Bird And Flower Painting
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Bird And Flower Painting
Bird-and-flower painting, called () in Chinese, is a kind of Chinese painting with a long tradition in China and is considered one of the treasures of Chinese culture. The was named after its subject matter. It originated in the Tang dynasty where it gained popularity, matured at the of the Tang dynasty and during the Five Dynasties and Ten Kingdoms period, and fully reached its peak during the Song dynasty where it clearly became socially relevant in Chinese culture. Normally, most paintings belong to the scholar-artist style of Chinese painting. The became prevalent in East Asia, where it was introduced in Japan during the 14th century and was introduced in Korea. Intended purpose and cultural significance According to Chinese tradition, the covers "flowers, birds, fish, and insects" (); thus, it can deal with a wide range of natural topics, including flowers, fish, insects, birds, pets (dogs, cats), etc. The paintings are inspired by the resilience and the beauty of t ...
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Song Dynasty
The Song dynasty (; ; 960–1279) was an imperial dynasty of China that began in 960 and lasted until 1279. The dynasty was founded by Emperor Taizu of Song following his usurpation of the throne of the Later Zhou. The Song conquered the rest of the Ten Kingdoms, ending the Five Dynasties and Ten Kingdoms period. The Song often came into conflict with the contemporaneous Liao, Western Xia and Jin dynasties in northern China. After retreating to southern China, the Song was eventually conquered by the Mongol-led Yuan dynasty. The dynasty is divided into two periods: Northern Song and Southern Song. During the Northern Song (; 960–1127), the capital was in the northern city of Bianjing (now Kaifeng) and the dynasty controlled most of what is now Eastern China. The Southern Song (; 1127–1279) refers to the period after the Song lost control of its northern half to the Jurchen-led Jin dynasty in the Jin–Song Wars. At that time, the Song court retreated south of the ...
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Ink Wash Painting
Ink wash painting ( zh, t=水墨畫, s=水墨画, p=shuǐmòhuà; ja, 水墨画, translit=suiboku-ga or ja, 墨絵, translit=sumi-e; ko, 수묵화, translit=sumukhwa) is a type of Chinese ink brush painting which uses black ink, such as that used in Asian calligraphy, in different concentrations. It emerged during the Tang dynasty of China (618–907); it overturned earlier, more realistic techniques. It is typically monochrome, using only shades of black, with a great emphasis on virtuoso brushwork and conveying the perceived "spirit" or "essence" of a subject over direct imitation. Ink wash painting flourished from the Song dynasty in China (960–1279) onwards, as well as in Japan after it was introduced by Zen Buddhist monks in the 14th century. Some Western scholars divide Chinese painting (including ink wash painting) into three periods: times of representation, times of expression, and historical Oriental art. Chinese scholars have their own views which may be diffe ...
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Lü Ji (painter)
Lǚ Jì (Lü Chi, traditional: 呂紀, simplified: 吕纪); ca. (1477-''unknown'') was a Chinese painter of primarily bird and flower works during the Ming Dynasty (1368–1644). His specific date of death is unknown. Lu was born in Ningbo in the Zhejiang Zhejiang ( or , ; , also romanized as Chekiang) is an eastern, coastal province of the People's Republic of China. Its capital and largest city is Hangzhou, and other notable cities include Ningbo and Wenzhou. Zhejiang is bordered by Jiang ... province. His style name was 'Tingzhen'. Lu's paintings display two distinct styles. Some of his works use brilliant colors in an almost inhibited presentation, while other are more flowing but with subdued ink and water colors. References 1477 births Artists from Ningbo Year of death unknown Ming dynasty painters Painters from Zhejiang {{China-painter-stub ...
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Emperor Huizong Of Song
Emperor Huizong of Song (7 June 1082 – 4 June 1135), personal name Zhao Ji, was the eighth emperor of the Northern Song dynasty of China. He was also a very well-known calligrapher. Born as the 11th son of Emperor Shenzong, he ascended the throne in 1100 upon the death of his elder brother and predecessor, Emperor Zhezong, because Emperor Zhezong's only son died prematurely. He lived in luxury, sophistication and art in the first half of his life. In 1126, when the Jurchen-led Jin dynasty invaded the Song dynasty during the Jin–Song Wars, Emperor Huizong abdicated and passed on his throne to his eldest son, Zhao Huan who assumed the title Emperor Qinzong while Huizong assumed the honorary title of ''Taishang Huang'' (or "Retired Emperor"). The following year, the Song capital, Bianjing, was conquered by Jin forces in an event historically known as the Jingkang Incident. Emperor Huizong and Emperor Qinzong and the rest of their family were taken captive by the Jurchens ...
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Ren Yi
Ren Yi (; 1840–1896), also known as Ren Bonian, was a painter and son of a rice merchant who supplemented his income by doing portraits. He was born in Zhejiang, but after the death of his father in 1855 he lived in Shanghai. This move placed him in a more urban world that was exposed to Western thinking. In Shanghai he became a member of the Shanghai School which fused popular and traditional styles. Ren Bonian ranked with Ren Xiong, Ren Xun and Ren Yu as the "Four Rens." He was noted for his bold brushstrokes and use of color. In his earlier career the Song Dynasty painters influenced him, but later on he favored a freer style influenced by the works of Zhu Da. Gallery File:'Portrait of Gao Yong's Wife', ink on paper by Ren Yi (1840-1896), 1886, Honolulu Academy of Arts.jpg, ''Portrait of Gao Yong's Wife'' by Rèn Yi, 1886, Honolulu Museum of Art File:Ren Bonian - Playing the Flute - Walters 35101C.jpg, ''Playing the Flute'', 1860–80, Walters Art Museum Sources *''Chines ...
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Zhang Daqian
Chang Dai-chien or Zhang Daqian (; 10 May 1899 – 2 April 1983) was one of the best-known and most prodigious Chinese artists of the twentieth century. Originally known as a '' guohua'' (traditionalist) painter, by the 1960s he was also renowned as a modern impressionist and expressionist painter. In addition, he is regarded as one of the most gifted master forgers of the twentieth century. Background Chang was born in 1899 in Sichuan Province to a financially struggling but artistic family, whose members had converted to Roman Catholicism. His first commission came at age 12, when a traveling fortune-teller requested he paint her a new set of divining cards. At age 17 he was captured by bandits while returning home from boarding school in Chongqing. When the bandit chief ordered him to write a letter home demanding a ransom, he was so impressed by the boy's brushmanship that he made the boy his personal secretary. During the more than three months that he was held captive, he re ...
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Qi Baishi
Qi Baishi (1 January 1864 – 16 September 1957) was a Chinese painter, noted for the whimsical, often playful style of his works. Born to a peasant family from Xiangtan, Hunan, Qi taught himself to paint, sparked by the Manual of the Mustard Seed Garden. After he turned 40, he traveled, visiting various scenic spots in China. After 1917 he settled in Beijing. Some of Qi's major influences include the early Qing dynasty painter Bada Shanren () and the Ming dynasty artist Xu Wei (). The subjects of his paintings include almost everything, commonly animals, scenery, figures, toys, vegetables, and so on. He theorized that "paintings must be something between likeness and unlikeness, much like today's vulgarians, but not like to cheat popular people". In his later years, many of his works depict mice, shrimp or birds. He was also good at seal carving and called himself "the rich man of three hundred stone seals" (). In 1953, he was elected president of the China Artists Associat ...
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