Birthday Live 2000
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Birthday Live 2000
''Birthday Live 2000'' is a live album by saxophonist Fred Anderson. It was recorded at the Velvet Lounge in Chicago, Illinois, on March 22 and 25, 2000, and was released in 2009 by Asian Improv Records as a limited edition "official bootleg." On the album, Anderson is joined by bassist Tatsu Aoki and drummer Chad Taylor. Reception In a review for '' All About Jazz'', Jeff Stockton wrote: "''Birthday Live 2000'' captures Anderson as a steamroller running roughshod over the bedrock rhythms established by Taylor's skilled work around the rims and Aoki's resonating neck-bending... it's Anderson's authoritative blues-drenched sound and boundless creativity that whip Aoki and Taylor into shape." Ken Waxman, writing for ''Jazz Word'', stated: "Both incendiary and knife-sharp, nderson'scarved-up timbres partition still further as he churns out double-and-triple tongued trills plus jagged Woody Woodpecker-like bites. Rappelling from just below the ligature down through the bow to the ...
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Fred Anderson (musician)
Fred Anderson (March 22, 1929 – June 24, 2010) was an American jazz tenor saxophonist who was based in Chicago, Illinois. Anderson's playing was rooted in the swing music and hard bop idioms, but he also incorporated innovations from free jazz. Anderson was also noted for having mentored numerous young musicians. Critic Ben Ratliff called him "a father figure of experimental jazz in Chicago". Writer John Corbett referred to him as "scene caretaker, underground booster, indefatigable cultural worker, quiet force for good." In 2001, author John Litweiler called Anderson "the finest tenor saxophonist in free jazz/underground jazz/outside jazz today." Biography Anderson was born in Monroe, Louisiana. When he was ten, his parents separated, and he moved to Evanston, Illinois, where he initially lived with his mother and aunt in a one-room apartment. When Anderson was a teenager, a friend introduced him to the music of Charlie Parker, and he soon decided he wanted to play saxophone, ...
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Velvet Lounge
The Velvet Lounge was a nightclub in the South Loop of Chicago. It started as a jazz club and was called the "dusty epicenter of the Midwest's free form jazz scene." It was located at 2128 1/2 S. Indiana Avenue before moving to 67 E. Cermak when the original building was scheduled for demolition. It closed permanently in 2019. History The club was established in 1983 by jazz saxophonist Fred Anderson who owned the business until his death in 2010. Many live albums were recorded at the club, including a series of performances featuring Anderson himself, on the Delmark label, and 1998's ''Live at the Velvet Lounge'' with Anderson, Peter Kowald, and Hamid Drake. Many prominent musicians played the Velvet Lounge early in their careers, particularly in Sunday night jam sessions. The club's standard lineup of the early 1990s featured trumpeter , saxophonist Art Taylor, pianist , bassist , and drummer . From the mid 1990s, the "Velvet Graduates" house band included tenor saxophonist ...
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Free Jazz
Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that the bebop, hard bop, and modal jazz that had been played before them was too limiting. They became preoccupied with creating something new and exploring new directions. The term "free jazz" has often been combined with or substituted for the term "avant-garde jazz". Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big bands have existed. Although musicians and critics claim it is innovative and forward-looking, it draws on early styles of jazz and has been described as an attempt to return to primitive, often re ...
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21st Century Chase
''21st Century Chase'' is an album by American jazz saxophonist Fred Anderson, which was recorded in 2009 and released on Delmark. This fourth live recording on Bob Koester's label made at Fred's own club, the Velvet Lounge, documents the finale to a week of concerts honoring Anderson's 80th birthday. He is joined by New Orleans saxophonist Kidd Jordan, guitarist Jeff Parker, bassist Harrison Bankhead and drummer Chad Taylor. The last piece is dedicated to the AACM drummer Alvin Fielder. The event was also filmed and issued on DVD with a bonus track, “Gone But Not Forgotten”, with guess bassist Henry Grimes.''21st Century Chase''
at Delmark


Reception

In his review for
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Black Horn Long Gone
''Black Horn Long Gone'' is an album by American jazz saxophonist Fred Anderson recorded in 1993 but not issued until 2010 by the Chicago-based Southport label. Background The title refers to the Selmer tenor saxophone Anderson played on this four-hour session.Original Liner Notes by Joanie Pallatto It features Anderson's trio with longtime associates in the AACM, bassist Malachi Favors Maghostut, member of the Art Ensemble of Chicago, and drummer Ajaramu (aka AJ Shelton), a veteran of the bop era. Both Favors and Ajaramu died before the release of the album. The last piece is an unaccompanied solo homage to saxophonist Clifford Jordan, who would die only two months later. Reception In his review for AllMusic, Alex Henderson states "Anderson plays with a lot of passion and conviction on avant-garde originals like 'Saxoon', 'The Strut Time', 'Bernice', and 'Wandering'; his playing is quite free and uninhibited." The All About Jazz review by Francis Lo Kee states "For those i ...
