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Bihari Sharma
Bihari Sharma is a tabla player who recorded on two Miles Davis albums in 1969 and 1970. Guitarist John McLaughlin, already interested in Indian music, suggested him and sitar player Khalil Balakrishna to Davis during the ''Bitches Brew'' sessions. Discography ates are for album releases; later Davis compilations are not listed.*''Bitches Brew ''Bitches Brew'' is a studio album by American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded from August 19 to 21, 1969, at Columbia's Studio B in New York City and released on March 30, 1970 by Columbia Records. It marke ...'' (1970) *'' Big Fun'' (1974) References External linksAllMusic {{DEFAULTSORT:Sharma, Bihari Tabla players Miles Davis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tabla
A tabla, bn, তবলা, prs, طبلا, gu, તબલા, hi, तबला, kn, ತಬಲಾ, ml, തബല, mr, तबला, ne, तबला, or, ତବଲା, ps, طبله, pa, ਤਬਲਾ, ta, தபலா, te, తబలా, ur, , group="nb", name="nb" is a pair of twin hand drums from the Indian subcontinent, that are somewhat similar in shape to the bongos. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as accompaniment with other instruments and vocals, and as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.Tabla Encyclopædia Britannica The tabla is an essential instrument in the |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contrac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John McLaughlin (musician)
John McLaughlin (born 4 January 1942), frequently known as Mahavishnu John, is an English guitarist, bandleader, and composer. A pioneer of jazz fusion, his music combines elements of jazz with rock, world music, Indian classical music, Western classical music, flamenco, and blues. After contributing to several key British groups of the early 1960s, McLaughlin made '' Extrapolation'', his first album as a bandleader, in 1969. He then moved to the U.S., where he played with drummer Tony Williams's group Lifetime and then with Miles Davis on his electric jazz fusion albums '' In a Silent Way'', ''Bitches Brew'', '' Jack Johnson'', and '' On the Corner''. His 1970s electric band, the Mahavishnu Orchestra, performed a technically virtuosic and complex style of music that fused electric jazz and rock with Indian influences. McLaughlin's solo on "Miles Beyond" from his album ''Live at Ronnie Scott's'' won the 2018 Grammy Award for the Best Improvised Jazz Solo. He has been awar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sitar
The sitar ( or ; ) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in medieval India, flourished in the 18th century, and arrived at its present form in 19th-century India. Khusrau Khan, an 18th century figure of Mughal Empire has been identified by modern scholarship as the originator of Sitar. According to most historians he developed sitar from setar, an Iranian instrument of Abbasid or Safavid origin. Another view supported by a minority of scholars is that Khusrau Khan developed it from '' Veena''. Used widely throughout the Indian subcontinent, the sitar became popularly known in the wider world through the works of Ravi Shankar, beginning in the late 1950s and early 1960s. In the 1960s, a short-lived trend arose for the use of the sitar in Western popular music, with the instrument appearing on tracks by bands such as the Beatles, the Doors, the Rolling Stones and others. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khalil Balakrishna
Khalil Balakrishna is a sitar and tanpura player who worked with Miles Davis between 1969 and 1974. Guitarist John McLaughlin, already interested in Indian music, suggested him and tabla player Bihari Sharma to Davis during the ''Bitches Brew'' sessions. He toured with Davis in 1972 and early 1973. Discography ates are for album releases; later Davis compilations are not listed.*''Bitches Brew'' (1970) *'' Live-Evil'' (1971) *''On the Corner'' (1972) *'' In Concert'' (1973) *''Get Up with It'' (1974) *'' Big Fun'' (1974) *''Circle in the Round ''Circle in the Round'' is a 1979 compilation album by jazz musician Miles Davis. It compiled outtakes from sessions across fifteen years of Davis's career that, with one exception, had been previously unreleased. All of its tracks have since been ...'' (1979) References External linksAllMusic {{DEFAULTSORT:Balakrishna, Khalil Sitar players Miles Davis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bitches Brew
''Bitches Brew'' is a studio album by American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded from August 19 to 21, 1969, at Columbia's Studio B in New York City and released on March 30, 1970 by Columbia Records. It marked his continuing experimentation with electric instruments that he had featured on his previous record, the critically acclaimed ''In a Silent Way'' (1969). With these instruments, such as the electric piano and guitar, Davis departed from traditional jazz rhythms in favor of loose, rock-influenced arrangements based on improvisation. The final tracks were edited and pieced together by producer Teo Macero. The album initially received a mixed critical and commercial response, but it gained momentum and became Davis' highest-charting album on the U.S. ''Billboard'' 200, peaking at No. 35. In 1971, it won a Grammy Award for Best Large Jazz Ensemble Album. In 1976, it became Davis' first gold album to be certified by the Recording Industry A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Fun (Miles Davis Album)
''Big Fun'' is a compilation album by American jazz trumpeter Miles Davis. It was released by Columbia Records on April 19, 1974, and compiled recordings Davis had made in sessions between 1969 and 1972. Largely ignored in 1974, it was reissued on August 1, 2000, by Columbia and Legacy Records with additional material, which led to a critical reevaluation. Background and recording ''Big Fun'' presents music from three phases of Miles Davis's early-seventies "electric" period. Sides one and four ("Great Expectations/Orange Lady" and "Lonely Fire") were recorded three months after the ''Bitches Brew'' sessions and incorporate sitar, tambura, tabla, and other Indian instruments. They also mark the first time since the beginning of Miles Davis's electric period that he played his trumpet with the Harmon mute which had been one of his hallmarks, making it sound much like the sitar. This contributed to creating a very clear and lean sound, highlighting both the high and low registers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tabla Players
A tabla, bn, তবলা, prs, طبلا, gu, તબલા, hi, तबला, kn, ತಬಲಾ, ml, തബല, mr, तबला, ne, तबला, or, ତବଲା, ps, طبله, pa, ਤਬਲਾ, ta, தபலா, te, తబలా, ur, , group="nb", name="nb" is a pair of twin hand drums from the Indian subcontinent, that are somewhat similar in shape to the bongos. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as accompaniment with other instruments and vocals, and as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.Tabla Encyclopædia Britannica The tabla is an essential instrument in the |
