a manuscript or printed book which contains a collection of chansons, or polyphonic and monophonic settings of songs, hence literally " song-books"; however, some manuscripts are called chansonniers even though they preserve the text but not the music, for example, the Cancioneiro da Vaticana and Cancioneiro da Biblioteca Nacional, which contain the bulk of Galician-Portuguese lyrics. The most important chansonniers contain lyrics, poems and songs of the troubadours and trouvères used in the medieval music. Prior to 1420, many song-books contained both sacred and secular music, one exception being those containing the work of Guillaume de Machaut. Around 1420, sacred and secular music was segregated into separate sources, with large choirbooks containing sacred music, and smaller chansonniers for more private use by the privileged. Chansonniers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trobar Clus
''Trobar clus'' (), or closed form, was a complex and obscure style of poetry used by troubadours for their more discerning audiences, and it was only truly appreciated by an elite few. It was developed extensively by Marcabru and Arnaut Daniel, but by 1200 its inaccessibility had led to its disappearance. Among the imitators of Marcabru were Alegret and Marcoat, who claimed himself to write ''vers contradizentz'' (contradictory verses), indicative of the incomprehensibility of the ''trobar clus'' style. Below is a sample of the style from Marcoat's ''sirventes'' ''Mentre m'obri eis huisel'', wherein the poet himself remarks on his ''moz clus'' (closed words): :''Mon ''serventes'' no val plus, :''que faitz es de bos moz clus'' :''apren lo, Domeing Sarena.''Chambers, 91. Among the late twelfth-century practitionars of ''trobar clus'' was Peire d'Alvernhe, an imitator of Marcabru, while Raimbaut d'Aurenga of the ''trobar ric'' style was influenced by Marcoat. The only trobairitz (femal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guilhem De Montanhagol
Guilhem de Montanhagol (floruit, fl. 1233–1268) was a Provence, Provençal troubadour, most likely active in Toulouse, but known in the courts of Provence, County of Toulouse, Toulouse, Kingdom of Castile, Castile, and Kingdom of Aragon, Aragon.Gaunt and Kay, appendix.Paden, "Guilhem de Montanhagol". Guilhem left behind seven ''Canso (song), cansos'' and six ''sirventes''. He also left behind one ''tenso'' (specifically, a ''partimen'') with Sordello (perhaps suggesting a brief sojourn in Lombardy) and his total surviving output comes to fourteen pieces. The meaning of Guilhem's name has been debated. "Montanhagol" means "from Montanhac", but it is not known which of the several places named Montagnac (other), Montanhac that could be.Egan, 57. For a long time it was thought that the correct form of the troubadour's name was simply "Guilhem Montanhagol", since the "de" (of) would be redundant.Riquer. Contemporary documents, however, clearly use "de". He was of humble ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenso
A ''tenso'' (; french: tençon) is a style of troubadour song. It takes the form of a debate in which each voice defends a position; common topics relate to love or ethics. Usually, the tenso is written by two different poets, but several examples exist in which one of the parties is imaginary, including God (Peire de Vic), the poet's horse (Gui de Cavalhon) or his cloak (Bertran Carbonel). Closely related, and sometimes overlapping, genres include: * the ''partimen'', in which more than two voices discuss a subject * the ''cobla esparsa'' or ''cobla exchange'', a tenso of two stanzas only * the ''contenson'', where the matter is eventually judged by a third party. Notable examples *Marcabru and Uc Catola''Amics Marchabrun, car digam'' possibly the earliest known example. *Cercamon and Guilhalmi''Car vei finir a tot dia'' another candidate for the earliest known example. *Raimbaut d'Aurenga and Giraut de Bornelh''Ara·m platz, Giraut de Borneill'' where major exponents of the two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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