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Tatsu Aoki
(born September 19, 1957) is a multi-instrumentalist trained in traditional Japanese music (ie: taiko and shamisen), educator and experimental filmmaker. In his career as Chicago's Jazz and creative improvisor, he is mostly known as a long-standing bassist for Fred Anderson and he has also worked with George Freeman, and Von Freeman in the 90s. Aoki also has curious recording projects with Malachi Favors, Roscoe Mitchell, Don Moye, Wu Man, and other internationally renowned artists. Aoki also directs cultural events that promote the history of Japanese artistic traditions and contemporary Asian influences in jazz. As the founder and artistic director of Asian Improv Arts Midwest, he hosts events such as the annual Chicago Asian American Jazz Festival and the Japanese American Service Committee's Tsukasa Taiko Legacy arts residency program. Biography Tatsu Aoki is an advocate for the Asian American community as well as a filmmaker, educator, composer and a performer of traditio ...
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Chad Taylor (drummer)
Chad Taylor (born March 19, 1973) is an American drummer, percussionist, and composer. Taylor leads both the Chad Taylor Trio with Brian Settles and Neil Podgurski and Circle Down with Angelica Sanchez and Chris Lightcap. He is a founding member of the Chicago Underground along with Jeff Parker and Rob Mazurek. Early life Taylor was born in Tempe, Arizona and was brought up in a musical household. His father, once an aspiring concert pianist, exposed his young son to Duke Ellington, Bach, Thelonious Monk, and Mozart. By age 8, Taylor started taking guitar lessons. At 10, he relocated with his mother and sister to Chicago where he continued his studies on guitar as well as starting snare drum lessons. In 1988 Taylor began studying jazz drumming and classical percussion in High School and took ensemble classes at The Bloom School of Jazz. Through the help and encouragement of bassist Dennis Carrol, Taylor started performing in Chicago with Rob Mazurek. Upon graduating from Lan ...
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All About Jazz
''All About Jazz'' is a website established by Michael Ricci in 1995. A volunteer staff publishes news, album reviews, articles, videos, and listings of concerts and other events having to do with jazz. Ricci maintains a related site, ''Jazz Near You'', about local concerts and events. The Jazz Journalists Association voted ''All About Jazz'' Best Website Covering Jazz for thirteen consecutive years between 2003 and 2015, when the category was retired. In 2015, Ricci said the site received a peak of 1.3 million readers per month in 2007. Another source said that the site has over 500,000 readers around the world. Ricci was born in Philadelphia. He heard classical and jazz from his father's music collection. He played trumpet and went to his first jazz concert when he was eight. With a background in computer programming, he combined his interest in jazz and the internet by creating the ''All About Jazz'' website in 1995. The website publishes reviews, interviews, and articles pe ...
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Downtown Music Gallery
Downtown Music Gallery is a long-running, internationally-known record store, mail-order, and performance space located in New York City. It specializes in "Downtown Music", a recognized catchphrase for avant-garde jazz and contemporary composition, experimental, and improvisational music from around the world. It was founded in 1991, by David Yamner, Stephen Popkin and Bruce Lee Gallanter. "Downtown Music Gallery, one of the few great record stores left in Manhattan and which was founded by Mr. Popkin, Mr. Yamner and myself 23 years ago in May of 1991". Originally at 211 East 5th street for the first ten years of its existence, followed by seven years at 342 Bowery. It is currently located in Two Bridges, Manhattan, at 13 Monroe St. Bruce Lee Gallanter, the co-founder, and Emanuel 'MannyLunch' Maris, formerly the owner of Lunch For Your Ears, run the shop. The store also devotes an entire 700-CD display to John Zorn's Tzadik Tzadik ( he, צַדִּיק , "righteous ne, al ...
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2009 Live Albums
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ...
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